|
|
Title | Creator | Creation Date |
1 |
|
Native Brazil (1a) | Anna Bella Geiger | 1977 CE |
2 |
|
Dividing the Land (Reparto de tierras) | Diego Rivera | 1923 - 1924 CE |
3 |
|
Alien Brazil (1b) | Anna Bella Geiger | 1977 CE |
4 |
|
Native Brazil (2a) | Anna Bella Geiger | 1977 CE |
5 |
|
Alien Brazil (2b) | Anna Bella Geiger | 1977 CE |
6 |
|
The History of Mexico | Diego Rivera | 1929 - 1935 CE |
7 |
|
Figura de Convite (Entrance Figure) | Adriana Varejão | 1997 CE |
8 |
|
Native Brazil (3a) | Anna Bella Geiger | 1977 CE |
9 |
|
Alien Brazil (3b) | Anna Bella Geiger | 1977 CE |
10 |
|
The History of Mexico, north wall: Ancient Mexico | Diego Rivera | 1929 - 1935 CE |
11 |
|
Native Brazil (4a) | Anna Bella Geiger | 1977 CE |
12 |
|
Alien Brazil (4b) | Anna Bella Geiger | 1977 CE |
13 |
|
Native Brazil (5a) | Anna Bella Geiger | 1977 CE |
14 |
|
The History of Mexico: From the Conquest to the Future | Diego Rivera | 1929 - 1935 CE |
15 |
|
Alien Brazil (5b) | Anna Bella Geiger | 1977 CE |
16 |
|
Detroit Industry Murals | Diego Rivera | 1933 CE |
17 |
|
Native Brazil (6a) | Anna Bella Geiger | 1977 CE |
18 |
|
Detroit Industry fresco detail: Production and Manufacture of Engines and Gear Boxes, Ford V8 | Diego Rivera | 1932 - 1933 CE |
19 |
|
Alien Brazil (6b) | Anna Bella Geiger | 1977 CE |
20 |
|
Native Brazil (7a) | Anna Bella Geiger | 1977 CE |
21 |
|
Detroit Industry Murals, north wall | Diego Rivera | 1933 CE |
22 |
|
Alien Brazil (7b) | Anna Bella Geiger | 1977 CE |
23 |
|
Detroit Industry Murals, detail: Production of Poison Gas | Diego Rivera | 1933 CE |
24 |
|
Native Brazil (8a) | Anna Bella Geiger | 1977 CE |
25 |
|
Detroit Industry Murals, detail: Vaccination | Diego Rivera | 1933 CE |
26 |
|
Alien Brazil (8b) | Anna Bella Geiger | 1977 CE |
27 |
|
Native Brazil (9a) | Anna Bella Geiger | 1977 CE |
28 |
|
Man at the Crossroads | Diego Rivera | 1934 CE |
29 |
|
Unfinished RCA Building mural just before all work was stopped | Diego Rivera | May 1933 CE |
30 |
|
Alien Brazil (9b) | Anna Bella Geiger | 1977 CE |
31 |
|
Man at the Crossroads, detail: Charles Darwin | Diego Rivera | 1934 CE |
32 |
|
Man at the Crossroads, detail: Leon Trotsky, Friedrich Engels, and Karl Marx | Diego Rivera | 1934 CE |
33 |
|
Man at the Crossroads, detail: Vladimir Lenin | Diego Rivera | 1934 CE |
34 |
|
Mapa de Lopo Homem (Map of Lopo Homem) | Adriana Varejão | 1992 CE |
35 |
|
Ar e Pedra (Air and Stone) | Lygia Clark | 1966 CE |
36 |
|
Weeping Virgin | Juan (Bautista?) Cuiris | 1590 CE |
37 |
|
Weeping Virgin (detail) | Juan (Bautista?) Cuiris | 1590 CE |
38 |
|
Brasilia, The Monumental Axis (fuselage) | Cildo Meireles | 1969 CE |
39 |
|
Metropolitan Cathedral of Nossa Senhora Aparecida | Oscar Niemeyer | 1958 - 1971 CE, refurbished in 1987 CE |
40 |
|
National Congress Building (view 2) | Oscar Niemeyer | 1958 - 1960 CE |
41 |
|
Insertions into Ideological Circuits: Coca-Cola Project | Cildo Meireles | 1970 CE |
42 |
|
Insertions into Ideological Circuits: Coca-Cola Project | Cildo Meireles | 1970 CE |
