|
|
Title | Creator | Creation Date |
| 1 |
 |
Native Brazil (1a) | Anna Bella Geiger | 1977 CE |
| 2 |
 |
Dividing the Land (Reparto de tierras) | Diego Rivera | 1923 - 1924 CE |
| 3 |
 |
Alien Brazil (1b) | Anna Bella Geiger | 1977 CE |
| 4 |
 |
Native Brazil (2a) | Anna Bella Geiger | 1977 CE |
| 5 |
 |
Alien Brazil (2b) | Anna Bella Geiger | 1977 CE |
| 6 |
 |
The History of Mexico | Diego Rivera | 1929 - 1935 CE |
| 7 |
 |
Figura de Convite (Entrance Figure) | Adriana Varejão | 1997 CE |
| 8 |
 |
Native Brazil (3a) | Anna Bella Geiger | 1977 CE |
| 9 |
 |
Alien Brazil (3b) | Anna Bella Geiger | 1977 CE |
| 10 |
 |
The History of Mexico, north wall: Ancient Mexico | Diego Rivera | 1929 - 1935 CE |
| 11 |
 |
Native Brazil (4a) | Anna Bella Geiger | 1977 CE |
| 12 |
 |
Alien Brazil (4b) | Anna Bella Geiger | 1977 CE |
| 13 |
 |
Native Brazil (5a) | Anna Bella Geiger | 1977 CE |
| 14 |
 |
The History of Mexico: From the Conquest to the Future | Diego Rivera | 1929 - 1935 CE |
| 15 |
 |
Alien Brazil (5b) | Anna Bella Geiger | 1977 CE |
| 16 |
 |
Detroit Industry Murals | Diego Rivera | 1933 CE |
| 17 |
 |
Native Brazil (6a) | Anna Bella Geiger | 1977 CE |
| 18 |
 |
Detroit Industry fresco detail: Production and Manufacture of Engines and Gear Boxes, Ford V8 | Diego Rivera | 1932 - 1933 CE |
| 19 |
 |
Alien Brazil (6b) | Anna Bella Geiger | 1977 CE |
| 20 |
 |
Native Brazil (7a) | Anna Bella Geiger | 1977 CE |
| 21 |
 |
Detroit Industry Murals, north wall | Diego Rivera | 1933 CE |
| 22 |
 |
Alien Brazil (7b) | Anna Bella Geiger | 1977 CE |
| 23 |
 |
Detroit Industry Murals, detail: Production of Poison Gas | Diego Rivera | 1933 CE |
| 24 |
 |
Native Brazil (8a) | Anna Bella Geiger | 1977 CE |
| 25 |
 |
Detroit Industry Murals, detail: Vaccination | Diego Rivera | 1933 CE |
| 26 |
 |
Alien Brazil (8b) | Anna Bella Geiger | 1977 CE |
| 27 |
 |
Native Brazil (9a) | Anna Bella Geiger | 1977 CE |
| 28 |
 |
Man at the Crossroads | Diego Rivera | 1934 CE |
| 29 |
 |
Unfinished RCA Building mural just before all work was stopped | Diego Rivera | May 1933 CE |
| 30 |
 |
Alien Brazil (9b) | Anna Bella Geiger | 1977 CE |
| 31 |
 |
Man at the Crossroads, detail: Charles Darwin | Diego Rivera | 1934 CE |
| 32 |
 |
Man at the Crossroads, detail: Leon Trotsky, Friedrich Engels, and Karl Marx | Diego Rivera | 1934 CE |
| 33 |
 |
Man at the Crossroads, detail: Vladimir Lenin | Diego Rivera | 1934 CE |
| 34 |
 |
Mapa de Lopo Homem (Map of Lopo Homem) | Adriana Varejão | 1992 CE |
| 35 |
 |
Ar e Pedra (Air and Stone) | Lygia Clark | 1966 CE |
| 36 |
 |
Weeping Virgin | Juan (Bautista?) Cuiris | 1590 CE |
| 37 |
 |
Weeping Virgin (detail) | Juan (Bautista?) Cuiris | 1590 CE |
| 38 |
 |
Brasilia, The Monumental Axis (fuselage) | Cildo Meireles | 1969 CE |
| 39 |
 |
Metropolitan Cathedral of Nossa Senhora Aparecida | Oscar Niemeyer | 1958 - 1971 CE, refurbished in 1987 CE |
| 40 |
 |
National Congress Building (view 2) | Oscar Niemeyer | 1958 - 1960 CE |
| 41 |
 |
Insertions into Ideological Circuits: Coca-Cola Project | Cildo Meireles | 1970 CE |
| 42 |
 |
Insertions into Ideological Circuits: Coca-Cola Project | Cildo Meireles | 1970 CE |
