Title | Creator | Creation Date | ||
---|---|---|---|---|
876 |
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Upper Deck | Charles Sheeler | 1929 CE |
877 |
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Fox Trot A | Piet Mondrian | 1930 CE |
878 |
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Head of a Woman (Olga Picasso) | Pablo Ruiz Picasso | 1930 - 1931 CE |
879 |
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Pioneer Days and Early Settlers | Thomas Hart Benton | 1935 - 1936 CE |
880 |
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Hispano-America | José Clemente Orozco | 1932 - 1934 CE |
881 |
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Object | Joan Miró | 1936 CE |
882 |
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Departure | Max Beckmann | 1932 - 1933 CE |
883 |
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Painting | Joan Miró | 1933 CE |
884 |
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Slavery Through Reconstruction: Aspects of Negro Life | Aaron Douglas | 1934 CE |
885 |
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Human Concretion | Jean (Hans) Arp | 1935 CE |
886 |
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Object (Le Déjeuner en fourrure) | Meret Oppenheim | 1936 CE |
887 |
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Toussaint L'Ouverture: During the Truce Toussaint is Deceived and Arrested by LeClerc | Jacob Lawrence | 1937 - 1938 CE |
888 |
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Toussaint L'Ouverture: The Cruelty of the Planters Led the Slaves to Revolt, 1776 | Jacob Lawrence | 1937 - 1938 CE |
889 |
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Gate of the Kiss | Constantin Brancusi | 1938 CE |
890 |
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There Riders in Red, Blue and Black | Wassily Kandisky | 1913 CE |
891 |
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Lyrical | Wassily Kandisky | 1913 CE |
892 |
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Landscape Near Murnau with Locomotive | Wassily Kandisky | 1909 CE |
893 |
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Improvisation No. 28 (2nd version) | Wassily Kandisky | 1912 CE |
894 |
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Blue Painting | Wassily Kandisky | 1924 CE |
895 |
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Composition V | Wassily Kandisky | 1911 CE |
896 |
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The Spring | Francis Picabia | 1912 CE |
897 |
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Synchromy in Orange: To Form | Morgan Russell | 1913 - 1914 CE |
898 |
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On the Spiritual In Art | Wassily Kandisky | 1911 CE |
899 |
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Number 14, 1951 | Jackson Pollock | 1951 CE |
900 |
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Moon Woman Cuts the Circle | Jackson Pollock | 1943 CE |