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|
Title | Creator | Creation Date |
| 1 |
 |
Laborers who cannot be payed, remunerated to remain in the interior of carton boxes | Santiago Sierra | 2000 CE |
| 2 |
 |
Challenging Mud | Kazuo Shiraga | 1955 CE |
| 3 |
 |
Challenging Mud | Kazuo Shiraga | 1955 CE |
| 4 |
 |
Museum Highlights: A Gallery Talk | Andrea Fraser | 1989 CE |
| 5 |
 |
Anthropometry of the Blue Period | Yves Klein | 1960 CE |
| 6 |
 |
Anthropomerties of the Blue Period, 9 | Yves Klein | March 1960 CE |
| 7 |
 |
Vagina Painting | Shigeko Kubota | 1965 CE |
| 8 |
 |
Loving Care (I Soaked My Hair in Dye and Mopped the Floor With It) | Janine Antoni | 1993 CE |
| 9 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 10 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 11 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 12 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 13 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 14 |
 |
Border Arts Workshop, End of the Line Performance | | 1986 CE |
| 15 |
 |
Border Arts Workshop, End of the Line Performance | | 1986 CE |
| 16 |
 |
Border Arts Workshop, End of the Line Performance | | 1986 CE |
| 17 |
 |
Border Arts Workshop, End of the Line Performance | | 1986 CE |
| 18 |
 |
Pilgrimage - Wind and Water in New York | Zhang Huan | 1998 CE |
| 19 |
 |
25mm Threading Steel | Zhang Huan | 1994 CE |
| 20 |
 |
Pilgrimage to Santiago | Zhang Huan | 2001 CE |
| 21 |
 |
Rubens | Zhang Huan | 2000 CE |
| 22 |
 |
My Australia | Zhang Huan | 2000 CE |
| 23 |
 |
Seeds of Hamburg | Zhang Huan | 2001 CE |
| 24 |
 |
My Rome | Zhang Huan | 2005 CE |
| 25 |
 |
The Red Sculpture | Gilbert and George (Gilbert Prousch and George Passmore) | 1975 CE |
| 26 |
 |
Joseph Beuys performing 'Eurasia' at Galerie Rene Block, Berlin | Joseph Beuys | 1966 CE |
| 27 |
 |
Washing Tracks / Maintenance: Inside | Mierle Laderman Ukeles | 1973 CE |
| 28 |
 |
Hartford Wash: Washing, Tracks, Maintenance: Outside | Mierle Laderman Ukeles | 1973 CE |
| 29 |
 |
Semiotics of the Kitchen | Martha Rosler | 1975 CE |
| 30 |
 |
Synapse I | Sutapa Biswas | 1992 CE |
| 31 |
 |
Re-enactments (detail) | Francis Alÿs | 2001 CE |
| 32 |
 |
Re-enactments | Francis Alÿs | 2001 CE |
| 33 |
 |
Paki Bastard | Rasheed Araeen | 1977 CE |
| 34 |
 |
Yvonne Rainier, David Gordon, and Steve Paxton in Trio A | | 1966 CE |
| 35 |
 |
Shoot | Chris Burden | 1971 CE |
| 36 |
 |
Seedbed | Vito Acconci | 1972 CE |
| 37 |
 |
Seedbed | Vito Acconci | 1972 CE |
| 38 |
 |
Bossy Burger | Paul McCarthy | 1991 CE |
| 39 |
 |
Hot Dog | Paul McCarthy | 1975 CE |
| 40 |
 |
Roberta Breitmore Series: Untitled (Roberta and Irwin at the San Francisco Museum of Modern Art) | Lynn Hershman Leeson | 1975 CE |
| 41 |
 |
Roberta Breitmore Series: Roberta's Construction Chart #2 | Lynn Hershman Leeson | 1975 CE |
| 42 |
 |
Roberta Breitmore Series: Roberta's California Interim Driver's License | Lynn Hershman Leeson | 1976 CE |
| 43 |
 |