| 43 |
 |
Insertions into Ideological Circuits: Cédula Project | Cildo Meireles | 1970 CE |
| 44 |
 |
Insertions into Ideological Circuits 2: Banknote Project, Quem Matou Herzog | Cildo Meireles | 1970 / 1975 CE |
| 45 |
 |
Information Exhibition Installation View, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
| 46 |
 |
Information Exhibition Installation View, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
| 47 |
 |
Information Exhibition Installation View, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
| 48 |
 |
Information Exhibition Catalogue, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
| 49 |
 |
Information Exhibition Catalogue: Quotation by Kynaston McShine from page 138, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
| 50 |
 |
Frederico Morais sitting in front of the poster for the exhibit "Agnus Dei" | | 1970 CE |
| 51 |
 |
Agnus Dei Exhibition | | 1970 CE |
| 52 |
 |
Frederico Morais carrying the Coca Cola Bottles for his Nova Critica/New Criticism Exhibit at Petite Galerie | | 1970 CE |
| 53 |
 |
Frederico Morais carrying the Coca Cola Bottles for his Nova Critica/New Criticism Exhibit at Petite Galerie | | 1970 CE |
| 54 |
 |
Stained Rag with Blood | Artur Barrio | c. 1969 CE |
| 55 |
 |
Artur Barrio's contribution to the Information Exhibition Catalogue, Museum of Modern Art, New York, 1970 | | 1970 CE |
| 56 |
 |
Situaçao T/T, .1 (Situation T/T, .1), Part 2. Belo Horizonte, Brazil | Artur Barrio | 1970 CE |
| 57 |
 |
Situaçao T/T, .1 (Situation T/T, .1), Part 1. Belo Horizonte, Brazil | Artur Barrio | 1970 CE |
| 58 |
 |
Unfolding of the Body Situation, Belo Horizonte | Artur Barrio | April 19-20, 1970 CE |
| 59 |
 |
A imagem da violência (The Images of Violence) | Antonio Manuel | 1968 CE |
| 60 |
 |
Jornal (Newspaper) | Antonio Manuel | 1968 CE |
| 61 |
 |
Sem Censura (Uncensored) | Antonio Manuel | 1968 CE |
| 62 |
 |
Exhibition from 0:00 to 24:00 hours | Antonio Manuel | 1973 CE |
| 63 |
 |
Repellent Fence | Postcommodity (Cristóbal Martínez and Kade L. Twist) | 2015 CE |
| 64 |
 |
Repellent Fence | Postcommodity (Cristóbal Martínez and Kade L. Twist) | 2015 CE |
| 65 |
 |
Repellent Fence | Postcommodity (Cristóbal Martínez and Kade L. Twist) | 2015 CE |
| 66 |
 |
Repellent Fence | Postcommodity (Cristóbal Martínez and Kade L. Twist) | 2015 CE |
| 67 |
 |
Space in Between: Nopal (Sol Espinoza) | Margarita Cabrera | 2016 CE |
| 68 |
 |
Space in Between: Nopal (Sara Hernandez) | Margarita Cabrera | 2016 CE |
| 69 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 70 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 71 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 72 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 73 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 74 |
 |
Undocumented | Malaquias Montoya | 1980 CE |
| 75 |
 |
Immigrant's Dream | Malaquias Montoya | 1981 CE |
| 76 |
 |
Border Arts Workshop, End of the Line Performance | | 1986 CE |
| 77 |
 |
Border Arts Workshop, End of the Line Performance | | 1986 CE |
| 78 |
 |
Border Arts Workshop, End of the Line Performance | | 1986 CE |
