Curriculum-based images for use in teaching, research, and learning.
| Title | Creator | Creation Date | ||
|---|---|---|---|---|
| 1 |
 |
Brush from the Portfolio "Grafitti: Letters from my Aunt Evelyn" | Barton Benes | 1991 CE |
| 2 |
 |
Apple Blossoms | David Bates | 1998 CE |
| 3 |
 |
Relics | Martin Lewis | 1928 CE |
| 4 |
 |
Marilyn Monroe | Andy Warhol | 1967 CE |
| 5 |
 |
S.W. Hayter Discovers Viscosity Printing | Warrington Colescott | 1976 CE |
| 6 |
 |
Taliesin West | Frances Myers | 1979 CE |
| 7 |
 |
Caprices (Los Caprichos) plate 48: Blowers (Soplones) | Francisco de Goya y Lucientes | 1796 - 1798 CE (published 1799 CE) |
| 8 |
 |
Saint Jerome in His Study | Albrecht Dürer | 1514 CE |
| 9 |
 |
Nemesis (The Great Fortune) | Albrecht Dürer | 1501 - 1502 CE |
| 10 |
 |
The Whore of Babylon | Albrecht Dürer | ca. 1498 CE |
| 11 |
 |
America | Maerten de Vos (designer) and Adriaen Collaert (engraver) | 16th - 17th Century CE |
| 12 |
 |
Untitled II | Cy Twombly | 1967 CE |
| 13 |
 |
Untitled II | Cy Twombly | 1967 CE |
| 14 |
 |
A Rake's Progress 2: Meeting the Good People (Washington) | David Hockney | 1961 - 1963 CE |
| 15 |
 |
A Rake's Progress 6a: The Wallet Begins to Empty | David Hockney | 1961 - 1963 CE |
| 16 |
 |
A Rake's Progress 8a: Bedlam | David Hockney | 1961 - 1963 CE |
| 17 |
 |
A Rake's Progress 8: Meeting the Other People | David Hockney | 1961 - 1963 CE |
| 18 |
 |
A Rake's Progress 5a: Viewing a Prison Scene | David Hockney | 1961 - 1963 CE |
| 19 |
 |
A Rake's Progress 6: Death in Harlem | David Hockney | 1961 - 1963 CE |
| 20 |
 |
A Rake's Progress 3: The Start of the Spending Spree and the Door Opening for a Blonde | David Hockney | 1961 - 1963 CE |
| 21 |
 |
A Rake's Progress 5: The Election Campaign (with Dark Message) | David Hockney | 1961 - 1963 CE |
| 22 |
 |
A Rake's Progress 4a: Marries an Old Maid | David Hockney | 1961 - 1963 CE |
| 23 |
 |
A Rake's Progress 4: The Drinking Scene | David Hockney | 1961 - 1963 CE |
| 24 |
 |
A Rake's Progress 7a: Cast Aside | David Hockney | 1961 - 1963 CE |
| 25 |
 |
A Rake's Progress 1: The Arrival | David Hockney | 1961 - 1963 CE |
| 26 |
 |
A Rake's Progress 2a: The Gospel Singing (Good People) (Madison Square Garden) | David Hockney | 1961 - 1963 CE |
| 27 |
 |
A Rake's Progress 3a: The Seven Stone Weakling | David Hockney | 1961 - 1963 CE |
| 28 |
 |
A Rake's Progress 1a: Receiving the Inheritance | David Hockney | 1961 - 1963 CE |
| 29 |
 |
A Rake's Progress 7: Disintegration | David Hockney | 1961 - 1963 CE |
| 30 |
 |
Depiction of Indigenous rite with dance and tobacco smoking, illustrating a passage labeled ‘Caraibes barbaros exsufflantes' (The Barbarian Caribs Blow Smoke) | 1590s CE | |
| 31 |
 |
Picasso's Meninas | Richard Hamilton | 1973 CE |
| 32 |
 |
Paths of the Wisdom of the World: Herman's Battle | Anselm Kiefer | 1980 CE |
| 33 |
 |
Black Dice | John Baldessari | 1982 CE |
| 34 |
 |
Seeing and Believing | Randy Bolton | 1990 CE |
| 35 |
 |
The Seasons: Spring, Summer, Fall, and Winter | Jasper Johns | 1987 CE |
| 36 |
 |
Untitled I ("No!" Says the Signified) | Shusaku Arakawa | 1973 - 1974 CE |
| 37 |
 |
Marta / Fingerprint / Silk Collé | Chuck Close | 1986 CE |
| 38 |
 |
Untitled #1 | Robert Mapplethorpe | 1985 CE |
| 39 |
 |
Tampa Clay Piece 1 | Robert Rauschenberg | 1972 CE |
| 40 |
 |
Tampa Clay Piece 2 | Robert Rauschenberg | 1972 CE |
| 41 |
 |