Roberta Breitmore Series: Roberta's Body Language Chart | Lynn Hershman Leeson | 1978 CE |
| 44 |
 |
The Artist is Present | Marina Abramović | 2010 CE |
| 45 |
 |
Roseni Performing with P 07 Parangolé Cape 04 "Clark" | Hélio Oiticica | 1965 CE |
| 46 |
 |
Inauguration of Parangolé | Hélio Oiticica | 1965 CE |
| 47 |
 |
Hélio Oiticica with Parangolé P22 Cape 18, "Nirvana" | Hélio Oitiicica; Antonio Manuel | 1968 CE |
| 48 |
 |
Scene from the Performance "United States" | Laurie Anderson | 1978 - 1982 CE |
| 49 |
 |
Catalysis IV | Adrian Piper | 1970 - 1971 CE |
| 50 |
 |
Living Sculptures | Gilbert and George (Gilbert Prousch and George Passmore) | 1969 CE |
| 51 |
 |
Collective Head (1) | Lygia Clark | 1975 CE |
| 52 |
 |
Collective Head (2) | Lygia Clark | 1975 CE |
| 53 |
 |
Water and Shells | Lygia Clark | 1966 CE |
| 54 |
 |
Encierro y Escape (Confinement and Escape) | Graciela Carnevale | October 8, 1968 CE |
| 55 |
 |
Obra Clausurada (Closed Work) | Eduardo Favario | September 9, 1968 CE |
| 56 |
 |
'Vivo-Ditos' and 'Autorretrato' (Self Portrait) | Alberto Greco | 1963 CE |
| 57 |
 |
La Familia Obrera (The Working Class Family) | Oscar Bony | 1968 / 1999 CE |
| 58 |
 |
Maresca se Entrega todo Destino (Maresco Offers Herself to Destiny) | Liliana Maresca | 1993 CE |
| 59 |
 |
Fetus Movement II: Project for Extraterrestrials No. 9 (view 2) | Cai Guo Qiang | 1992 CE |
| 60 |
 |
Fetus Movement II: Project for Extraterrestrials No. 9 (view 1) | Cai Guo Qiang | 1992 CE |
| 61 |
 |
Project to Extend the Great Wall of China by 10,000 Meters: Project for Extraterrestrials No.10 (view 3) | Cai Guo Qiang | February 27, 1993 CE |
| 62 |
 |
The Immensity of Heaven and Earth: Project for Extraterrestrials No. 11 | Cai Guo Qiang | September 15, 1991 CE |
| 63 |
 |
Dragon Sight Sees Vienna: Project for Extraterrestrials no. 32 | Cai Guo Qiang | November 6, 1999 CE |
| 64 |
 |
The Floating Shrines (1) | Lyndall Milani | 1989 CE |
| 65 |
 |
The Floating Shrines (2) | Lyndall Milani | 1989 CE |
| 66 |
 |
Anima (4) | Ana Mendieta | 1976 CE |
| 67 |
 |
Anima (3) | Ana Mendieta | 1976 CE |
| 68 |
 |
Anima (2) | Ana Mendieta | 1976 CE |
| 69 |
 |
Anima (1) | Ana Mendieta | 1976 CE |
| 70 |
 |
Imagen de Yagul | Ana Mendieta | 1973 CE |
| 71 |
 |
Blossom Performance (1) | Ken Little | 1985 CE |
| 72 |
 |
Caprock Too! Performance (1) | Ken Little | 1983 CE |
| 73 |
 |
Caprock Too! Performance (2) | Ken Little | 1983 CE |
| 74 |
 |
Blossom Performance (2) | Ken Little | 1985 CE |
| 75 |
 |
Entrance | Ernesto Pujol | 2004 - 2006 CE |
| 76 |
 |
Memorial Gestures: Mourning and Yearning | Ernesto Pujol | 2007 CE |
| 77 |
 |
Lost | Ernesto Pujol | 2007 - 2008 CE |
| 78 |
 |
Classical Landscape | Ernesto Pujol | 2004 - 2006 CE |
| 79 |
 |
Circle (Approach) | Ernesto Pujol | 2004 - 2006 CE |
| 80 |
 |
Ascendancy | Ernesto Pujol | 2004 - 2006 CE |
| 81 |
 |
Midpoint | Ernesto Pujol | 2004 - 2006 CE |
| 82 |
 |
Mausoleum | Ernesto Pujol | 2004 - 2006 CE |
| 83 |
 |
Pause #2 | Ernesto Pujol | 2004 - 2006 CE |