| 79 |
 |
Border Arts Workshop, End of the Line Performance | | 1986 CE |
| 80 |
 |
Artist Victor Ochoa next to "Twelve Border Stereotypes" | | |
| 81 |
 |
The Eternal Present (An Homage to Alejandro García Caturla) | Wifredo Lam | 1944 CE |
| 82 |
 |
Ta propre vie (Your Own Life) | Wifredo Lam | 1942 CE |
| 83 |
 |
Composition Fantastique | Wifredo Lam | 1970 CE |
| 84 |
 |
The Third World | Wifredo Lam | 1965 - 1966 CE |
| 85 |
 |
Green Maternity | Wifredo Lam | 1942 CE |
| 86 |
 |
Satan | Wifredo Lam | 1942 CE |
| 87 |
 |
Horse-Headed Woman | Wifredo Lam | 1950 CE |
| 88 |
 |
Self Portrait II | Wifredo Lam | 1938 CE |
| 89 |
 |
O corpo é a obra (The Body is the Work) | Antonio Manuel | 1970 CE |
| 90 |
 |
Urban and Rural Situation, from Copacabana Beach to Jacarepagua | Artur Barrio | c. 1970 CE |
| 91 |
 |
Unleashing confusion on the streets… situation, Rio de Janeiro | Artur Barrio | 1970 CE |
| 92 |
 |
The History of Mexico: west wall, "From the Conquest to 1930" | Diego Rivera | 1929 - 1935 CE |
| 93 |
 |
This Paper is a Jail | Horacio Zabala | 1972 CE |
| 94 |
 |
This Paper is a Prison | Horacio Zabala | 1972 CE |
| 95 |
 |
Hatchet | Horacio Zabala | 1972 - 1998 CE |
| 96 |
 |
Language Integration | Horacio Zabala | 1974 CE |
| 97 |
 |
Revise / Censor | Horacio Zabala | 1974 CE |
| 98 |
 |
Revise / Censor | Horacio Zabala | 1974 CE |
| 99 |
 |
Marat (Sebastião) | Vik Muniz | 2008 CE |
| 100 |
 |
El incendio y las visperas (The Fire and the Sparks) | Graciela Sacco | 1996 CE |
| 101 |
 |
El incendio y las visperas (The Fire and the Sparks) | Graciela Sacco | 1996 CE |
| 102 |
 |
Body to Body series | Graciela Sacco | 1996 - 2005 CE |
| 103 |
 |
Untitled (La Época) | Carlos Garaicoa | 2006 CE |
| 104 |
 |
Total Paintant | Fabián Marcaccio | 1999 CE |
| 105 |
 |
Modinha | Beatriz Milhazes | 2007 CE |
| 106 |
 |
Para Olvidar (In Order to Forget) | Kcho | 1996 CE |
| 107 |
 |
Para Olvidar (In Order to Forget) | Kcho | 1996 CE |
| 108 |
 |
April in Paris (Brief and Delirious) | Abraham Cruzvillegas | 2012 CE |
| 109 |
 |
April in Paris (Brief and Delirious), installation view with other works | Abraham Cruzvillegas | 2012 CE |
| 110 |
 |
Cloud Cities | Tomás Saraceno | 2011 CE |
| 111 |
 |
Displaced Emperors, Relational Architecture 2 | Rafael Lozano-Hemmer | 1997 CE |
| 112 |
 |
Composition | Joaquín Torres-García | 1931 CE |
| 113 |
 |
Prometheus (central panel) | José Clemente Orozco | 1930 CE |
| 114 |
 |
Portrait of the Conductor Henrique Alves de Mosquita | Vitor Meireles | 1862 CE |
| 115 |
 |
Sharpening the Knife | Abigail de Andrade | 1887 CE |
| 116 |
 |
Hanging the Laundry | Abigail de Andrade | 1888 CE |
| 117 |
 |
Bandeirante | Henrique Bernardelli | |
| 118 |
 |
Bandeirante | Henrique Bernardelli | |
| 119 |
 |
Desenho No.2: Equilibrio Restabelecido (Design No.2: Balance Restored) | Lothar Charoux | 1967 CE |
| 120 |
 |
Vermelho e Verde em Formas Contrarias (Red and Green in a Contrary Manner) | Geraldo de Barros | 1952 CE |
| 121 |
 |
Construção No.78 (Construction No.78) | Ivan Serpa | 1955 CE |
| 122 |
 |