43 |
|
Insertions into Ideological Circuits: Cédula Project | Cildo Meireles | 1970 CE |
44 |
|
Insertions into Ideological Circuits 2: Banknote Project, Quem Matou Herzog | Cildo Meireles | 1970 / 1975 CE |
45 |
|
Information Exhibition Installation View, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
46 |
|
Information Exhibition Installation View, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
47 |
|
Information Exhibition Installation View, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
48 |
|
Information Exhibition Catalogue, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
49 |
|
Information Exhibition Catalogue: Quotation by Kynaston McShine from page 138, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
50 |
|
Frederico Morais sitting in front of the poster for the exhibit "Agnus Dei" | | 1970 CE |
51 |
|
Agnus Dei Exhibition | | 1970 CE |
52 |
|
Frederico Morais carrying the Coca Cola Bottles for his Nova Critica/New Criticism Exhibit at Petite Galerie | | 1970 CE |
53 |
|
Frederico Morais carrying the Coca Cola Bottles for his Nova Critica/New Criticism Exhibit at Petite Galerie | | 1970 CE |
54 |
|
Stained Rag with Blood | Artur Barrio | c. 1969 CE |
55 |
|
Artur Barrio's contribution to the Information Exhibition Catalogue, Museum of Modern Art, New York, 1970 | | 1970 CE |
56 |
|
Situaçao T/T, .1 (Situation T/T, .1), Part 2. Belo Horizonte, Brazil | Artur Barrio | 1970 CE |
57 |
|
Situaçao T/T, .1 (Situation T/T, .1), Part 1. Belo Horizonte, Brazil | Artur Barrio | 1970 CE |
58 |
|
Unfolding of the Body Situation, Belo Horizonte | Artur Barrio | April 19-20, 1970 CE |
59 |
|
A imagem da violência (The Images of Violence) | Antonio Manuel | 1968 CE |
60 |
|
Jornal (Newspaper) | Antonio Manuel | 1968 CE |
61 |
|
Sem Censura (Uncensored) | Antonio Manuel | 1968 CE |
62 |
|
Exhibition from 0:00 to 24:00 hours | Antonio Manuel | 1973 CE |
63 |
|
Repellent Fence | Postcommodity (Cristóbal Martínez and Kade L. Twist) | 2015 CE |
64 |
|
Repellent Fence | Postcommodity (Cristóbal Martínez and Kade L. Twist) | 2015 CE |
65 |
|
Repellent Fence | Postcommodity (Cristóbal Martínez and Kade L. Twist) | 2015 CE |
66 |
|
Repellent Fence | Postcommodity (Cristóbal Martínez and Kade L. Twist) | 2015 CE |
67 |
|
Space in Between: Nopal (Sol Espinoza) | Margarita Cabrera | 2016 CE |
68 |
|
Space in Between: Nopal (Sara Hernandez) | Margarita Cabrera | 2016 CE |
69 |
|
America's Family Prison | Regina José Galindo | 2008 CE |
70 |
|
America's Family Prison | Regina José Galindo | 2008 CE |
71 |
|
America's Family Prison | Regina José Galindo | 2008 CE |
72 |
|
America's Family Prison | Regina José Galindo | 2008 CE |
73 |
|
America's Family Prison | Regina José Galindo | 2008 CE |
74 |
|
Undocumented | Malaquias Montoya | 1980 CE |
75 |
|
Immigrant's Dream | Malaquias Montoya | 1981 CE |
76 |
|
Border Arts Workshop, End of the Line Performance | | 1986 CE |
77 |
|
Border Arts Workshop, End of the Line Performance | | 1986 CE |
