|
|
Title | Creator | Creation Date |
| 1 |
 |
Beat the Whites with the Red Wedge | Eliezer Markowich (El Lissitzky) | 1919 CE |
| 2 |
 |
Art Workers' Coalition Demonstration | Jan van Raay | 1970 CE |
| 3 |
 |
War | Otto Dix | 1932 CE |
| 4 |
 |
Dead Soldier in Trench | Otto Dix | 1924 CE |
| 5 |
 |
A imagem da violência (The Images of Violence) | Antonio Manuel | 1968 CE |
| 6 |
 |
Jornal (Newspaper) | Antonio Manuel | 1968 CE |
| 7 |
 |
Sem Censura (Uncensored) | Antonio Manuel | 1968 CE |
| 8 |
 |
Female Sanitary Worker | Carmen Amato | 1991 CE |
| 9 |
 |
The Altar of Live News | Felipe Almada | 1992 CE |
| 10 |
 |
Devolver... las Sombras (Give Back... the Shadows) | Terry Allen | 1991 CE |
| 11 |
 |
Paki Bastard | Rasheed Araeen | 1977 CE |
| 12 |
 |
Fire | Rasheed Araeen | 1975 CE |
| 13 |
 |
How Could One Paint a Self Portrait! | Rasheed Araeen | 1978 - 1979 CE |
| 14 |
 |
Works by Shepard Fairey | Shepard Fairey | |
| 15 |
 |
Cafe Deutschland III | Jörg Immendorff | 1978 CE |
| 16 |
 |
Art Rebate Flyer (English) | Louis Hock | 1993 CE |
| 17 |
 |
Migra Mouse | Lalo Alcaráz | 1997 CE |
| 18 |
 |
Onion Picker - San Juan; Bracero - Antonie Gonzalez with 1965 Indentification Card - El Paso; Confession in the Field, A Texas Migrant Worker in New Jersey | Alan Pogue | 2005 CE; 2005 CE; 1997 CE |
| 19 |
 |
Humanscape #149: Sarapeland | Mel Casas | 1988 CE |
| 20 |
 |
El Colgado / The Hang "for the Thankless Desire to Earn Dollars" | Cristina Cárdenas | 1992 CE |
| 21 |
 |
Border Marriage | Irene Pérez | 1995 CE |
| 22 |
 |
Wildwest $$ | Alan Pogue | 1996 CE |
| 23 |
 |
Ecce Homo | Salomón Huerta | |
| 24 |
 |
Our Strange Flower of Democracy | Mel Chin | 2005 CE |
| 25 |
 |
Rank and Defile 1 | Clinton Fein | 2007 CE |
| 26 |
 |
Prototype (Freedom Is Not Free) | Martha Rosler | 2006 CE |
| 27 |
 |
Dawn Halfaker | Timothy Greenfield-Sanders | 2006 CE |
| 28 |
 |
Alan Jermaine Lewis | Nina Berman | 2004 CE |
| 29 |
 |
Marine Wedding | Nina Berman | 2006 CE |
| 30 |
 |
Artists Join Hands forming Human Chains in a 'Cem Mil' (100,000) Protest March, June 26, 1978, in Rio de Janeiro | | 1978 CE |
| 31 |
 |
Photographs of 'A Popular Poet' and 'I Do Not Change My Opinion' | | 1965 CE |
| 32 |
 |
Animados Pelo Mesmo Principio (Animated by the Same Principle) | João Câmara Filho | 1974 - 1976 CE |
| 33 |
 |
Antropofogia Matinal (Anthropophagic Morning) | João Câmara Filho | 1974 - 1976 CE |
| 34 |
 |
Uma Prova de Virilidade (Proof of Virility) | João Câmara Filho | 1974 - 1976 CE |
| 35 |
 |
Jogos de Guerra (War Games) | João Câmara Filho | 1974 - 1976 CE |
| 36 |
 |
Magazine Page Showing Placement of Little Trees as a Way to Report to their Readers the Presence of Prior Censorship | | 1976 CE |
| 37 |
 |
Pasquim Censura (Pasquinade Censorship) | | |
| 38 |
 |
Vladimir and Clarice Herzog in New York | | 1973 CE |
| 39 |
 |
USA e abUSA (USA and abUSA) | Cláudio Tozzi | 1966 CE |
| 40 |
 |
Hélio Oiticica and a Guevara Flag | Cláudio Tozzi | 1968 CE |
| 41 |
 |
Sabor Doce para Bocas Amargas (Sweet Taste for Bitter Mouths) | Antonio Manuel | 1973 CE |
| 42 |
 |
Devoir de mémoire: A Biography of Disapperance, Algeria | Omar D. | 1992 CE |
| 43 |
 |
Uncle Scam | Shepard Fairey | 2007 CE |
| 44 |
 |
'Obama Hope' Poster in Progress (1) | Shepard Fairey | 2008 CE |
| 45 |
 |
