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|
Title | Creator | Creation Date |
1 |
|
Cannibal Feast | Theodor de Bry | 1592 CE |
2 |
|
New World Scene | Johann Froschauer | ca. 1505 CE |
3 |
|
Map of the United States of Méjico (Mexico) | John Disturnell | 1846 CE |
4 |
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Map: Mexican Cession 1848 | | |
5 |
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Slaves diamond mining in the Serro Frio region, Minas Gerais, Brazil | Carlos Julião | c. 1770 CE |
6 |
|
Amazons | unidentified artist | 1826 CE |
7 |
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Diamond Mine, Serro Frio region, Minas Gerais, Brazil | Carlos Julião | 1775 CE |
8 |
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Washing the Diamonds | unidentified artist | 1775 CE |
9 |
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Gold Mining | unidentified artist | c. 1780 CE |
10 |
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Antropophagos do Brasil devorando huns Portuguezes | unidentified artist | 18th Century CE |
11 |
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Amerique Meridionale Publiee sous les Auspices de Monseigneur le Duc d'Orleans | Jean Baptiste Bourguignon D'Anville | 1748 CE |
12 |
|
Landing of Doña Leopoldina, First Empress of Brazil (study) | Jean-Baptiste Debret | undated |
13 |
|
Négres a Fond de Calle (Blacks in the Ship's Hold) | Johann Moritz Rugendas | 1827 CE |
14 |
|
Untitled | Jean Charlot | 1924 CE |
15 |
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Portrait Parlé: "M. Sandibal, Quéchua Indian from Cochabamba (Bolivia) - right profile and front | | |
16 |
|
Weiner's "Guilds" | | |
17 |
|
Porters | | |
18 |
|
Untitled | Jean Charlot | 1924 CE |
19 |
|
Virgin of Guadalupe | Baltasar de Echave Orio | 1606 CE |
20 |
|
Caipirinha (Country Girl) | Tarsila do Amaral | 1923 CE |
21 |
|
Carnaval en Madureira | Tarsila do Amaral | 1924 CE |
22 |
|
Morro da Favela (Hills of the Favela) | Tarsila do Amaral | 1924 CE |
23 |
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Self Portrait with Cloak | Tarsila do Amaral | 1923 CE |
24 |
|
America | Theodor Galle | ca. 1600 CE |
25 |
|
The Battle of Avaí | Pedro Américo | 1872 - 1879 CE |
26 |
|
America | Maerten de Vos (designer) and Adriaen Collaert (engraver) | 16th - 17th Century CE |
27 |
|
Redemption of Cain | Modesto Brocos y Gómez | 1895 CE |
28 |
|
The Brazilian Wood-Cutter | José Ferraz de Almeida Júnior | 1879 CE |
29 |
|
The Yellow Man | Anita Malfatti | 1915 CE |
30 |
|
A Boba | Anita Malfatti | 1915 - 1916 CE |
31 |
|
O Homem das Sete Cores (Man in Seven Colors) | Anita Malfatti | 1915 - 1916 CE |
32 |
|
A Cubist Nude | Anita Malfatti | 1915 - 1916 CE |
33 |
|
São Paulo Courthouse | | 1920s CE |
34 |
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Modern Art Week Program, São Paulo, Brazil | | February 13-17, 1922 CE |
35 |
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Municipal Theatre of São Paulo | Ramos de Azevedo, Claudio Rossi, and Domiziano Rossi | 1903 - 1922 CE |
36 |
|
Municipal Theatre of São Paulo | | ca. 1921 - 1930 CE |
37 |
|
São Paulo City Scene | | 1920s CE |
38 |
|
São Paulo City Scene | | 1920s CE |
39 |
|
Tarsila do Amaral | | |
40 |
|
Portrait of the Intrepid Sailor Simão, Coal-Heaver on the Steamship Pernambucana | José Correia de Lima | c. 1855 CE |
41 |
|
Mãe preta (Black Mother) | Lucilio de Albuquerque | 1912 CE |
42 |
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Depiction of Indigenous rite with dance and tobacco smoking, illustrating a passage labeled ‘Caraibes barbaros exsufflantes' (The Barbarian Caribs Blow Smoke) | | 1590s CE |
43 |
|
View of the Church of Glória | Nicolas Antoine Taunay | |
44 |
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View of the Sugar Loaf | Nicolas Antoine Taunay | |
45 |
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Tapuias Indians, Manaus | Albert Frisch | c. 1865 CE |
46 |
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King João VI and Queen Carlota Joaquina on Quinta da Boa Vista | Nicolas Antoine Taunay | |
47 |