Conceito Espacial (Space Concept) | Lucio Fontana | 1965 CE |
| 123 |
 |
Concretion 5629 | Luiz Sacilotto | 1956 CE |
| 124 |
 |
Concretion 5732 | Luiz Sacilotto | 1957 CE |
| 125 |
 |
Study for the Naval Battle of Riachuelo | Vitor Meireles | |
| 126 |
 |
Scene of the Battle of Riachuelo | Vitor Meireles | |
| 127 |
 |
Composição VI: Distribuição Rítmica Sobre um Sistema Modulado (Composition VI: Rhythmic Distribution of a Modular System) | Willys de Castro | 1953 CE |
| 128 |
 |
Objeto Ritmico No.1 (Rhythmic Object No.1) | Maurício Nogueira Lima | 1953 CE |
| 129 |
 |
Construção No.87 (Construction No.87) | Ivan Serpa | 1955 CE |
| 130 |
 |
Desenho (Design) | Lothar Charoux | 1956 CE |
| 131 |
 |
Arte Ritual de Baja California - Códices (Ritual Art of Baja California - Codices) | Marta Palau | 1996 CE |
| 132 |
 |
Los Siete Guamas - Ritual del Sol (The Seven Guamas - Ritual of the Sun) | Marta Palau | 1996 CE |
| 133 |
 |
Naualli - Guardianas (Naualli - Guardians) | Marta Palau | 1991 CE |
| 134 |
 |
Naualli IX - Gestación (Gestation) (detail) | Marta Palau | 1991 CE |
| 135 |
 |
Bastones de Mando (Command Batons) | Marta Palau | 1985 CE |
| 136 |
 |
Amazonas II | Marta Palau | 1987 CE |
| 137 |
 |
Cascada (Cascade) | Marta Palau | 1978 CE |
| 138 |
 |
Guama - Los Cinco Sellos (The Five Stamps) | Marta Palau | 1997 CE |
| 139 |
 |
Recinto de Naualli (detail) | Marta Palau | 2000 CE |
| 140 |
 |
Naualli - Las Cautivas (The Captives) | Marta Palau | 1996 CE |
| 141 |
 |
Recinto de Naualli | Marta Palau | 2001 CE |
| 142 |
 |
Naualli IX - Gestación (Gestation) | Marta Palau | 1991 CE |
| 143 |
 |
Muro de Petates | Marta Palau | 1988 CE |
| 144 |
 |
Naualli - Centinelas | Marta Palau | 1993 CE |
| 145 |
 |
War Games | Marta Palau | 2002 CE |
| 146 |
 |
Naualli - Círculo de Sal (Circle of Salt) | Marta Palau | 1990 CE |
| 147 |
 |
Bastones de Mando (Command Batons) (detail) | Marta Palau | 1985 CE |
| 148 |
 |
Allegory of the Departure of Dom Pedro II for Europe after the Declaration of the Republic | Anonymous | 1890 CE |
| 149 |
 |
Untitled | Rubem Ludolf | 1958 CE |
| 150 |
 |
Habitation des Apiácas Sur l'Arinos (Apiácas Dwelling on the Arinos River) | Hercule Florence | 1828 CE |
| 151 |
 |
Photograph of Diego Rivera's mural "Distribution of Arms", Court of Fiestas, Ministry of Education, Mexico City | Tina Modotti | 1928 CE |
| 152 |
 |
Arte de Sistemas: Jorge de Luján Gutiérrez, Luis Pazos, and Héctor J. Puppo | Jorge de Luján Gutiérrez; Luis Pazos; Héctor J. Puppo | 1971 CE |
| 153 |
 |
Arte de Sistemas: Vicente L. Marotta | Vicente L. Marotta | 1971 CE |
| 154 |
 |
Arte de Sistemas: Mirtha Dermisache | Mirtha Dermisache | 1971 CE |
| 155 |
 |
Arte de Sistemas: Christine Kozlov | Christine Kozlov | 1971 CE |
| 156 |
 |
Arte de Sistemas: Antonio Dias | Antonio Dias | 1971 CE |
| 157 |
 |
Arte de Sistemas: Joseph Kosuth | Joseph Kosuth | 1971 CE |
| 158 |
 |
Arte de Sistemas: Ken Friedman | Ken Friedman | 1971 CE |
| 159 |
 |
Arte de Sistemas: Lea Lublin | Lea Lublin | 1971 CE |
| 160 |
 |
Arte de Sistemas: Jochen Gerz | Jochen Gerz | 1971 CE |
| 161 |
 |
When Nobody is Around | Victor Patricio de Landaluze | about 1880 CE |