'Obama Hope' Poster in Progress (2) | Shepard Fairey | 2008 CE |
| 46 |
 |
Nouveau Girl Stencil | Shepard Fairey | 2007 CE |
| 47 |
 |
Greetings from Iraq Stencil | Shepard Fairey | 2007 CE |
| 48 |
 |
Obey '04 | Shepard Fairey | 2004 CE |
| 49 |
 |
Obey '94 | Shepard Fairey | 1994 CE |
| 50 |
 |
War Monument | Ernst Barlach | 1927 CE |
| 51 |
 |
War Monument (study) | Ernst Barlach | 1927 CE |
| 52 |
 |
Marxism Will Give Health to the Sick | Frida Kahlo | 1954 CE |
| 53 |
 |
Political Cartoon from Harper's Weekly | Thomas Nast | 1872 CE |
| 54 |
 |
Poster: "Vienna is Dying! Save Her Children!" | Käthe Kollwitz | 1920 CE |
| 55 |
 |
Live Baby Chicks as Fertilizer | Sue Coe | 1995 CE |
| 56 |
 |
Goat Outside Slaughterhouse | Sue Coe | 1995 CE |
| 57 |
 |
End of the Empire | Sue Coe | 1995 CE |
| 58 |
 |
Hatchery | Sue Coe | 1995 CE |
| 59 |
 |
Feedlot | Sue Coe | 1995 CE |
| 60 |
 |
Modern Man Followed by the Ghosts of his Meat | Sue Coe | 1995 CE |
| 61 |
 |
Boys Playing Football with Hog's Head | Sue Coe | 1995 CE |
| 62 |
 |
Up to Six Minutes to Die | Sue Coe | 1995 CE |
| 63 |
 |
Selection for Slaughter | Sue Coe | 1995 CE |
| 64 |
 |
It Got Away From Them | Sue Coe | 1995 CE |
| 65 |
 |
Butcher to the World | Sue Coe | 1995 CE |
| 66 |
 |
Egg Machines | Sue Coe | 1995 CE |
| 67 |
 |
Wall Street | Sue Coe | 1995 CE |
| 68 |
 |
Debeaking | Sue Coe | 1995 CE |
| 69 |
 |
Shots from www.sandmonkey.org reproducing pages from October 17, 2005 edition of "El Fagr" | Alex Adam (aka Sandmonkey) | 2005 CE |
| 70 |
 |
Downed Cow | Sue Coe | 1995 CE |
| 71 |
 |
The Boss Calls in the Immigration Police | Sue Coe | 1995 CE |
| 72 |
 |
Horse Slaughterhouse | Sue Coe | 1995 CE |
| 73 |
 |
Sketch from "Dead Meat" | Sue Coe | 1995 CE |
| 74 |
 |
Never Again War! | Käthe Schmidt Kollwitz | 1924 CE |
| 75 |
 |
Peasant's War: Outbreak | Käthe Schmidt Kollwitz | 1903 CE |
| 76 |
 |
Non-Violent Protest Training: Abalone Alliance Camp, Diablo Canyon Nuclear Power Plant, 1981 | Andrea Bowers | 2004 CE |
| 77 |
 |
Defense of Necessity | Andrea Bowers | 2003 CE |
| 78 |
 |
Nonviolent Civil Disobedience Drawing, Go Perfectly Limp and Be Carried Away | Andrea Bowers | 2004 CE |
| 79 |
 |
Soft Blockades Displayed | Andrea Bowers | 2004 CE |
| 80 |
 |
The Weight of Relevance | Andrea Bowers | 2007 CE |
| 81 |
 |
The Weight of Relevance | Andrea Bowers | 2007 CE |
| 82 |
 |
The Weight of Relevance | Andrea Bowers | 2007 CE |
| 83 |
 |
Educate, Agitate, Organize | Andrea Bowers | 2010 CE |
| 84 |
 |
Nothing is Neutral | Andrea Bowers | 2006 CE |
| 85 |
 |
Defense of Necessity (detail) | Andrea Bowers | 2003 CE |
| 86 |
 |
Letters to the Army of Three Displayed (detail) | Andrea Bowers | 2005 CE |
| 87 |
 |
Design of Choice (My Body My Choice with Stripes) | Andrea Bowers | 2005 CE |
| 88 |
 |
Design of Choice (Pro-Child, Pro-Choice) | Andrea Bowers | 2005 CE |
| 89 |
 |
Vieja Gloria, production still | Andrea Bowers | 2004 CE |
| 90 |
 |
Vieja Gloria, production still | Andrea Bowers | 2004 CE |
| 91 |
 |
Vieja Gloria, production still | Andrea Bowers | 2004 CE |
| 92 |
 |
Vieja Gloria, production still | Andrea Bowers | 2004 CE |
| 93 |
 |
Letters to the Army of Three Displayed | Andrea Bowers | 2005 CE |
| 94 |
 |
Nonviolent Civil Disobedience Drawing, Go Perfectly Limp and Be Carried Away | Andrea Bowers | 2004 CE |
