Curriculum-based images for use in teaching, research, and learning.
| Title | Creator | Creation Date | ||
|---|---|---|---|---|
| 1 |
 |
Lavender Mist: No. 1, 1950 | Jackson Pollock | 1950 CE |
| 2 |
 |
One (No. 31, 1950) | Jackson Pollock | 1950 CE |
| 3 |
 |
Lucifer | Jackson Pollock | 1947 CE |
| 4 |
 |
Cathedral | Jackson Pollock | 1947 CE |
| 5 |
 |
Mountains and Sea | Helen Frankenthaler | 1952 CE |
| 6 |
 |
Woman I | Willem de Kooning | 1951 - 1952 CE |
| 7 |
 |
Woman with Bicycle | Willem de Kooning | 1952 - 1953 CE |
| 8 |
 |
Kouros | Isamu Noguchi | 1944 - 1945 CE |
| 9 |
 |
Sacha Jason Guyana Dreams | Frank Bowling | 1989 CE |
| 10 |
 |
Who's Afraid of Barney Newman | Frank Bowling | 1968 CE |
| 11 |
 |
South America x 3 at root 2 yellow | Frank Bowling | 1967 - 1968 CE |
| 12 |
 |
For Edvins | Frank Bowling | 1972 - 1973 CE |
| 13 |
 |
End Run | Frank Bowling | 1969 CE |
| 14 |
 |
Bessboro Knights | Frank Bowling | 1976 CE |
| 15 |
 |
Middle Passage | Frank Bowling | 1970 CE |
| 16 |
 |
Black Lines | Wassily Kandinsky | 1913 CE |
| 17 |
 |
Abstract Picture | Gerhard Richter | 1984 CE |
| 18 |
 |
Abstract Painting | Gerhard Richter | 1976 CE |
| 19 |
 |
First Abstract Watercolor | Wassily Kandinsky | ca. 1913 CE |
| 20 |
 |
Janus Fleuri | Louise Bourgeois | 1968 CE |
| 21 |
 |
Fillette | Louise Bourgeois | 1968 CE |
| 22 |
 |
Liver is the Cock's Comb | Arshile Gorky | 1944 CE |
| 23 |
 |
Beggar's Joys | Philip Guston | 1954 - 1955 CE |
| 24 |
 |
Improvisation No. 30 | Wassily Kandinsky | 1913 CE |
| 25 |
 |
Untitled II | Cy Twombly | 1967 CE |
| 26 |
 |
Untitled II | Cy Twombly | 1967 CE |
| 27 |
 |
Garden in Sachi | Arshile Gorky | 1943 CE |
| 28 |
 |
Pancho Villa, Dead and Alive | Robert Motherwell | 1943 CE |
| 29 |
 |
The Voyage | Robert Motherwell | 1949 CE |
| 30 |
 |
Moon Dream | William Baziotes | 1951 CE |
| 31 |
 |
Canzona | Ezio Martinelli | 1946 CE |
| 32 |
 |
Untitled | Franz Kline | ca. 1958 CE |
| 33 |
 |
Untitled | Conrad Marca-Relli | ca. 1960 CE |
| 34 |
 |
Untitled #17 | Leonard Nelson | 1954 CE |
| 35 |
 |
No Title (Black Slash) | Herman Cherry | 1957 CE |
| 36 |
 |
1959 #5 | Alfonso Ossorio | 1959 CE |
| 37 |
 |
Winter Landscape Collage | Elaine de Kooning | 1966 CE |
| 38 |
 |
Untitled (Maze Series) | Melville Price | 1949 CE |
| 39 |
 |
Untitled (Three Figures) | Melville Price | 1946 CE |
| 40 |
 |
Untitled (OC) | Jack Tworkov | 1950 CE |
| 41 |
 |
Untitled | Milton Resnick | 1957 CE |
| 42 |
 |
Rosebushtoo | Frank Bowling | 1975 CE |
| 43 |
 |
Several Circles, Number 323 | Wassily Kandinsky | 1926 CE |
| 44 |
 |
Blue Poles | Jackson Pollock | 1952 CE |
| 45 |
 |
Number 14, 1951 | Jackson Pollock | 1951 CE |
| 46 |
 |
Moon Woman Cuts the Circle | Jackson Pollock | 1943 CE |
| 47 |
 |
Diagonal | Franz Kline | 1952 |
| 48 |
 |
Cardinal | Franz Kline | 1950 CE |
| 49 |
 |
