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|
Title | Creator | Creation Date |
| 1 |
 |
Self Portrait | María Izquierdo | 1946 CE |
| 2 |
 |
Viernes de Juguetería (Friday at the Toy Shop) | María Izquierdo | 1952 CE |
| 3 |
 |
Alacena con Dulces Cubiertos (Cupboard with Covered Sweets) | María Izquierdo | 1946 CE |
| 4 |
 |
Mujer Oaxaqueña (Oaxacan Woman) | María Izquierdo | 1940 CE |
| 5 |
 |
Trigo Crecido (Grown Wheat) | María Izquierdo | 1940 CE |
| 6 |
 |
Perros Equilibristas (Balancing Dogs) | María Izquierdo | 1939 CE |
| 7 |
 |
Sueño y Presentimiento (Dreams and Premonitions) | María Izquierdo | 1947 CE |
| 8 |
 |
El Gato Sabio (The Wise Cat) | María Izquierdo | 1943 CE |
| 9 |
 |
Naturaleza Viva (Living Nature) | María Izquierdo | 1946 CE |
| 10 |
 |
Alacena (Cupboard) | María Izquierdo | 1947 CE |
| 11 |
 |
Retrato de Cibeles Henestrosa (Portrait of Cibeles Henestrosa) | María Izquierdo | 1943 CE |
| 12 |
 |
La Dolorosa (The Mournful One) | María Izquierdo | 1943 CE |
| 13 |
 |
Alegoría del Trabajo (Allegory of Work) | María Izquierdo | 1936 CE |
| 14 |
 |
Mis Sobrinas (My Nieces) | María Izquierdo | 1940 CE |
| 15 |
 |
Naturaleza Viva (Living Nature) | María Izquierdo | 1946 CE |
| 16 |
 |
Adán y Eva (Adam and Eve) | María Izquierdo | 1945 CE |
| 17 |
 |
Self Portrait | María Izquierdo | 1947 CE |
| 18 |
 |
María Izquierdo and Lola Álvarez Bravo (center) at the First Women's Exhibtion of Revolutionary Posters, Guadalajara, 1935 | | 1935 CE |
| 19 |
 |
Invitation to a María Izquierdo Exhibition in New York, 1930 | | 1930 CE |
| 20 |
 |
Colonial Atmosphere (detail) | Einar and Jamex de la Torre | 2002 CE |
| 21 |
 |
Colonial Atmosphere | Einar and Jamex de la Torre | 2002 CE |
| 22 |
 |
De Pilar of Empire / M. Pyre | Einar and Jamex de la Torre | 2004 CE |
| 23 |
 |
Gandi del Sur (detail) | Einar and Jamex de la Torre | 2008 CE |
| 24 |
 |
Gandi del Sur | Einar and Jamex de la Torre | 2008 CE |
| 25 |
 |
Crossing the Desert | Einar and Jamex de la Torre | 2005 CE |
| 26 |
 |
Baja Kali (detail) | Einar and Jamex de la Torre | 1995 CE |
| 27 |
 |
New Jersey Naco | Einar and Jamex de la Torre | 2007 CE |
| 28 |
 |
Eastern Medicine | Einar and Jamex de la Torre | 2008 CE |
| 29 |
 |
Baja Kali | Einar and Jamex de la Torre | 1995 CE |
| 30 |
 |
Marte y Venus (Mars and Venus) | Einar and Jamex de la Torre | 1997 CE |
| 31 |
 |
Tijuana on a Silver Platter | Einar and Jamex de la Torre | 2005 CE |
| 32 |
 |
Mestizaje Defined | Einar and Jamex de la Torre | 2005 CE |
| 33 |
 |
La Belle Epoch | Einar and Jamex de la Torre | 2001 CE |
| 34 |
 |
Kidney Bean Pot | Einar and Jamex de la Torre | 2002 CE |
| 35 |
 |
Luchadorcito | Einar and Jamex de la Torre | 2004 CE |
| 36 |
 |
Bethlehem Boy | Einar and Jamex de la Torre | 2008 CE |
| 37 |
 |
Funerary Portrait | Don Mariano Francisco de Cardona | ca. 1768 CE |