| 95 |
 |
Nonviolent Civil Disobedience Drawing, Go Perfectly Limp and Be Carried Away | Andrea Bowers | 2004 CE |
| 96 |
 |
Mercenaries IV | Leon Golub | 1980 CE |
| 97 |
 |
To the Rescue | Winsor McCay | 1916 CE |
| 98 |
 |
Uncle Sam's Reform School | John T. McCutcheon | 1916 CE |
| 99 |
 |
An Iranian Couple walks along a Tehran highway past Murals depicting scenes from the Abuse of Iraqi Prisoners by U.S. soldiers at Abu Ghraib | Behrouz Mehri | June 1, 2004 |
| 100 |
 |
Shell Crater with Flowers | Otto Dix | 1916 CE |
| 101 |
 |
War Casualty | Ernst Friedrich | 1924 CE |
| 102 |
 |
Artillerymen in the Shower | Ernst Ludwig Kirchner | 1915 CE |
| 103 |
 |
Wounded Serviceman with Amputated Right Hand | Spitzy and Harwich | 1915 CE |
| 104 |
 |
Amputee with Hand Prosthesis | Spitzy and Harwich | 1915 CE |
| 105 |
 |
The Cloud | Alfredo Jaar | October 14, 2000 CE |
| 106 |
 |
The Rules of the Game | Gustavo Artigas | 2000 CE |
| 107 |
 |
San Diego's Most Wanted Painting | Komar and Melamid (Vitaly Komar and Alex Melamid) | |
| 108 |
 |
Tijuana's Most Wanted Painting | Komar and Melamid (Vitaly Komar and Alex Melamid) | |
| 109 |
 |
Proposal for 'Tijuana's Most Wanted Painting / San Diego's Most Wanted Painting' | Komar and Melamid (Vitaly Komar and Alex Melamid) | |
| 110 |
 |
12 Border Stereotypes: El Vato | Victor Ochoa | 1987 CE |
| 111 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 112 |
 |
14 Ago.68 | On Kawara | 1968 CE |
| 113 |
 |
Cartel | Pedro Meyer | 1968 CE |
| 114 |
 |
Student Movement Protests, in La Cultura en Mexico | | September 25, 1968 CE |
| 115 |
 |
Student Movement Protests, in La Cultura en Mexico | | September 25, 1968 CE |
| 116 |
 |
Student Movement Protests, in La Cultura en Mexico | | September 25, 1968 CE |
| 117 |
 |
Paloma de la paz atravesada por una bayoneta (Dove of Peace Pierced by Bayonet) | | 1968 CE |
| 118 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 119 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 120 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 121 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 122 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 123 |
 |
Siempre!; October 16, 1968: Luto por los Muchachos Muertos (Mourning for the Dead Boys) | | 1968 CE |
| 124 |
 |
Siempre!; October 16, 1968: La Noche de Tlatelolco | | 1968 CE |
| 125 |
 |
Arkansas National Guardsmen Patrolling off Haifa Street, Baghdad, October, 2004 | Steve Mumford | 2004 CE |
| 126 |
 |
Czlowiek-bomba (Human Bomb) | Zofia Kulik | 1990 CE |
| 127 |
 |
Target of Critique | Peter Buotte | 2007 CE |
| 128 |
 |
After Three Weeks of Fierce Fighting, Marine and Sailors of the 4th Marine Regiment Crown the Windows and Doors of Ravaged Hotels in Najaf that they took in a Nighttime Assault | Lucian Read | 2004 CE |
| 129 |
 |
Queen and Country (detail) | Steve McQueen | 2007 CE |
| 130 |
 |
Poster from 'The Siege of Khartoum, 1884' | Maryram Jafri | 2006 CE |
| 131 |
 |
Untitled | Erik Van Lieshout | 2007 CE |
| 132 |
 |
View of 'iRaq' Series Posted in Los Angeles | Forkscrew Graphics | 2004 CE |
| 133 |
 |
Interrogation II | Leon Golub | 1981 CE |
| 134 |
 |
Ceci n'est pas una Comic (This is not a Comic) | Peter Kuper | 2003 CE |
| 135 |
 |
Election (Lynndie) | Martha Rosler | 2004 CE |
| 136 |
 |
Hooded Captives | Martha Rosler | 2004 CE |