| 84 |
 |
Enclosure | Ernesto Pujol | 2004 - 2006 CE |
| 85 |
 |
Circle | Ernesto Pujol | 2004 - 2006 CE |
| 86 |
 |
Gated | Ernesto Pujol | 2004 - 2006 CE |
| 87 |
 |
Classical Column | Ernesto Pujol | 2004 - 2006 CE |
| 88 |
 |
Palmetto Gate | Ernesto Pujol | 2004 - 2006 CE |
| 89 |
 |
Fallen Column | Ernesto Pujol | 2004 - 2006 CE |
| 90 |
 |
Circle (Exit) | Ernesto Pujol | 2004 - 2006 CE |
| 91 |
 |
Narrow Path | Ernesto Pujol | 2004 - 2006 CE |
| 92 |
 |
Iron Arch | Ernesto Pujol | 2004 - 2006 CE |
| 93 |
 |
Rest | Ernesto Pujol | 2004 - 2006 CE |
| 94 |
 |
Egypt | Ernesto Pujol | 2004 - 2006 CE |
| 95 |
 |
Mound | Ernesto Pujol | 2004 - 2006 CE |
| 96 |
 |
By the Waters | Ernesto Pujol | 2004 - 2006 CE |
| 97 |
 |
Victorian Form | Ernesto Pujol | 2004 - 2006 CE |
| 98 |
 |
Supermother | Elzbieta Jablońska | 2002 CE |
| 99 |
 |
Eat Your Heart Out | Elzbieta Jablońska | 2001 CE |
| 100 |
 |
Figures from the Triadic Ballet (The Turk, Wire, and the Abstract in front of Schlemmer's Stage Curtain) | Oskar Schlemmer | 1926 CE |
| 101 |
 |
Throwing My Words into the Wind | Regina José Galindo | 1999 CE |
| 102 |
 |
Who Can Erase the Traces? (detail) | Regina José Galindo | 2003 CE |
| 103 |
 |
We Don't Lose Anything By Being Born | Regina José Galindo | 2000 CE |
| 104 |
 |
Triadic Ballet Costume Designs (Figurine Plan for Triadic Ballet I) | Oskar Schlemmer | 1924 - 1926 CE |
| 105 |
 |
Costumes for the Triadic Ballet, in the revue "Metropolis Again" | | 1926 CE |
| 106 |
 |
Triadic Ballet costumes in "Weidner Metropol" review at Berlin Metropol Theater | Oskar Schlemmer | 1926 CE |
| 107 |
 |
ANT Happening 106 | Yves Klein | 1960 CE |
| 108 |
 |
Offerings from A - Z: Part 3, view 2 | Arahmaiani | January 1996 CE |
| 109 |
 |
Offerings from A - Z: Part 3, view 1 | Arahmaiani | January 1996 CE |
| 110 |
 |
Quien Puede Borrar Las Huellas? (Who Can Erase the Traces?) | Regina José Galindo | 2003 CE |
| 111 |
 |
Quien Puede Borrar Las Huellas? (Who Can Erase the Traces?) | Regina José Galindo | 2003 CE |
| 112 |
 |
Quien Puede Borrar Las Huellas? (Who Can Erase the Traces?) | Regina José Galindo | 2003 CE |
| 113 |
 |
Quien Puede Borrar Las Huellas? (Who Can Erase the Traces?) | Regina José Galindo | 2003 CE |
| 114 |
 |
Quien Puede Borrar Las Huellas? (Who Can Erase the Traces?) | Regina José Galindo | 2003 CE |
| 115 |
 |
El Grito (The Scream) | Benvenuto Chavajay | 2002 CE |
| 116 |
 |
El Grito (The Scream) | Benvenuto Chavajay | 2002 CE |
| 117 |
 |
Oskar Schlemmer's Triadische Ballett (Triadic Ballet) | Margarete Hasting; Franz Schömbs; Georg Verden | 1968 - 1970 CE |
| 118 |
 |
26' 1.1499" for a String Player | Nam June Paik; Charlotte Moorman | 1965 CE |
| 119 |
 |
No perdemos nada con nacer (We don't lose anything by being born) | Regina José Galindo | 2000 CE |
| 120 |
 |
No perdemos nada con nacer (We don't lose anything by being born) | Regina José Galindo | 2000 CE |
| 121 |
 |