| 162 |
 |
José Francisco | Victor Patricio de Landaluze | about 1880 CE |
| 163 |
 |
Day of the Magi, Havana | Victor Patricio de Landaluze | no date |
| 164 |
 |
Cover for "Social" Magazine, July 1929 | José Manuel Acosta Bello | 1929 CE |
| 165 |
 |
Insertions into Ideological Circuits: Currency Project | Cildo Meireles | 1970 CE |
| 166 |
 |
Cover for "Carteles" Magazine, August 18, 1935 | Rodríguez Radillo | 1935 CE |
| 167 |
 |
Cover for "Carteles" Magazine, August 20, 1933 | Anonymous | 1933 CE |
| 168 |
 |
Cover for "Carteles" Magazine, August 6, 1933 | G. Ferrer | 1933 CE |
| 169 |
 |
Cover for "Bohemia" Magazine | Anonymous | about 1930s CE |
| 170 |
 |
A Tribune for Democratic Peace | Antonia Eiriz | 1968 CE |
| 171 |
 |
The Golden Age | José Toirac; Meira Marrero; Patricia Clark | 2000 CE |
| 172 |
 |
Memories of Our Baby | Marta María Pérez | 1987 - 1988 CE |
| 173 |
 |
Ideology Detector | Lázaro Saavedra | 1989 CE |
| 174 |
 |
The Lamppost Quixote, July 26, 1959 | Alberto Korda | 1959 CE |
| 175 |
 |
We Are All Children of the Homeland | Raúl Martínez | 1965 CE |
| 176 |
 |
Self Portrait, Tribute to Dürer | José Toirac | 1995 CE |
| 177 |
 |
In the Morning | Tomás Sánchez | 1973 CE |
| 178 |
 |
Che | Manuel Mendive | about 1975 CE |
| 179 |
 |
Cathedral of Salvador, High Altar | | 18th Century CE |
| 180 |
 |
The Virgin Mary with Heavenly Choirs of Angels, and King David Playing the Harp | Manoel da Costa Ataíde | ca. 1766 CE |
| 181 |
 |
Saint John of the Cross | Antônio Francisco Lisboa (Aleijadinho) | ca. 1771 CE |
| 182 |
 |
Saint Simon Stock | Antônio Francisco Lisboa (Aleijadinho) | ca. 1771 CE |
| 183 |
 |
Saint Joseph of the Boots | Antônio Francisco Lisboa (Aleijadinho) | 18th Century CE |
| 184 |
 |
Saint Elesbaan Victorious | | 18th Century CE |
| 185 |
 |
Map: Portuguese America in 1750 | | 1750 CE |
| 186 |
 |
Conquistas de la Revolución, fotopoema de Tina Modotti (Conquests of the Revolution, photopoem by Tina Modotti) | Tina Modotti | 1928 CE |
| 187 |
 |
Azoteas de Jalapa (Roofs of Jalapa) | Leopoldo Méndez | 1926 CE |
| 188 |
 |
Untitled | Ramón Alva (Alba) de la Canal | 1925 CE |
| 189 |
 |
Untitled | Leopoldo Méndez | 1927 CE |
| 190 |
 |
Untitled | Leopoldo Méndez | 1927 CE |
| 191 |
 |
Untitled | Leopoldo Méndez | 1928 CE |
| 192 |
 |
Untitled | Leopoldo Méndez | 1928 CE |
| 193 |
 |
El Movimiento Estridentista | Ramón Alva (Alba) de la Canal | 1928 CE |
| 194 |
 |
Hundreds of Mozambican Refugees crossing Lake Niassa (or Lake Malawi), which marks the border between Tanzania and Mozambique, on their way home | Sebastião Salgado | 1994 CE |
| 195 |
 |
Rwandans Collecting Water at a Lake near the Refugee Camp of Benako, Tanzania | Sebastião Salgado | 1994 CE |
| 196 |
 |
Desbravamento da Mata (Taming the Forest) | Candido Portinari | 1941 CE |
| 197 |
 |
Descobrimento (The Discovery of the Land) | Candido Portinari | 1941 CE |
| 198 |
 |
Descoberta do Ouro (Mining of Gold) | Candido Portinari | 1941 CE |
| 199 |
 |
Catequese (Catechesis) | Candido Portinari | 1941 CE |
| 200 |
 |
Self Portrait | María Izquierdo | 1946 CE |