| 137 |
 |
If Vietnam | Claude Moller | 2004 CE |
| 138 |
 |
iRaq (Blue) | Forkscrew Graphics | 2004 CE |
| 139 |
 |
Proletarian Mother | David Alfaro Siqueiros | 1930 CE |
| 140 |
 |
Art Rebate Flyer (Spanish) | Louis Hock | 1993 CE |
| 141 |
 |
Art Rebate Receipt | Louis Hock | 1993 CE |
| 142 |
 |
Comunismo no es crear conciencia con el dinero sino crear riqueza con la conciencia (Communism is not creating Conscience with Money but creating Wealth with Conscience) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 143 |
 |
Semana Homenaje a Gaspar Minint 25 Nov 2 Dic (Week of Homage to Gaspar Minint 25 Nov. 2 Dec.) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 144 |
 |
Cien Años de Lucha (One Hundred Years of Struggle) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 145 |
 |
Day of the Heroic Guerrilla Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 146 |
 |
Imágenes (Images) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 147 |
 |
Destacamento Oriental Columna Juvenil del Centenario (Eastern Detachment, Youth Centennial Column) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 148 |
 |
El Cuento del Zar Saltan (The Legend of Czar Saltan) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 149 |
 |
Hasta la Victoria Siempre (Ever Toward Victory) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 150 |
 |
El No Quiso Matar (He Didn't Want to Kill) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 151 |
 |
Nadie Quería Morir (No One Wanted to Die) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 152 |
 |
Tierra en Trance (Country in Crisis) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 153 |
 |
Cimarrón Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 154 |
 |
LBJ Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 155 |
 |
En mi isla inspirados en su ejemplo formaremos nuestra conciencia y construiremos el Comunismo (On my Island, inspried by your example we shall shape our conscience and build Communism) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 156 |
 |
Desfile y Concentración 7 Aniversario (Parade and Concentration 7 Anniversary) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 157 |
 |
28 de Septiembre octavo aniversario (Eighth Anniversary of September 28) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 158 |
 |
Campeonato Internacional de Tiro (International Shooting Championship) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 159 |
 |
Los Vengadores Incapturables (The Uncapturable Avengers) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 160 |
 |
Sexto Aniversario 1959-1965 (Sixth Anniversary 1959-1965) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 161 |
 |
Canción Protesta (Protest Song) Poster | OSPAAAL (Organization of Solidarity of the People of Asia, Africa, and Latin America) | |
| 162 |
 |
Sun Mad | Ester Hernandez | 1982 CE |
| 163 |
 |
Declaracion Reglamento (Regulation Statement) | FMTC (Frente Mexicano de Trabajadores de la Cultura) [Mexican Front of Cultural Workers] | January 1980 CE |
| 164 |
 |
Expediente: La Historia Documentada de un Complot Frustado (File: The Documented History of a Plot Frustrated) | Grupo Proceso Pentagono | 1980 CE |
| 165 |
 |
March in memory of those who died in Tlatelolco and to demand the presentation of the disappeared politicians | Grupo Germinal | October 1978 CE |