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Indians of Amazonas | Albert Frisch | c. 1865 CE |
48 |
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Slaves of the Naturalist | Jean Baptiste Debret | |
49 |
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Inhabitant of Minas Crossing a River | Jean Baptiste Debret | |
50 |
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Maritime View of Rio de Janeiro | Nicolas Antoine Taunay | |
51 |
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View of Rio de Janeiro | Thomas Ender | 1817 CE |
52 |
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Portrait of the Intrepid Mariner Simão, Coalman of the Steamship Pernambucana | José Correia de Lima | 1853 CE |
53 |
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Portrait of the Aztec Emperor Moctezuma II | Antonio Rodriguez | ca. 1680 - 1697 CE |
54 |
|
The Conquest of Tenochtitlan | | 17th Century CE |
55 |
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Vögel-Teich Am Rio de S. Francisco | Johann Baptist von Spix; Carl Friedrich Philipp von Martius | 1823 - 1831 CE |
56 |
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Vögel-Teich Am Rio de S. Francisco (detail) | Johann Baptist von Spix; Carl Friedrich Philipp von Martius | 1823 - 1831 CE |
57 |
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Tarsila do Amaral at Galerie Percier, Paris, July 1926 | | 1926 CE |
58 |
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14 Ago.68 | On Kawara | 1968 CE |
59 |
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Paraguay: Image of Your Desolate Country | Juan Manuel Blanes | ca. 1880 CE |
60 |
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Hunt Presided by the Emperor of St. Esprit | Jean-Baptiste Debret | 1826 CE |
61 |
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Banha de Cabellos bem Cherosa | Jean-Baptiste Debret | 1827 CE |
62 |
|
Native Village in Cantagalo | Jean-Baptiste Debret | |
63 |
|
Flower Day | Diego Rivera | 1925 CE |
64 |
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The Indian Mayor of Chincheros | Jose Sabogal | 1925 CE |
65 |
|
Botocudo Indians | Marc Ferrez | ca. 1874 CE |
66 |
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Flower Seller with Lilies | Diego Rivera | 1943 CE |
67 |
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Peasant Mother | David Alfaro Siqueiros | 1929 CE |
68 |
|
El Chinaco y la China | Jose Agustin Arrieta | |
69 |
|
Leader of the Bororenas Setting Off to Attack | Jean-Baptiste Debret | |
70 |
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El Costeno | Jose Agustin Arrieta | |
71 |
|
Coffee | Candido Portinari | 1935 CE |
72 |
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Burial of an Illustrious Man | Mario Urteaga Alvarado | 1936 CE |
73 |
|
Rest in the Mountains | Francisco Laso | 1859 CE |
74 |
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Tupinamba Family Eating | | 1558 CE |
75 |
|
Historia Naturalis Brasiliae Frontispiece | | 1648 CE |
76 |
|
Mexico | Jose Maria Velasco | 1877 CE |
77 |
|
Tormento de Cuauhtemoc (Torment of Cuauhtemoc) (2) | Miguel Norena | 1878 - 1887 CE |
78 |
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El Senado de Tlaxcala (The Senate of Tlaxcala) | Rodrigo Gutierrez | 1875 CE |
79 |
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Tormento de Cuauhtemoc (Torment of Cuauhtemoc) (1) | Miguel Norena | 1878 - 1887 CE |
80 |
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Prision de Cuauhtemoc (Prison of Cuauhtemoc) | Miguel Norena | 1878 - 1887 CE |
81 |
|
Cuauhtemoc | | 1878 - 1887 CE |
82 |
|
Cuauhtemoc Monument, view of Cuauhtemoc | Francisco H. Jimenez (architect); Miguel Norena (sculptor) | 1878 - 1887 CE |
83 |
|
Cuauhtemoc Monument | Francisco H. Jimenez (architect); Miguel Norena (sculptor) | 1878 - 1887 CE |
84 |
|
Carioca Square in 1816 | Nicolas Antoine Taunay | |
85 |
|
Manuel Maples Arce | Jean Charlot | 1924 CE |
86 |
|
America Nursing Spanish Noble Boys | Anonymous | ca. 1770s CE |
87 |
|
Santo Antonio de Catagerona | | 1699 CE |
88 |