Quien Puede Borrar Las Huellas? (Who Can Erase the Traces?) | Regina José Galindo | 2003 CE |
| 122 |
 |
Quien Puede Borrar Las Huellas? (Who Can Erase the Traces?) | Regina José Galindo | 2003 CE |
| 123 |
 |
Quien Puede Borrar Las Huellas? (Who Can Erase the Traces?) | Regina José Galindo | 2003 CE |
| 124 |
 |
Tierra (Land) | Regina José Galindo | 2013 CE |
| 125 |
 |
Tierra (Land) | Regina José Galindo | 2013 CE |
| 126 |
 |
Tierra (Land) | Regina José Galindo | 2013 CE |
| 127 |
 |
Tierra (Land) | Regina José Galindo | 2013 CE |
| 128 |
 |
Singing Sculptures | Gilbert and George (Gilbert Prousch and George Passmore) | 1969 CE |
| 129 |
 |
Iphigenia / Titus Andronicus | Joseph Beuys | 1969 CE |
| 130 |
 |
I Like America and America Likes Me | Joseph Beuys | 1974 CE |
| 131 |
 |
Hurling Colors | Shozo Shimamoto | 1956 CE |
| 132 |
 |
Lette Eisenhauer Ascending Ladder in The Courtyard | Allan Kaprow | 1962 CE |
| 133 |
 |
Household | Allan Kaprow | 1964 CE |
| 134 |
 |
How to Explain Pictures to a Dead Hare | Joseph Beuys | 1965 CE |
| 135 |
 |
Circus | Xanti Schawinsky | 1924 CE |
| 136 |
 |
Displacement | Tania Bruguera | 1998 - 1999 CE |
| 137 |
 |
Displacement | Tania Bruguera | |
| 138 |
 |
Untitled (Havana, 2000) | Tania Bruguera | 2000 CE |
| 139 |
 |
Kugelhände (Ball Hand Costume) | Oskar Schlemmer | 1922 - 1923 CE |
| 140 |
 |
Article in 'El Mundo', Covering the Alleged 'Total Participation Happening' | | August 21, 1966 CE |
| 141 |
 |
Article by Sociologist Eliseo Verón Analyzing the 'Non-Happening' or 'Happening que no Existió (Happening That Did Not Exist) | | October 30, 1966 CE |
| 142 |
 |
First Media Artwork: Total Participation Happening, Flamenco Dancer Antonio Gades | Roberto Jacoby; Eduardo Costa; Raúl Escari | 1966 CE |
| 143 |
 |
First Media Artwork: Total Participation Happening | Roberto Jacoby; Eduardo Costa; Raúl Escari | 1966 CE |
| 144 |
 |
A Public Cervix Announcement (left); Temple of the Sacred Prostitute (right) | Annie Sprinkle | 1992 - 1994 CE |
| 145 |
 |
To Draw A Line | Janine Antoni | September 9, 2003 CE |
| 146 |
 |
Kunst Kick | Chris Burden | June 19, 1974 CE |
| 147 |
 |
VB35 | Vanessa Beecroft | 1998 CE |
| 148 |
 |
Kusama during Performance on Brooklyn Bridge | | May 17, 1968 CE |
| 149 |
 |
14th Street Happening (1) | Yayoi Kusama | 1966 CE |
| 150 |
 |
Performance at the Board of Elections | Yayoi Kusama | November 3, 1968 CE |
| 151 |
 |
Walking Piece (2) | Yayoi Kusama | ca. 1966 CE |
| 152 |
 |
Naked Happening Orgy and Flag Burning, Brooklyn Bridge (1) | Yayoi Kusama | 1968 CE |
| 153 |
 |
14th Street Happening (2) | Yayoi Kusama | 1966 CE |
| 154 |
 |
Naked Event at the Stock Exchange (1) | Yayoi Kusama | 1968 CE |
| 155 |
 |
Santa Chocolate Shop | Paul McCarthy | 1997 CE |
| 156 |
 |
Fighting the Flood, Red Flag Canal | Wang Jin | 1994 CE |
| 157 |
 |
The House with the Ocean View (1) | Marina Abramovic | 2002 CE |
| 158 |
 |
The House with the Ocean View (3) | Marina Abramovic | 2002 CE |
| 159 |
 |
The House with the Ocean View (2) | Marina Abramovic | 2002 CE |