| 38 |
 |
El Nuevo Progreso | Abraham Cruzvillegas | 2003 CE |
| 39 |
 |
Controller of the Universe | Damián Ortega | 2007 CE |
| 40 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 41 |
 |
Student Movement Protests, in La Cultura en Mexico | | September 25, 1968 CE |
| 42 |
 |
Student Movement Protests, in La Cultura en Mexico | | September 25, 1968 CE |
| 43 |
 |
Student Movement Protests, in La Cultura en Mexico | | September 25, 1968 CE |
| 44 |
 |
Paloma de la paz atravesada por una bayoneta (Dove of Peace Pierced by Bayonet) | | 1968 CE |
| 45 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 46 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 47 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 48 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 49 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 50 |
 |
Siempre!; October 16, 1968: Luto por los Muchachos Muertos (Mourning for the Dead Boys) | | 1968 CE |
| 51 |
 |
Siempre!; October 16, 1968: La Noche de Tlatelolco | | 1968 CE |
| 52 |
 |
Our Lady of Guadalupe (Juan Diego Shows the Image to Bishop Zumárraga) | Andrés de Islas | 1773 CE |
| 53 |
 |
Illustration to Canto 2 of 'Urbe: Super-Poema Bolchevique en 5 Cantos' (City: Super-Bolshevik Poem in Five Cantos) by Manuel Maples Arce | | 1924 CE |
| 54 |
 |
Illustration to Canto 1 of 'Urbe: Super-Poema Bolchevique en 5 Cantos' (City: Super-Bolshevik Poem in Five Cantos) by Manuel Maples Arce | | 1924 CE |
| 55 |
 |
Illustration to Canto 4 of 'Urbe: Super-Poema Bolchevique en 5 Cantos' (City: Super-Bolshevik Poem in Five Cantos) by Manuel Maples Arce | | 1924 CE |
| 56 |
 |
Illustration to Canto 3 of 'Urbe: Super-Poema Bolchevique en 5 Cantos' (City: Super-Bolshevik Poem in Five Cantos) by Manuel Maples Arce | | 1924 CE |
| 57 |
 |
Illustration to Canto 5 of 'Urbe: Super-Poema Bolchevique en 5 Cantos' (City: Super-Bolshevik Poem in Five Cantos) by Manuel Maples Arce | | 1924 CE |
| 58 |
 |
Instrumento de Trabajo (Instrument of Work) | Maris Bustamante | 1982 CE |
| 59 |
 |
Exposición Arte Luchas Populares en México: Grupo Proceso Pentagono | Ivonne Ramirez (coordinator) | 1979 CE |
| 60 |
 |
El Desempleado (The Unemployed) | Grupo Suma | ca. 1978 CE |
| 61 |
 |
Export-Import | Grupo TAI | 1977 CE |
| 62 |
 |
Estación Metro Taxqueña (Taxqueña Metro Station) | Grupo Suma | October 2, 1976 CE |
| 63 |
 |
México Sociedad Anónima | Grupo Suma | 1977 CE |
| 64 |
 |
Exposición Arte Luchas Populares en México: TAI (Taller de Arte e Ideologia) | Ivonne Ramirez (coordinator) | 1979 CE |
| 65 |
 |
Exposición Arte Luchas Populares en México: TAI (Taller de Arte e Ideologia) | Ivonne Ramirez (coordinator) | 1979 CE |
| 66 |
 |
Exposición Arte Luchas Populares en México: TAI (Taller de Arte e Ideologia) | Ivonne Ramirez (coordinator) | 1979 CE |
| 67 |
 |
