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Title | Creator | Creation Date |
1 |
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Hurrah, die Butter ist alle! (Hurrah, the Butter is Gone!) | John Heartfield | December 1935 CE |
2 |
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Fountain | Marcel Duchamp; Alfred Stieglitz | 1917 CE |
3 |
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Fountain | Marcel Duchamp | 1917 / 1964 CE |
4 |
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Cover of "Die Pleite" Journal: "Prost Noske! Das Proletariat ist Entwaffnet!" (Cheers Noske! The Proletariat is Disarmed!) | George Grosz | April 1919 CE |
5 |
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'An Alle Künster' (To All Artists): Cover of a Brochure of the Official Publicity Service | Max Pechstein | 1919 CE |
6 |
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Fountain | Marcel Duchamp | 1917 CE |
7 |
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Elephant of the Celebes | Max Ernst | 1921 CE |
8 |
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To Be Looked at (From the Other Side of the Glass) with One Eye, Close to, for Almost an Hour | Marcel Duchamp | 1918 CE |
9 |
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Germany, A Winter's Tale | George Grosz | 1918 CE |
10 |
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Tu m' | Marcel Duchamp | 1918 CE |
11 |
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Mountain, Table, Anchors, Navel | Jean (Hans) Arp | 1925 CE |
12 |
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Merz 19 | Kurt Schwitters | 1920 CE |
13 |
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Fountain (Urinal) | Marcel Duchamp | 1917 CE |
14 |
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Invisible ink | Kurt Schwitters | 1947 CE |
15 |
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Der Weihnachtsmann (Santa Claus) | Kurt Schwitters | 1922 CE |
16 |
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Merz 169: Formen im Raum (Forms in Space) | Kurt Schwitters | 1920 CE |
17 |
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Kleine Dada Soiree | Kurt Schwitters; Theo van Doesburg | 1922 CE |
18 |
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Menschen im Cafe (People in a Cafe) | George Grosz | 1917 CE |
19 |
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Selbstporträt (Für Charlie Chaplin) (Self Portrait [For Charlie Chaplin]) | George Grosz | 1919 CE |
20 |
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Das Grosse Plasto-Dio-Dada-Drama (The Great Plasto-Dio-Dada-Drama) in the second room of the First International Dada Fair, Berlin | Johannes Baader | 1920 CE |
21 |
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"Der Sträfling" Monteur John Heartfirld nach Franz Jungs Versuch ihn auf die Beine zu Stellen ("The Convict" Monteur John Heartfield after Franz Jung's Attempt to Get Him Up on his Feet) | George Grosz | 1920 CE |
22 |
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Cover of the Book 'Dada Siegt! Eine Bilanz des Dadaismus' (Dada Triumphs! A Report on Dadaism) | George Grosz | 1920 CE |
23 |
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Phänomen Werke (Phenomenon Works) | Rudolf Schlichter | 1920 CE |
24 |
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Selbstporträt des Dadasophen (Self Portrait of the Dadasoph) | Raoul Hausmann | 1920 CE |
25 |
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Arrangement According to the Laws of Chance | Jean (Hans) Arp | 1916 - 17 CE |
26 |
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First International Dada Fair | | 1920 CE |
27 |
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Bild mit heller Mitte (Picture with Light Center) | Kurt Schwitters | 1919 CE |
28 |
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Merzbild 25A, Das Sternenbild (The Star Picture) | Kurt Schwitters | 1920 CE |
29 |
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Collage Made According to the Laws of Chance | Jean (Hans) Arp | 1916 CE |
30 |
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Construction for Noble Ladies | Kurt Schwitters | 1919 CE |
31 |
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The Hannover Merzbau | Kurt Schwitters | ca. 1920s CE |
32 |
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The Hannover Merzbau | Kurt Schwitters | ca. 1920s CE |
33 |
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Merz Column | Kurt Schwitters | ca. 1920s CE |
34 |
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Zeitung A2, Hansi | Kurt Schwitters | 1918 CE |
35 |
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Nickel-Plastik | Lászlo Moholy-Nagy; Serge Charchoune | 1922 CE |
36 |
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Here, This is Stieglitz/Faith and Love | Francis Picabia | July - August 1915 CE |
37 |
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Art of This Century Exhibition, Surrealist Gallery installation view | | 1942 CE |
38 |
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Art of This Century Exhibition, Study for Surrealist Gallery, detail of ceiling and lighting system | | 1942 CE |
39 |
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Art of This Century Exhibition, Study for Surrealist Gallery, detail of painting supports | | 1942 CE |
40 |
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Art of This Century Exhibition, Abstract Gallery installation of frameless paintings on vertical cloth straps | | 1942 CE |
41 |
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Art of This Century Exhibition, Abstract Gallery installation view | | 1942 CE |
42 |
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Art of This Century Exhibition, Surrealist Gallery, installation view showing Alberto Giacometti's "Walking Woman (left) installed on a Correalist instrument | | 1942 CE |
43 |
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Art of This Century Exhibition, Peggy Guggenheim and Max Ernst in front of his two works "The Kiss" and "Zoomorphic Couple" | | 1942 CE |
44 |
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Art of This Century Exhibition, Abstract Gallery installation view | | 1942 CE |
45 |
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Art of This Century Exhibition, Abstract Gallery installation view | | 1942 CE |
46 |
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The First International Dada Fair, main room, installation photograph | | 1920 CE |
47 |
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Art of This Century Exhibition, Abstract Gallery detail of Frederick Kiesler's adjustable wooden painting supports | | 1942 CE |
48 |
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Art of This Century Exhibition, Surrealist Gallery installation view | | 1942 CE |
49 |
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Art of This Century Exhibition, Surrealist Gallery, Frederick Kiesler and journalist in front of Max Ernst's "The Kiss" | | 1942 CE |
50 |
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Short Dresses… Long Season, Vogue, January 1943 CE | | 1942 CE |
51 |
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Art of This Century Exhibition, Surrealist Gallery, paintings installed on inverted Correalist Rockers | | 1942 CE |
52 |
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Art of This Century Exhibition, Abstract Gallery installation view of paintings hung on v-shaped cloth straps | | 1942 CE |
53 |
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1 Copper Plate 1 Zinc Plate 1 Rubber Cloth 2 Calipers 1 Drainpipe Telescope 1 Piping Man | Max Ernst | 1920 CE |
54 |
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Two Children Threatened by a Nightingale | Max Ernst | 1924 CE |