|
|
Title | Creator | Creation Date |
| 1 |
 |
Native Brazil (1a) | Anna Bella Geiger | 1977 CE |
| 2 |
 |
Dividing the Land (Reparto de tierras) | Diego Rivera | 1923 - 1924 CE |
| 3 |
 |
Alien Brazil (1b) | Anna Bella Geiger | 1977 CE |
| 4 |
 |
Native Brazil (2a) | Anna Bella Geiger | 1977 CE |
| 5 |
 |
Alien Brazil (2b) | Anna Bella Geiger | 1977 CE |
| 6 |
 |
The History of Mexico | Diego Rivera | 1929 - 1935 CE |
| 7 |
 |
Figura de Convite (Entrance Figure) | Adriana Varejão | 1997 CE |
| 8 |
 |
Native Brazil (3a) | Anna Bella Geiger | 1977 CE |
| 9 |
 |
Alien Brazil (3b) | Anna Bella Geiger | 1977 CE |
| 10 |
 |
The History of Mexico, north wall: Ancient Mexico | Diego Rivera | 1929 - 1935 CE |
| 11 |
 |
Native Brazil (4a) | Anna Bella Geiger | 1977 CE |
| 12 |
 |
Alien Brazil (4b) | Anna Bella Geiger | 1977 CE |
| 13 |
 |
Native Brazil (5a) | Anna Bella Geiger | 1977 CE |
| 14 |
 |
The History of Mexico: From the Conquest to the Future | Diego Rivera | 1929 - 1935 CE |
| 15 |
 |
Alien Brazil (5b) | Anna Bella Geiger | 1977 CE |
| 16 |
 |
Detroit Industry Murals | Diego Rivera | 1933 CE |
| 17 |
 |
Native Brazil (6a) | Anna Bella Geiger | 1977 CE |
| 18 |
 |
Detroit Industry fresco detail: Production and Manufacture of Engines and Gear Boxes, Ford V8 | Diego Rivera | 1932 - 1933 CE |
| 19 |
 |
Alien Brazil (6b) | Anna Bella Geiger | 1977 CE |
| 20 |
 |
Native Brazil (7a) | Anna Bella Geiger | 1977 CE |
| 21 |
 |
Detroit Industry Murals, north wall | Diego Rivera | 1933 CE |
| 22 |
 |
Alien Brazil (7b) | Anna Bella Geiger | 1977 CE |
| 23 |
 |
Detroit Industry Murals, detail: Production of Poison Gas | Diego Rivera | 1933 CE |
| 24 |
 |
Native Brazil (8a) | Anna Bella Geiger | 1977 CE |
| 25 |
 |
Detroit Industry Murals, detail: Vaccination | Diego Rivera | 1933 CE |
| 26 |
 |
Alien Brazil (8b) | Anna Bella Geiger | 1977 CE |
| 27 |
 |
Native Brazil (9a) | Anna Bella Geiger | 1977 CE |
| 28 |
 |
Man at the Crossroads | Diego Rivera | 1934 CE |
| 29 |
 |
Unfinished RCA Building mural just before all work was stopped | Diego Rivera | May 1933 CE |
| 30 |
 |
Alien Brazil (9b) | Anna Bella Geiger | 1977 CE |
| 31 |
 |
Man at the Crossroads, detail: Charles Darwin | Diego Rivera | 1934 CE |
| 32 |
 |
Man at the Crossroads, detail: Leon Trotsky, Friedrich Engels, and Karl Marx | Diego Rivera | 1934 CE |
| 33 |
 |
Man at the Crossroads, detail: Vladimir Lenin | Diego Rivera | 1934 CE |
| 34 |
 |
Mapa de Lopo Homem (Map of Lopo Homem) | Adriana Varejão | 1992 CE |
| 35 |
 |
Ar e Pedra (Air and Stone) | Lygia Clark | 1966 CE |
| 36 |
 |
Weeping Virgin | Juan (Bautista?) Cuiris | 1590 CE |
| 37 |
 |
Weeping Virgin (detail) | Juan (Bautista?) Cuiris | 1590 CE |
| 38 |
 |
Brasilia, The Monumental Axis (fuselage) | Cildo Meireles | 1969 CE |
| 39 |
 |
Metropolitan Cathedral of Nossa Senhora Aparecida | Oscar Niemeyer | 1958 - 1971 CE, refurbished in 1987 CE |
| 40 |
 |
National Congress Building (view 2) | Oscar Niemeyer | 1958 - 1960 CE |
| 41 |
 |
Insertions into Ideological Circuits: Coca-Cola Project | Cildo Meireles | 1970 CE |
| 42 |
 |
Insertions into Ideological Circuits: Coca-Cola Project | Cildo Meireles | 1970 CE |
| 43 |
 |
Insertions into Ideological Circuits: Cédula Project | Cildo Meireles | 1970 CE |
| 44 |
 |
Insertions into Ideological Circuits 2: Banknote Project, Quem Matou Herzog | Cildo Meireles | 1970 / 1975 CE |
| 45 |
 |
Information Exhibition Installation View, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
| 46 |
 |
Information Exhibition Installation View, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
| 47 |
 |
Information Exhibition Installation View, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
| 48 |
 |
Information Exhibition Catalogue, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
| 49 |
 |
Information Exhibition Catalogue: Quotation by Kynaston McShine from page 138, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | 1970 CE |