Declaracion Reglamento (Regulation Statement) | FMTC (Frente Mexicano de Trabajadores de la Cultura) [Mexican Front of Cultural Workers] | January 1980 CE |
| 68 |
 |
La Cabanne de Julie (Julie's Cabin) | Helen Escobedo | 1996 CE |
| 69 |
 |
Summer Fields | Helen Escobedo | 2008 CE |
| 70 |
 |
The Great Cone of Jerusalem | Helen Escobedo | 1986 CE |
| 71 |
 |
'La Poubelle: It's a Sort of Disease' and 'Garbage Walk' | Felipe Ehrenberg | 1971 CE |
| 72 |
 |
10th Paris Youth Biennial | Grupo Suma, Proceso Pentagono, and TAI | 1977 CE |
| 73 |
 |
Altarpiece | Grupo Suma | 1977 CE |
| 74 |
 |
String Condition | Felipe Ehrenberg | 1973 CE |
| 75 |
 |
A Stroll in July (Un Paseo en Julio) | Felipe Ehrenberg | 1970 CE |
| 76 |
 |
Excélsior: Article on Felipe Ehrenberg | | March 9, 1973 CE |
| 77 |
 |
La Calle (The Street) | Grupo Suma | 1979 CE |
| 78 |
 |
La Calle (The Street) | Grupo Suma | 1979 CE |
| 79 |
 |
Poema Topográfico (Topographical Poem) | Grupo Março | 1980 CE |
| 80 |
 |
Niñera Esperando Novio | Magali Lara | 1980 CE |
| 81 |
 |
Mimeographed Paper Installation in an Area of 120 meters | Grupo Março | 1982 CE |
| 82 |
 |
Caliente-Caliente; Armando Cristeto, 1982 (top); The Audience at the Performance od Caliente-Caliente; Armando Cristeto, 1982 (middle); Guillermo Ochoa interviews Maris Bustamante, Melquíades Herrera, Rubén Valencia and Carlos Zerpa on the televised program 'Today', 1982 (bottom) | | 1982 CE |
| 83 |
 |
Invitation to the Março Grupo Exhibition at the CREA Art Gallery, | Grupo Março | November 1982 CE |
| 84 |
 |
Março, revista de arte (Art Magazine), no.6 | Grupo Março | 1982 CE |
| 85 |
 |
Expediente: La Historia Documentada de un Complot Frustado (File: The Documented History of a Plot Frustrated) | Grupo Proceso Pentagono | 1980 CE |
| 86 |
 |
March in memory of those who died in Tlatelolco and to demand the presentation of the disappeared politicians | Grupo Germinal | October 1978 CE |
| 87 |
 |
Installation at the 10th Paris Youth Biennial | Grupo Proceso Pentagono | 1977 CE |
| 88 |
 |
La Grafica del 68: Homenaje al Movimiento Estudiantil (Tribute to the Student Movement) | Grupo Mira | 1993 CE |
| 89 |
 |
Cover of 'Urbe: Super-Poema Bolchevique en 5 Cantos' (City: Super-Bolshevik Poem in Five Cantos) by Manuel Maples Arce | Jean Charlot | 1924 CE |
| 90 |
 |
Germán List Arzubide, Ramón Alba de la Canal, Manuel Maples Arce, Leopoldo Méndez and Arqueles Vela | | 1925 CE |
| 91 |
 |
Máscara de Germán List Arzubide (Mask of Germán List Arzubide) | Germán Cueto | ca. 1924 CE |
| 92 |
 |
Actual No.1, Hoja de Vanguardia (First Manifest) | Manuel Maples Arce | 1921 CE |
| 93 |
 |
Cover of Horizonte: Roofs of Jalapa | Leopold Méndez | 1926 CE |
| 94 |
 |
Cover of El Pentagrama | Ramón Alba de la Canal | |
| 95 |
 |
Kyn Taniya Cover | Roberto Montenegro | |
| 96 |
 |
Engraving | Jean Charlot | |
| 97 |
 |
Horizontes Covers | | |
