Title | Creator | Creation Date | ||
---|---|---|---|---|
226 | Inauguration Day (View of the National Congress Palace) | Thomaz Farkas | 1960 CE | |
227 | Arte Física: Clareira (Caixas de Brasília) [Physical Art: Clearing (Brasília Boxes)], detail of map | Cildo Meireles | 1969 CE | |
228 | Vermelho Cortando o Branco (Red and White Cutting) | Hélio Oiticica | 1958 CE | |
229 | Shantytown Hill | Tarsila do Amaral | 1924 CE | |
230 | A Negra (The Black) | Tarsila do Amaral | 1923 CE | |
231 | E.F.C.B. | Tarsila do Amaral | 1924 CE | |
232 | Study of The Negress | Tarsila do Amaral | 1923 CE | |
233 | The Negress I | Tarsila do Amaral | 1923 CE | |
234 | The First Negress | Tarsila do Amaral | 1923 CE | |
235 | The Negress III | Tarsila do Amaral | 1923 CE | |
236 | Homem com Cachimbo e Chapéu (Man with a Pipe and Hat) | Agnaldo Manoel Dos Santos | 1950s CE | |
237 | Reizinho (Little King) | Agnaldo Manoel Dos Santos | 1950s CE | |
238 | Rei sentado (Sitting King) | Agnaldo Manoel Dos Santos | 1950s CE | |
239 | Untitled | Agnaldo Manoel Dos Santos | 1950s CE | |
240 | Christ | Agnaldo Manoel Dos Santos | 1950s CE | |
241 | Painting no. 11 Rome | Rubem Valentim | 1965 CE | |
242 | Bichos (Critters or Beasts) | Lygia Clark | 1960 CE | |
243 | Bichos (Critters or Beasts) | Lygia Clark | 1960 CE | |
244 | Tripartite Unity | Max Bill | 1948 - 1949 CE | |
245 | Oscar Niemeyer | 1968 CE | ||
246 | Superquadra | 1958 - 1960 CE | ||
247 | Superquadra | 1958 - 1960 CE | ||
248 | Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE | |
249 | Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE | |
250 | NC1 Small Nucleus 1 | Hélio Oiticica | 1960 CE |