Canoptic Legerdemain | Nancy Graves | 1990 CE |
| 42 |
 |
Cedar Hill | Helen Frankenthaler | 1983 CE |
| 43 |
 |
Cedar Hill | Helen Frankenthaler | 1983 CE |
| 44 |
 |
I | Francesco Clemente | 1982 CE |
| 45 |
 |
I | Francesco Clemente | 1982 CE |
| 46 |
 |
Dark Cake | Wayne Thiebaud | 1983 CE |
| 47 |
 |
Dark Cake | Wayne Thiebaud | 1983 CE |
| 48 |
 |
Now Who's Got the Blueprints | William T. Wiley | 1989 CE |
| 49 |
 |
Now Who's Got the Blueprints | William T. Wiley | 1989 CE |
| 50 |
 |
Steep Street | Wayne Thiebaud | 1989 CE |
| 51 |
 |
Steep Street | Wayne Thiebaud | 1989 CE |
| 52 |
 |
Long Vertical Fall #3 | Pat Steir | 1991 CE |
| 53 |
 |
Del fumio è polvera | Judy Pfaff | 1992 CE |
| 54 |
 |
Station | Christopher Brown | 1993 CE |
| 55 |
 |
Station | Christopher Brown | 1993 CE |
| 56 |
 |
Dog Man | Nathan Oliveira | 1994 CE |
| 57 |
 |
Dog Man | Nathan Oliveira | 1994 CE |
| 58 |
 |
Untitled (#1) | Joan Nelson | 1995 CE |
| 59 |
 |
Ochre | Richard Diebenkorn | 1983 CE |
| 60 |
 |
Ochre | Richard Diebenkorn | 1983 CE |
| 61 |
 |
High Green Version I | Richard Diebenkorn | 1992 CE |
| 62 |
 |
High Green Version I | Richard Diebenkorn | 1992 CE |
| 63 |
 |
Eninka 1 | John Cage | 1986 CE |
| 64 |
 |
Eninka 1 | John Cage | 1986 CE |
| 65 |
 |
"The Disasters of War' (Los Desastres de la Guerra): And there is no help (Y no hai remedio) (plate 15) | Francisco de Goya y Lucientes | 1810 CE |
| 66 |
 |
Night Shadows | Edward Hopper | 1921 CE |
| 67 |
 |
Doma | Mauricio Lasansky | 1944 CE |
| 68 |
 |
Record Trout | William Weege | 1976 CE |
| 69 |
 |
Eternity | Richard Anuszkiewicz | 1970 CE |
| 70 |
 |
At Last a Thousand III | June Wayne | 1965 CE |
| 71 |
 |
This Beginning of Miracle | Sister Mary Corita (Kent) | 1953 CE |
| 72 |
 |
Hydrogen Man | Leonard Baskin | 1954 CE |
| 73 |
 |
Untitled | Sam Francis | 1963 CE |
| 74 |
 |
Death Rides a Dark Horse | Misch Kohn | 1949 CE |
| 75 |
 |
At Last a Thousand III | June Wayne | 1965 CE |
| 76 |
 |
Cardbird II | Robert Rauschenberg | 1971 CE |
| 77 |
 |
Fool's House | Jasper Johns | 1971 - 1972 CE |
| 78 |
 |
East Side Interior | Edward Hopper | 1922 CE |
| 79 |
 |
Northern Night (N by E) | Rockwell Kent | 1930 CE |
| 80 |
 |
Doma | Mauricio Lasansky | 1944 CE |
| 81 |
 |
Man of Peace | Leonard Baskin | 1952 CE |
| 82 |
 |
Cardbird II | Robert Rauschenberg | 1971 CE |
| 83 |
 |
Big Biker | Raymond Gloeckler | 1971 CE |
| 84 |
 |
At Last a Thousand III | June Wayne | 1965 CE |
| 85 |
 |
East Side Interior | Edward Hopper | 1922 CE |
| 86 |
 |
Untitled | Sam Francis | 1963 CE |
| 87 |
 |
Cardbird II | Robert Rauschenberg | 1971 CE |
| 88 |
 |
Woodblock Printing | ||
| 89 |
 |
Miseries of War (series) | Jacques Callot | 1621 CE |
| 90 |
 |
Caprices (Los Caprichos) plate 43: Sleep of Reason Produces Monsters | Francisco de Goya y Lucientes | 1796 - 1798 CE (published 1799 CE) |
| 91 |
 |
Shipfitters | Dox Thrash | c. 1941 CE |
| 92 |
 |
Mary Lou | Dox Thrash | c. 1939 - 1940 CE |
| 93 |
 |
Quarter of Nine, Saturday's Children | Martin Lewis | 1929 CE |
| 94 |
 |
Man of Peace | Leonard Baskin | 1952 CE |
| 95 |
 |
Europa | Hugh Mesibov | 1942 CE |
| 96 |
 |
Black Cloud No. 2 | Hans Burkhardt | 1956 CE |
| 97 |
 |
Frankie and Johnnie | Thomas Hart Benton | 1936 CE |
| 98 |
 |
A Stag at Sharkey's | George Bellows | 1917 CE |
| 99 |
 |
Tattoo-Shave-Haircut | Reginald Marsh | 1932 CE |
| 100 |
 |
John Brown | John Steuart Curry | 1939 CE |