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TitleCreatorCreation Date
51 Titled (Art as Idea as Idea) (Universal)Joseph Kosuth1967 CE
52 Unleashing confusion on the streets… situation, Rio de JaneiroArtur Barrio1970 CE
53 Unleashing confusion on the streets… situation, Rio de JaneiroArtur Barrio1970 CE
54 Iphigenia / Titus AndronicusJoseph Beuys1969 CE
55 I Like America and America Likes MeJoseph Beuys1974 CE
56 One and Three ChairsJoseph Kosuth1965 CE
57 How to Explain Pictures to a Dead HareJoseph Beuys1965 CE
58 First Investigation (series): Art as Idea as Idea: NothingJoseph Kosuth1967 CE
59 Semiotics of the KitchenMartha Rosler1975 CE
60 5 Gallons Water Base Tempera Paint Poured Directly upon the Floor and Allowed to Remain for the Duration of the ExhibitionLawrence Weiner1969 CE
61 The Projects Class: HistoryDavid Askevold; Dan Graham1969 CE
62 Using a Black Hard Crayon, Put Fifty Small Dots, at Random, over the Surface of the Stone. Then Connect Each dot with a Straight LineSol LeWitt1971 CE
63 Two Correlated RotationsDan Graham1969 CE
64 Likes: A Computer Astrological Dating Placement ServiceDan Graham1967 - 1969 CE
65 The Projects Class: HistoryDavid Askevold; N.E. Thing Co. Ltd.1969 CE
66 The Projects Class: HistoryDavid Askevold; Lawrence Weiner1969 CE
67 5 Works, Page 3 of Exhibition FolderLawrence Weiner1969 CE
68 The Projects Class: HistoryDavid Askevold; Sol LeWitt1969 CE
69 Language ÷ Emotion + Syntax = MessageLes Levine1973 CE
70 Jig for Robert Ryman's 'Two Stones' on the Press
71 Within a Twenty Inch Square Area, Using a Black Hard Crayon, Draw Ten Thousand Free-hand Lines, of Any Length, at RandomSol LeWitt1971 CE
72 TrademarksVito Acconci1971 CE
73 The Office: A Typewriter PrintClaes Oldenburg1974 CE
74 The Projects Class: HistoryDavid Askevold; Robert Smithson1969 CE
75 The Projects Class: HistoryDavid Askevold; Lucy R. Lippard1969 CE
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