| 166 |
 |
La Grafica del 68: Homenaje al Movimiento Estudiantil (Tribute to the Student Movement) | Grupo Mira | 1993 CE |
| 167 |
 |
Action 108, Palestinians wait to cross the Erez Crossing while trying to flee from Gaza. 20 June 2007 | Reza Aramesh | 2011 CE |
| 168 |
 |
Action 91, Soldier of the Front de Liberation Nationale in French custody. Aumale, Algeria. October 1960 | Reza Aramesh | 2010 CE |
| 169 |
 |
Action 44: Baghdad September 10th, 2004 | Reza Aramesh | 2008 - 2009 CE |
| 170 |
 |
Between the Eye and the Object Falls the Shadow | Reza Aramesh | 2008 - 2009 CE |
| 171 |
 |
Una sombra de esperanza para el capataz complice del negro burgues (A shadow of hope for the foreman, an accomplice of the black bourgeois) | Unknown | 1912 CE |
| 172 |
 |
Untitled (William Taft calls the attention of Woodrow Wilson on the fierce bandit behind the fence representing the Mexican Revolution) | McKee Barclay | ca. 1913 CE |
| 173 |
 |
Los que amenazan a México (Those that threaten Mexico) | Johnson | 1912 CE |
| 174 |
 |
Untitled ("Stop! I've waited long enough!") | Clifford Kennedy Berryman | 1915 CE |
| 175 |
 |
Untitled | Nelson Green | 1915 CE |
| 176 |
 |
You're the Pest I'm After! | Kemble | 1914 CE |
| 177 |
 |
Across the Line | Charles H. Sykes | 1916 CE |
| 178 |
 |
Dame Europe is shocked at the way we let things go on | William A. Rogers | 1911 CE |
| 179 |
 |
Just to Keep Things Straight | Clifford Kennedy Berryman | 1911 CE |
| 180 |
 |
What?... Again! | Clifford Kennedy Berryman | 1919 CE |
| 181 |
 |
Coffin Capacity: One Person | Catalina Parra | 1974 CE |
| 182 |
 |
Crosses set on the US - Mexico Border Wall | | |
| 183 |
 |
Bodies Pending | Border Art Workshop: Andres Torres, Fernando Garcia, Angelica Ruano, Veronica Nava, Carlos Gutierrez, Jewel Castro, Tim Carroll, Michael Schnorr, Juan F. Pazos, Carmela Castrejon Diego, Todd Stands, Susan Yamagata, Eric Kelly, Narciso Argüelles, Victoria McLean, Tomas Tamayo, Zopilote | 1993 CE |
| 184 |
 |
Untitled | Deboral Small; Elizabeth Sisco; Scott Kessler; Louis Hock; David Avalos | 1991 CE |
| 185 |
 |
Club Guadalajara de Noche | Raul Guerrero | 1989 CE |
| 186 |
 |
Allá en el Rancho Grande | Alfred J. Quiróz | 1990 CE |
| 187 |
 |
Things I Never Told My Son About Being Mexican | Yolanda M. Lopez | 1984 - 1993 CE |
| 188 |
 |
The Reading Room | Las Comadres | 1990 CE |
| 189 |
 |
Mestizaje I | Patricia Ruiz Bayón | 1992 - 1993 CE |
| 190 |
 |
Ramona's Mission | Deboral Small | 1990 CE |
| 191 |
 |
Imperialist Aggression | Nirma Zárate | 1972 CE |
| 192 |
 |
A Shameful Waste | Jay Norwood "Ding" Darling | 1914 CE |
| 193 |
 |
Uncle Sam Free Boarding House | William A. Rogers | 1914 CE |
| 194 |
 |
A palavra/o pau/a pedra (The Word/The Stick/The Stone) | Antonio Manuel | 1968 CE |
| 195 |
 |
Antonio Manuel making a proof at the offices of 'Jornal do Brasil' | Antonio Manuel | |
| 196 |
 |
O corpo é a obra (The Body is the Work) | Antonio Manuel | 1970 CE |
| 197 |
 |
O corpo é a obra (The Body is the Work) | Antonio Manuel | 1970 CE |
| 198 |
 |
Mobile Transborder Archive | | 2005 CE |
| 199 |
 |
Hybrid Postcard Century-Revolución LA/SD/TJ | Teddy Cruz | 2000 CE |
| 200 |
 |
Tula Frontera Norte (Tula Northern Border) | Einar and Jamex de la Torre | 2001 CE |