| 50 |
 |
Frederico Morais sitting in front of the poster for the exhibit "Agnus Dei" | | 1970 CE |
| 51 |
 |
Agnus Dei Exhibition | | 1970 CE |
| 52 |
 |
Frederico Morais carrying the Coca Cola Bottles for his Nova Critica/New Criticism Exhibit at Petite Galerie | | 1970 CE |
| 53 |
 |
Frederico Morais carrying the Coca Cola Bottles for his Nova Critica/New Criticism Exhibit at Petite Galerie | | 1970 CE |
| 54 |
 |
Stained Rag with Blood | Artur Barrio | c. 1969 CE |
| 55 |
 |
Artur Barrio's contribution to the Information Exhibition Catalogue, Museum of Modern Art, New York, 1970 | | 1970 CE |
| 56 |
 |
Situaçao T/T, .1 (Situation T/T, .1), Part 2. Belo Horizonte, Brazil | Artur Barrio | 1970 CE |
| 57 |
 |
Situaçao T/T, .1 (Situation T/T, .1), Part 1. Belo Horizonte, Brazil | Artur Barrio | 1970 CE |
| 58 |
 |
Unfolding of the Body Situation, Belo Horizonte | Artur Barrio | April 19-20, 1970 CE |
| 59 |
 |
A imagem da violência (The Images of Violence) | Antonio Manuel | 1968 CE |
| 60 |
 |
Jornal (Newspaper) | Antonio Manuel | 1968 CE |
| 61 |
 |
Sem Censura (Uncensored) | Antonio Manuel | 1968 CE |
| 62 |
 |
Exhibition from 0:00 to 24:00 hours | Antonio Manuel | 1973 CE |
| 63 |
 |
Repellent Fence | Postcommodity (Cristóbal Martínez and Kade L. Twist) | 2015 CE |
| 64 |
 |
Repellent Fence | Postcommodity (Cristóbal Martínez and Kade L. Twist) | 2015 CE |
| 65 |
 |
Repellent Fence | Postcommodity (Cristóbal Martínez and Kade L. Twist) | 2015 CE |
| 66 |
 |
Repellent Fence | Postcommodity (Cristóbal Martínez and Kade L. Twist) | 2015 CE |
| 67 |
 |
Space in Between: Nopal (Sol Espinoza) | Margarita Cabrera | 2016 CE |
| 68 |
 |
Space in Between: Nopal (Sara Hernandez) | Margarita Cabrera | 2016 CE |
| 69 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 70 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 71 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 72 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 73 |
 |
America's Family Prison | Regina José Galindo | 2008 CE |
| 74 |
 |
Undocumented | Malaquias Montoya | 1980 CE |
| 75 |
 |
Immigrant's Dream | Malaquias Montoya | 1981 CE |
| 76 |
 |
Border Arts Workshop, End of the Line Performance | | 1986 CE |
| 77 |
 |
Border Arts Workshop, End of the Line Performance | | 1986 CE |
| 78 |
 |
Border Arts Workshop, End of the Line Performance | | 1986 CE |
| 79 |
 |
Border Arts Workshop, End of the Line Performance | | 1986 CE |
| 80 |
 |
Artist Victor Ochoa next to "Twelve Border Stereotypes" | | |
| 81 |
 |
The Eternal Present (An Homage to Alejandro García Caturla) | Wifredo Lam | 1944 CE |
| 82 |
 |
Ta propre vie (Your Own Life) | Wifredo Lam | 1942 CE |
| 83 |
 |
Composition Fantastique | Wifredo Lam | 1970 CE |
| 84 |
 |
The Third World | Wifredo Lam | 1965 - 1966 CE |
| 85 |
 |
Green Maternity | Wifredo Lam | 1942 CE |
| 86 |
 |
Satan | Wifredo Lam | 1942 CE |
| 87 |
 |
Horse-Headed Woman | Wifredo Lam | 1950 CE |
| 88 |
 |
Self Portrait II | Wifredo Lam | 1938 CE |
| 89 |
 |
O corpo é a obra (The Body is the Work) | Antonio Manuel | 1970 CE |
| 90 |
 |
Urban and Rural Situation, from Copacabana Beach to Jacarepagua | Artur Barrio | c. 1970 CE |
| 91 |
 |
Unleashing confusion on the streets… situation, Rio de Janeiro | Artur Barrio | 1970 CE |
| 92 |
 |
The History of Mexico: west wall, "From the Conquest to 1930" | Diego Rivera | 1929 - 1935 CE |
| 93 |
 |
This Paper is a Jail | Horacio Zabala | 1972 CE |
| 94 |
 |
This Paper is a Prison | Horacio Zabala | 1972 CE |
| 95 |
 |
Hatchet | Horacio Zabala | 1972 - 1998 CE |
| 96 |
 |
Language Integration | Horacio Zabala | 1974 CE |
| 97 |
 |
Revise / Censor | Horacio Zabala | 1974 CE |
| 98 |
 |
Revise / Censor | Horacio Zabala | 1974 CE |
| 99 |
 |
Marat (Sebastião) | Vik Muniz | 2008 CE |
| 100 |
 |
El incendio y las visperas (The Fire and the Sparks) | Graciela Sacco | 1996 CE |