| 160 |
 |
Alice in Wonderland Happening | Yayoi Kusama | August 11, 1968 CE |
| 161 |
 |
14th Street Happening (3) | Yayoi Kusama | 1966 CE |
| 162 |
 |
14th Street Happening (4) | Yayoi Kusama | 1966 CE |
| 163 |
 |
Naked Happening Orgy and Flag Burning, Brooklyn Bridge (2) | Yayoi Kusama | May 17, 1968 CE |
| 164 |
 |
Before the Happening at the Statue of Liberty | Yayoi Kusama | July 17, 1968 CE |
| 165 |
 |
Naked Event at the Stock Exchange (3) | Yayoi Kusama | July 14, 1968 CE |
| 166 |
 |
Yayoi Kusama Performance on 'The Allen Burke TV Show' | | November 1968 CE |
| 167 |
 |
Naked Event at the Stock Exchange (2) | Yayoi Kusama | July 14, 1968 CE |
| 168 |
 |
Yayoi Kusama Article in Ace Magazine | | March 1969 CE |
| 169 |
 |
The Artifact Piece | James Luna | 1985 - 1987 CE |
| 170 |
 |
The Artifact Piece | James Luna | 1985 - 1987 CE |
| 171 |
 |
The Green Line: Sometimes Doing Something Poetic Can Become Political and Sometimes Doing Something Political Can Become Poetic | Francis Alÿs | 2005 CE |
| 172 |
 |
Rakoc Atin (Make Justice) | Sandra Monterroso | 2008 CE |
| 173 |
 |
Rakoc Atin (Make Justice) | Sandra Monterroso | 2008 CE |
| 174 |
 |
Rakoc Atin (Make Justice) | Sandra Monterroso | 2008 CE |
| 175 |
 |
Regina José Galindo | | 2016 CE |
| 176 |
 |
Benvenuto Chavajay | | |
| 177 |
 |
Sandra Monterroso | | |
| 178 |
 |
Video Link: Rakoc Atin (Make Justice) | Sandra Monterroso | 2008 CE |
| 179 |
 |
Video Link: Quien Puede Borrar Las Huellas? (Who Can Erase the Traces?) | Regina José Galindo | 2003 CE |
| 180 |
 |
Video Link: Tierra (Land) | Regina José Galindo | 2013 CE |
| 181 |
 |
Video Link: El Grito (The Scream) | Benvenuto Chavajay | 2002 CE |
| 182 |
 |
Glass on Body (1) | Ana Mendieta | January - March 1972 CE |
| 183 |
 |
Glass on Body (2) | Ana Mendieta | January - March 1972 CE |
| 184 |
 |
Globe Performance | Michelangelo Pistoletto | 1966 - 68 CE |
| 185 |
 |
Le Corps Pressenti (detail) | Gina Pane | 1975 CE |
| 186 |
 |
Materialaktion | Otto Muehl | 1965 CE |
| 187 |
 |
The I and the You | Lygia Clark | 1967 CE |
| 188 |
 |
Elastic Net | Lygia Clark | 1973 CE |
| 189 |
 |
Inversion of the Scene | CADA (Colectivo Acciones de Arte) | 1979 CE |
| 190 |
 |
No + | CADA (Colectivo Acciones de Arte) | 1983 CE |
| 191 |
 |
To Not Starve in Art (2) | CADA (Colectivo Acciones de Arte) | 1979 CE |
| 192 |
 |
To Not Starve in Art (1) | CADA (Colectivo Acciones de Arte) | 1979 CE |
| 193 |
 |
To Not Starve in Art (3) | CADA (Colectivo Acciones de Arte) | 1979 CE |
| 194 |
 |
The Living Paintbrushes (2) | Yves Klein | June 1958 CE |
| 195 |
 |
The Living Paintbrushes (1) | Yves Klein | June 1958 CE |
| 196 |
 |
Nerve Bible Tour | Laurie Anderson | 1992 CE |
| 197 |
 |
Nerve Bible Tour | Laurie Anderson | 1995 CE |
| 198 |
 |
Pelican: Costume Design | Robert Rauschenberg | 1963 CE |
| 199 |
 |
Pelican | Robert Rauschenberg | 1963 CE |
| 200 |
 |
Rauschenberg in Pelican | Robert Rauschenberg | 1963 CE |