78 |
|
Border Arts Workshop, End of the Line Performance | | 1986 CE |
79 |
|
Border Arts Workshop, End of the Line Performance | | 1986 CE |
80 |
|
Artist Victor Ochoa next to "Twelve Border Stereotypes" | | |
81 |
|
The Eternal Present (An Homage to Alejandro García Caturla) | Wifredo Lam | 1944 CE |
82 |
|
Ta propre vie (Your Own Life) | Wifredo Lam | 1942 CE |
83 |
|
Composition Fantastique | Wifredo Lam | 1970 CE |
84 |
|
The Third World | Wifredo Lam | 1965 - 1966 CE |
85 |
|
Green Maternity | Wifredo Lam | 1942 CE |
86 |
|
Satan | Wifredo Lam | 1942 CE |
87 |
|
Horse-Headed Woman | Wifredo Lam | 1950 CE |
88 |
|
Self Portrait II | Wifredo Lam | 1938 CE |
89 |
|
O corpo é a obra (The Body is the Work) | Antonio Manuel | 1970 CE |
90 |
|
Urban and Rural Situation, from Copacabana Beach to Jacarepagua | Artur Barrio | c. 1970 CE |
91 |
|
Unleashing confusion on the streets… situation, Rio de Janeiro | Artur Barrio | 1970 CE |
92 |
|
The History of Mexico: west wall, "From the Conquest to 1930" | Diego Rivera | 1929 - 1935 CE |
93 |
|
This Paper is a Jail | Horacio Zabala | 1972 CE |
94 |
|
This Paper is a Prison | Horacio Zabala | 1972 CE |
95 |
|
Hatchet | Horacio Zabala | 1972 - 1998 CE |
96 |
|
Language Integration | Horacio Zabala | 1974 CE |
97 |
|
Revise / Censor | Horacio Zabala | 1974 CE |
98 |
|
Revise / Censor | Horacio Zabala | 1974 CE |
99 |
|
Marat (Sebastião) | Vik Muniz | 2008 CE |
100 |
|
El incendio y las visperas (The Fire and the Sparks) | Graciela Sacco | 1996 CE |
101 |
|
El incendio y las visperas (The Fire and the Sparks) | Graciela Sacco | 1996 CE |
102 |
|
Body to Body series | Graciela Sacco | 1996 - 2005 CE |
103 |
|
Untitled (La Época) | Carlos Garaicoa | 2006 CE |
104 |
|
Total Paintant | Fabián Marcaccio | 1999 CE |
105 |
|
Modinha | Beatriz Milhazes | 2007 CE |
106 |
|
Para Olvidar (In Order to Forget) | Kcho | 1996 CE |
107 |
|
Para Olvidar (In Order to Forget) | Kcho | 1996 CE |
108 |
|
April in Paris (Brief and Delirious) | Abraham Cruzvillegas | 2012 CE |
109 |
|
April in Paris (Brief and Delirious), installation view with other works | Abraham Cruzvillegas | 2012 CE |
110 |
|
Cloud Cities | Tomás Saraceno | 2011 CE |
111 |
|
Displaced Emperors, Relational Architecture 2 | Rafael Lozano-Hemmer | 1997 CE |
112 |
|
Composition | Joaquín Torres-García | 1931 CE |
113 |
|
Prometheus (central panel) | José Clemente Orozco | 1930 CE |
114 |
|
Portrait of the Conductor Henrique Alves de Mosquita | Vitor Meireles | 1862 CE |
115 |
|
Sharpening the Knife | Abigail de Andrade | 1887 CE |
116 |
|
Hanging the Laundry | Abigail de Andrade | 1888 CE |
117 |
|
Bandeirante | Henrique Bernardelli | |
118 |
|
Bandeirante | Henrique Bernardelli | |
119 |
|
Desenho No.2: Equilibrio Restabelecido (Design No.2: Balance Restored) | Lothar Charoux | 1967 CE |
120 |
|
Vermelho e Verde em Formas Contrarias (Red and Green in a Contrary Manner) | Geraldo de Barros | 1952 CE |
121 |
|
Construção No.78 (Construction No.78) | Ivan Serpa | 1955 CE |
122 |
|