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View of the Valley of Mexico with Volcanoes and the Texcoco Lake | Johann Moritz Rugendas | c. 1833 CE |
89 |
|
Humboldt on the Orinoco | F. de Canta | undated 19th Century CE |
90 |
|
European Travelers Ambushed in a Forest | Jules Louis Phillipe Coignet | 1835 CE |
91 |
|
The Valley of Mexico | Conrad Wise Chapman | 1870 CE |
92 |
|
Novus Orbis sive America | Matthäus Seutter | 1735 CE |
93 |
|
Entry of the Barra de Rio de Janeiro Seen From Santa Teresa, Rua Aprazivel | Emil Bauch | 1859 CE |
94 |
|
Amazonian Indians Adoring the Sun God | François-Auguste Biard | c. 1860 CE |
95 |
|
Church of Glória, Rio de Janeiro | Nicolas Antoine Taunay | 1824 CE |
96 |
|
Favela I | Lasar Segall | 1954- 1955 CE |
97 |
|
Manifestación (Demonstration) | Antonio Berni | 1934 CE |
98 |
|
Liberación (Liberation) | Raquel Forner | 1945 CE |
99 |
|
La Menesunda Happening (2) | Marta Minujín; Rubén Santantonín | 1965 CE |
100 |
|
La Menesunda Happening | Marta Minujín; Rubén Santantonín | 1965 CE |
101 |
|
Convoi de Café S'Acheminant Vers la Ville (Coffee Bearers Walking Towards the City) | Jean-Baptiste Debret | 1826 CE |
102 |
|
Indian Shooting a Jaguar with Arrows | Johann Moritz Rugendas | |
103 |
|
Brazilian Forest | Johann Moritz Rugendas | |
104 |
|
Gate and Slave Market at Pernambuco | Augustus Earle | |
105 |
|
Repairing a Ship, Villegagnon Island, Guanabara Bay | Felix Emile Taunay | ca. 1828 CE |
106 |
|
Guanabara Bay, Seen from Cobras Island | Felix Emile Taunay | ca. 1828 CE |
107 |
|
Entrance to Rio de Janeiro's Bay | Henri-Nicolas Vinet | ca. 1866 - 1868 CE |
108 |
|
View of Mãe d'Água Waterfall | Felix Emile Taunay | ca. 1840 CE |
109 |
|
Escaping Slaves | François Auguste Biard | 1859 CE |
110 |
|
Nossa Senhora da Glória do Outeiro | Ludwig Czerny | 1850 CE |
111 |
|
Brazilian Landscape | Jospeh Selleny | 1863 CE |
112 |
|
Engraving Based on the Tale of the Ipupiara Monster | Matthäus Franck | 1565 CE |
113 |
|
Merkwaerdige Togt van Dartien Portugesen (The Curious [or Remarkable] Journey of Thirteen Portuguese) | Anonymous | ca. 1671 CE |
114 |
|
Engraving Based on the Tale of the Ipupiara Monster | Nicolo Nelli | 1565 CE |
115 |
|
Woman from Tehuantepec carrying Jecapixtle | Tina Modotti | 1929 CE |
116 |
|
Upper Class Portrait from Lima, Peru (Personal Calling Card) | | |
117 |
|
Stereograph of Cusco, Peru | | |
118 |
|
"Indian Brigands" | | |
119 |
|
Thibon's Cholas | Dr. L. C. Thibon | |
120 |
|
Thibon's Indians | Dr. L. C. Thibon | |
121 |
|
Virgin of Guadalupe | Baltasar de Echave Orio | 1606 CE |
122 |
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View of Boqueirão Lagoon with the Lapa Aqueduct (Arcos da Lapa) and Convent of Saint Therese (Convento de Santa Teresa) in Rio de Janeiro, Brazil | unknown artist (attributed to Leandro Joaquim) | c. 1790 CE |
123 |
|
O Homen Amarelo (Yellow Man) | Anita Malfatti | 1915 - 1916 CE |
124 |
|
Atirador de Arco (Archer) | Vicente do Rego Monteiro | 1925 CE |
125 |
|
Portrait of King Dom João VI | Jean-Baptiste Debret | c. 1817 CE |
126 |
|
Redenção de Cã (The Redemption of Ham) | Modesto Brocos | 1895 CE |
127 |
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Une dame d'une fortune ordinaire dans son intérieur au milieu de ses habitudes journalieres (A Lady of Ordinary Fortune in her Daily Routine) | Jean-Baptiste Debret | 1823 CE |
128 |
|
Quilombo, ground plan | Günter Weimer | 1764 CE (original) |
129 |
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Americae sive Novi Orbis, Noca Descripto (A New Description of America or the New World) | Abraham Ortelius | 1570 CE |
130 |
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Natural History of the West Indes, folio 100r: How the black slaves work and look for gold in the mines of the region called Veragua (Panama) | | ca. 1586 CE |
131 |
|
Tupinambá scene with ahouaï tree | | 1557 CE |
132 |
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Tupinambá scene with ahouaï tree | | 1557 CE |
133 |
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Copy of an Aztec Herbal, folio 7 (Codex de la Cruz-Badiano) | | 1626 CE |