|
|
Title | Creator | Creation Date |
| 176 |
 |
Harriet Tubman series, panel 21 | Jacob Lawrence | 1938 - 1940 CE |
| 177 |
 |
Harriet Tubman series, panel 28 | Jacob Lawrence | 1938 - 1940 CE |
| 178 |
 |
Harriet Tubman series, panel 23 | Jacob Lawrence | 1938 - 1940 CE |
| 179 |
 |
Harriet Tubman series, panel 26 | Jacob Lawrence | 1938 - 1940 CE |
| 180 |
 |
Harriet Tubman series, panel 29 | Jacob Lawrence | 1938 - 1940 CE |
| 181 |
 |
Harriet Tubman series, panel 30 | Jacob Lawrence | 1938 - 1940 CE |
| 182 |
 |
Harriet Tubman series, panel 31 | Jacob Lawrence | 1938 - 1940 CE |
| 183 |
 |
Mining the Museum (detail) | Fred Wilson | 1992 CE |
| 184 |
 |
A Subtlety or the Marvelous Sugar Baby an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant | Kara Walker | 2014 CE |
| 185 |
 |
A Subtlety or the Marvelous Sugar Baby an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant | Kara Walker | 2014 CE |
| 186 |
 |
A Subtlety or the Marvelous Sugar Baby an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant | Kara Walker | 2014 CE |
| 187 |
 |
A Subtlety or the Marvelous Sugar Baby an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant | Kara Walker | 2014 CE |
| 188 |
 |
A Subtlety or the Marvelous Sugar Baby an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant | Kara Walker | 2014 CE |
| 189 |
 |
A Subtlety or the Marvelous Sugar Baby an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant | Kara Walker | 2014 CE |
| 190 |
 |
A Subtlety or the Marvelous Sugar Baby an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant | Kara Walker | 2014 CE |
| 191 |
 |
Chillin With Liberty | Renée Cox | 1998 CE |
| 192 |
 |
Woman Painting the Bay Bridge | Faith Ringgold | 1988 CE |
| 193 |
 |
Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On) (detail) | Kara Walker | 2000 CE |
| 194 |
 |
Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On) | Kara Walker | 2000 CE |
| 195 |
 |
Cut | Kara Walker | 1998 CE |
| 196 |
 |
They Waz Nice Folks While They Lasted (Says One Gal to Another) | Kara Walker | 2001 CE |
| 197 |
 |
The Wreckage of the Medusa | Robert Colescott | 1978 CE |
| 198 |
 |
Shirley Temple Black and Bill Robinson White | Robert Colescott | 1980 CE |
| 199 |
 |
I Gets a Thrill, Too, When I Sees De Koo | Robert Colescott | 1978 CE |
| 200 |
 |
Les Demoiselles d'Alabama: Vestidas | Robert Colescott | 1985 CE |