Conceito Espacial (Space Concept) | Lucio Fontana | 1965 CE |
123 |
|
Concretion 5629 | Luiz Sacilotto | 1956 CE |
124 |
|
Concretion 5732 | Luiz Sacilotto | 1957 CE |
125 |
|
Study for the Naval Battle of Riachuelo | Vitor Meireles | |
126 |
|
Scene of the Battle of Riachuelo | Vitor Meireles | |
127 |
|
Composição VI: Distribuição Rítmica Sobre um Sistema Modulado (Composition VI: Rhythmic Distribution of a Modular System) | Willys de Castro | 1953 CE |
128 |
|
Objeto Ritmico No.1 (Rhythmic Object No.1) | Maurício Nogueira Lima | 1953 CE |
129 |
|
Construção No.87 (Construction No.87) | Ivan Serpa | 1955 CE |
130 |
|
Desenho (Design) | Lothar Charoux | 1956 CE |
131 |
|
Arte Ritual de Baja California - Códices (Ritual Art of Baja California - Codices) | Marta Palau | 1996 CE |
132 |
|
Los Siete Guamas - Ritual del Sol (The Seven Guamas - Ritual of the Sun) | Marta Palau | 1996 CE |
133 |
|
Naualli - Guardianas (Naualli - Guardians) | Marta Palau | 1991 CE |
134 |
|
Naualli IX - Gestación (Gestation) (detail) | Marta Palau | 1991 CE |
135 |
|
Bastones de Mando (Command Batons) | Marta Palau | 1985 CE |
136 |
|
Amazonas II | Marta Palau | 1987 CE |
137 |
|
Cascada (Cascade) | Marta Palau | 1978 CE |
138 |
|
Guama - Los Cinco Sellos (The Five Stamps) | Marta Palau | 1997 CE |
139 |
|
Recinto de Naualli (detail) | Marta Palau | 2000 CE |
140 |
|
Naualli - Las Cautivas (The Captives) | Marta Palau | 1996 CE |
141 |
|
Recinto de Naualli | Marta Palau | 2001 CE |
142 |
|
Naualli IX - Gestación (Gestation) | Marta Palau | 1991 CE |
143 |
|
Muro de Petates | Marta Palau | 1988 CE |
144 |
|
Naualli - Centinelas | Marta Palau | 1993 CE |
145 |
|
War Games | Marta Palau | 2002 CE |
146 |
|
Naualli - Círculo de Sal (Circle of Salt) | Marta Palau | 1990 CE |
147 |
|
Bastones de Mando (Command Batons) (detail) | Marta Palau | 1985 CE |
148 |
|
Allegory of the Departure of Dom Pedro II for Europe after the Declaration of the Republic | Anonymous | 1890 CE |
149 |
|
Untitled | Rubem Ludolf | 1958 CE |
150 |
|
Habitation des Apiácas Sur l'Arinos (Apiácas Dwelling on the Arinos River) | Hercule Florence | 1828 CE |
151 |
|
Photograph of Diego Rivera's mural "Distribution of Arms", Court of Fiestas, Ministry of Education, Mexico City | Tina Modotti | 1928 CE |
152 |
|
Arte de Sistemas: Jorge de Luján Gutiérrez, Luis Pazos, and Héctor J. Puppo | Jorge de Luján Gutiérrez; Luis Pazos; Héctor J. Puppo | 1971 CE |
153 |
|
Arte de Sistemas: Vicente L. Marotta | Vicente L. Marotta | 1971 CE |
154 |
|
Arte de Sistemas: Mirtha Dermisache | Mirtha Dermisache | 1971 CE |
155 |
|
Arte de Sistemas: Christine Kozlov | Christine Kozlov | 1971 CE |
156 |
|
Arte de Sistemas: Antonio Dias | Antonio Dias | 1971 CE |
157 |
|
Arte de Sistemas: Joseph Kosuth | Joseph Kosuth | 1971 CE |
158 |
|
Arte de Sistemas: Ken Friedman | Ken Friedman | 1971 CE |
159 |
|
Arte de Sistemas: Lea Lublin | Lea Lublin | 1971 CE |
160 |
|
Arte de Sistemas: Jochen Gerz | Jochen Gerz | 1971 CE |
161 |
|
When Nobody is Around | Victor Patricio de Landaluze | about 1880 CE |
