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|
Title | Creator | Creation Date |
201 |
|
Salt Lake City International Airport, Northern Approach | Center for Land Use Interpretation (CLUI) | 2006 - 2010 CE |
202 |
|
Salt Lake City International Airport, Northern Approach | Center for Land Use Interpretation (CLUI) | 2006 - 2010 CE |
203 |
|
Salt Lake City International Airport, Northern Approach | Center for Land Use Interpretation (CLUI) | 2006 - 2010 CE |
204 |
|
Salt Lake City International Airport, Northern Approach | Center for Land Use Interpretation (CLUI) | 2006 - 2010 CE |
205 |
|
Salt Lake City International Airport, Northern Approach | Center for Land Use Interpretation (CLUI) | 2006 - 2010 CE |
206 |
|
Salt Lake City International Airport, Northern Approach | Center for Land Use Interpretation (CLUI) | 2006 - 2010 CE |
207 |
|
Salt Lake City International Airport, Northern Approach | Center for Land Use Interpretation (CLUI) | 2006 - 2010 CE |
208 |
|
Tree of Life | Ana Mendieta | 1977 CE |
209 |
|
Lake Baikal, Russia | Jim Denevan | 2010 CE |
210 |
|
Piles of Wishes | Cornelia Konrads | 2004 CE |
211 |
|
Passage | Cornelia Konrads | 2007 CE |
212 |
|
Salt Flat | Dennis Oppenheim | 1968 CE |
213 |
|
A Simple Network of Underground Wells and Tunnels (view 2) | Alice Aycock | 1975 CE |
214 |
|
The New York Earth Room | Walter de Maria | 1977 CE |
215 |
|
Untitled | Ana Mendieta | 1979 CE |
216 |
|
Partially Buried Woodshed | Robert Smithson | 1970 CE |
217 |
|
Partially Buried Woodshed | Robert Smithson | 1970 CE |
218 |
|
Cross Section of Spiraling Jetty | Robert Smithson | 1970 CE |
219 |
|
Museum Plan (top), Underground Projection Room (bottom) | Robert Smithson | 1971 CE |
220 |
|
Plan for Museum concerning Spiral Jetty | Robert Smithson | 1971 CE |
221 |
|
Sagehen in the High Sierra: A Proving Ground | Harrison Studio; Center for the Study of Force Majeure | 2007 CE - present |
222 |
|
Snowball Gathered From Below An Ash Tree, Taken To My Studio, Stained With Dye Extracted From Ash Seeds, Melting On Paper | Andy Goldsworthy | February 1993 CE |
223 |
|
Runnymede Clay, Scottish, Japanese, and Californian Bracken And Ferns Held With Thorns To The Wall | Andy Goldsworthy | February 1995 CE |
224 |
|
Elm Leaves Stitched Together With Stalks Making A Line From Tree To River To Tree | Andy Goldsworthy | Ocober 12, 1994 CE |
225 |
|
Runnymede Clay, Scottish, Japanese, and Californian Bracken And Ferns Held With Thorns To The Wall (detail) | Andy Goldsworthy | February 1995 CE |