Untitled | Franz Kline | 1951 CE |
| 50 |
 |
Woman | Willem de Kooning | 1948 |
| 51 |
 |
At Five in the Afternoon | Robert Motherwell | 1949 CE |
| 52 |
 |
Untitled | Willem de Kooning | 1948 - 49 CE |
| 53 |
 |
Composition VII (sketch 1) | Wassily Kandinsky | 1913 CE |
| 54 |
 |
Panel for Edwin R. Campbell No. 4 | Wassily Kandinsky | 1914 CE |
| 55 |
 |
Composition 238: Bright Circle | Wassily Kandinsky | 1921 CE |
| 56 |
 |
Composition 8 | Wassily Kandinsky | 1923 CE |
| 57 |
 |
Accented Corners, No. 247 | Wassily Kandinsky | 1923 CE |
| 58 |
 |
Cubi XVII | David Smith | 1963 CE |
| 59 |
 |
Blackburn: Song of an Irish Blacksmith | David Smith | 1949 - 1950 CE |
| 60 |
 |
Voltron XX | David Smith | 1963 CE |
| 61 |
 |
Pillar of Sunday | David Smith | 1945 CE |
| 62 |
 |
Male and Female | Jackson Pollock | 1942 CE |
| 63 |
 |
Guardian of the Secret | Jackson Pollock | 1943 CE |
| 64 |
 |
Slow Swirl by the Edge of the Sea | Mark Rothko | 1944 CE |
| 65 |
 |
Calendars | Arshile Gorky | ca. 1946 CE |
| 66 |
 |
Descent into Darkness | Adolph Gottlieb | 1947 CE |
| 67 |
 |
Betrothal II | Arshile Gorky | 1947 CE |
| 68 |
 |
Onement II | Barnett Newman | 1948 CE |
| 69 |
 |
Onement I | Barnett Newman | 1948 CE |
| 70 |
 |
Excavation | Willem de Kooning | 1950 CE |
| 71 |
 |
1951-N | Clyfford Still | 1951 CE |
| 72 |
 |
Hudson River Landscape | David Smith | 1951 CE |
| 73 |
 |
Convergence | Jackson Pollock | 1952 CE |
| 74 |
 |
Horizontal II | Franz Kline | 1952 CE |
| 75 |
 |
Woman II | Willem de Kooning | 1952 CE |
| 76 |
 |
Tank Totem III-V | David Smith | 1953 CE |
| 77 |
 |
Capetians Everywhere | Georges Mathieu | 1954 CE |
| 78 |
 |
White Forms | Franz Kline | 1955 CE |
| 79 |
 |
Seasons | Lee Krasner | 1957 CE |
| 80 |
 |
White with Graphism (Blanco Y Grafismos) | Antoni Tapies | 1957 CE |
| 81 |
 |
Sky Cathedral | Louise Nevelson | 1958 CE |
| 82 |
 |
Sky Cathedral | Louise Nevelson | 1958 CE |
| 83 |
 |
Blue Veil | Morris Louis | 1958 - 1959 CE |
| 84 |
 |
Sentinel | Seymour Lipton | 1959 CE |
| 85 |
 |
Saraband | Morris Louis | 1959 CE |
| 86 |
 |
Celebration | Lee Krasner | 1959 - 1960 CE |
| 87 |
 |
Gate | Hans Hofmann | 1959 - 1960 CE |
| 88 |
 |
Black Wall | Louise Nevelson | 1959 CE |
| 89 |
 |
Pietà | Morris Louis | 1959 - 1960 CE |
| 90 |
 |
American Tribute to the British People | Louise Nevelson | 1960 - 1965 CE |
| 91 |
 |
Burned Face | Karel Appel | 1961 CE |
| 92 |
 |
Zig IV | David Smith | 1961 CE |
| 93 |
 |
Cubi (series): Cubi XVIII, Cubi XVII | David Smith | 1963 - 1964 CE |
| 94 |
 |
Bay | Helen Frankenthaler | 1963 CE |
| 95 |
 |
Canal | Helen Frankenthaler | 1963 CE |
| 96 |
 |
Black Chord | Louise Nevelson | 1964 CE |
| 97 |
 |
Untitled 1964 | Cy Twombly | 1964 CE |
| 98 |
 |
Tobacco Landscape | Helen Frankenthaler | 1964 CE |
| 99 |
 |
Cubi XIX | David Smith | 1964 CE |
| 100 |
 |
Cubi XXVI | David Smith | 1965 CE |