162 |
|
José Francisco | Victor Patricio de Landaluze | about 1880 CE |
163 |
|
Day of the Magi, Havana | Victor Patricio de Landaluze | no date |
164 |
|
Cover for "Social" Magazine, July 1929 | José Manuel Acosta Bello | 1929 CE |
165 |
|
Insertions into Ideological Circuits: Currency Project | Cildo Meireles | 1970 CE |
166 |
|
Cover for "Carteles" Magazine, August 18, 1935 | Rodríguez Radillo | 1935 CE |
167 |
|
Cover for "Carteles" Magazine, August 20, 1933 | Anonymous | 1933 CE |
168 |
|
Cover for "Carteles" Magazine, August 6, 1933 | G. Ferrer | 1933 CE |
169 |
|
Cover for "Bohemia" Magazine | Anonymous | about 1930s CE |
170 |
|
A Tribune for Democratic Peace | Antonia Eiriz | 1968 CE |
171 |
|
The Golden Age | José Toirac; Meira Marrero; Patricia Clark | 2000 CE |
172 |
|
Memories of Our Baby | Marta María Pérez | 1987 - 1988 CE |
173 |
|
Ideology Detector | Lázaro Saavedra | 1989 CE |
174 |
|
The Lamppost Quixote, July 26, 1959 | Alberto Korda | 1959 CE |
175 |
|
We Are All Children of the Homeland | Raúl Martínez | 1965 CE |
176 |
|
Self Portrait, Tribute to Dürer | José Toirac | 1995 CE |
177 |
|
In the Morning | Tomás Sánchez | 1973 CE |
178 |
|
Che | Manuel Mendive | about 1975 CE |
179 |
|
Cathedral of Salvador, High Altar | | 18th Century CE |
180 |
|
The Virgin Mary with Heavenly Choirs of Angels, and King David Playing the Harp | Manoel da Costa Ataíde | ca. 1766 CE |
181 |
|
Saint John of the Cross | Antônio Francisco Lisboa (Aleijadinho) | ca. 1771 CE |
182 |
|
Saint Simon Stock | Antônio Francisco Lisboa (Aleijadinho) | ca. 1771 CE |
183 |
|
Saint Joseph of the Boots | Antônio Francisco Lisboa (Aleijadinho) | 18th Century CE |
184 |
|
Saint Elesbaan Victorious | | 18th Century CE |
185 |
|
Map: Portuguese America in 1750 | | 1750 CE |
186 |
|
Conquistas de la Revolución, fotopoema de Tina Modotti (Conquests of the Revolution, photopoem by Tina Modotti) | Tina Modotti | 1928 CE |
187 |
|
Azoteas de Jalapa (Roofs of Jalapa) | Leopoldo Méndez | 1926 CE |
188 |
|
Untitled | Ramón Alva (Alba) de la Canal | 1925 CE |
189 |
|
Untitled | Leopoldo Méndez | 1927 CE |
190 |
|
Untitled | Leopoldo Méndez | 1927 CE |
191 |
|
Untitled | Leopoldo Méndez | 1928 CE |
192 |
|
Untitled | Leopoldo Méndez | 1928 CE |
193 |
|
El Movimiento Estridentista | Ramón Alva (Alba) de la Canal | 1928 CE |
194 |
|
Hundreds of Mozambican Refugees crossing Lake Niassa (or Lake Malawi), which marks the border between Tanzania and Mozambique, on their way home | Sebastião Salgado | 1994 CE |
195 |
|
Rwandans Collecting Water at a Lake near the Refugee Camp of Benako, Tanzania | Sebastião Salgado | 1994 CE |
196 |
|
Desbravamento da Mata (Taming the Forest) | Candido Portinari | 1941 CE |
197 |
|
Descobrimento (The Discovery of the Land) | Candido Portinari | 1941 CE |
198 |
|
Descoberta do Ouro (Mining of Gold) | Candido Portinari | 1941 CE |
199 |
|
Catequese (Catechesis) | Candido Portinari | 1941 CE |
200 |
|
Self Portrait | María Izquierdo | 1946 CE |