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Title | Creator | Creation Date |
1 |
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Louis XV as a Child | after Hyacinthe Rigaud | 1716 - 1724 CE |
2 |
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Makonde Mask for Tourist trade | | 18th - 19th Century CE |
3 |
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The Rising of the Sun | François Boucher | 1753 CE |
4 |
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The Setting of the Sun | François Boucher | 1753 CE |
5 |
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Chateau de Villandry, garden | | |
6 |
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Chirurgie | Diderot | 1751 - 1772 CE |
7 |
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Louise O'Murphy (Resting Girl) | François Boucher | c. 1752 CE |
8 |
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House and Gardens at Audley End | Capability Brown | 1780 CE |
9 |
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Landscape, Cliffs and Trees | William Gilpin | c. late 18th Century CE |
10 |
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Madame du Barry as Muse | François-Hubert Drouais | 1771 CE |
11 |
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A Brownian Landscape Garden | Richard Payne Knight, Benjamin Thomas Pouncy, and Thomas Hearne | 1795 CE |
12 |
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Belisarius Begging Alms | Jacques-Louis David | 1781 CE |
13 |
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A Picturesque Landscape Garden | Richard Payne Knight, Benjamin Thomas Pouncy, and Thomas Hearne | 1795 CE |
14 |
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View of the Arrangement of Paintings in the Salon of the Louvre, in 1785 | Johann Bernet | ca. 1785 CE |
15 |
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Louis XV | Louis Michel Van Loo | 1761 CE |
16 |
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Oath of the Tennis Court | Jacques-Louis David | 1791 CE |
17 |
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Storming of the Bastille, July 14, 1789 | Jean-Pierre Louis Laurent Houël | 1789 CE |
18 |
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Lictors Returning to Brutus the Bodies of His Sons | Jacques-Louis David | 1789 CE |
19 |
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Tar Tableau: Queen Mother and Attendants | Edo Artist | c. 18th Century CE |
20 |
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Fruits of Arbitrary Power, or the Bloody Massacre | Henry Pelham | 1770 CE |
21 |
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The Boston Massacre | Paul Revere Jr. | 1770 CE |
22 |
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The bloody massacre perpetrated in King Street, Boston, on March 5th 1770 by a party of the 29th regiment ... : The unhappy sufferers were Messs. Saml. Gray, Saml. Maverick, Jams. Caldwell, Crispus Attucks & Patk. Carr killed. Six wounded; two of them (Christr. Monk & John Clark) mortally. | Paul Revere | 1770 CE |
23 |
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The Bloody Massacre Perpetrated in King Street Boston on March 5th 1770 by a Party of ye 29th Regt, 1770-2 | Jonathan Mulliken | 1770 CE |
24 |
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Broadside Account of the Boston Massacre | | 1770 CE |
25 |
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Bingley Reprint of the Boston Massacre | | 1770 CE |
26 |
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Dilly Reprint of the Boston Massacre | | 1770 CE |
27 |
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A chart of the world upon Mercator's projection : describing the tracks of Capt. Cook in the year 1768, 69, 70, 71, and in 1772, 73, 74, 75, with the new discoveries | William Faden | 1775 CE |
28 |
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A new plan of ye great town of Boston in New England in America, with the many additionall [sic] buildings, & new streets, to the year, 1769 | William Price; John Bonner | 1769 CE |
29 |
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A view of part of the town of Boston in New-England and Brittish[sic] ships of war landing their troops! 1768 | Paul Revere; Alfred Sewell | 1768 CE, 1870 CE |
30 |
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The Bostonians Paying the Excise-man, or Tarring and Feathering | Philip Dawe | 1774 CE |
31 |
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Napoleon Bonaparte on the Bridge at Arcole | Antoine-Jean Gros | 1796-1797 CE |
32 |
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The Crossing of the Arcole Bridge | Horace Vernet | 1826 CE |
33 |
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Battle of the Pyramids | Antoine-Jean Gros | 1810 CE |
34 |
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Opening of the Estates-General in Versailles 5 May 1789 | Isidore Stanislas Helman, after Charles Monnet | 1789 CE |
35 |
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Caricature of the Three Orders (men) - The Third Estate Carrying the Clergy and the Nobility on its Back | Anonymous | 1789 CE |
36 |
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Caricature of the Three Orders (women) - The Third Estate Carrying the Clergy and the Nobility on its Back | Anonymous | 1789 CE |
37 |
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Sketch for The Oath of the Tennis Court (June 20, 1789) | Jacques-Louis David | 1791 CE |
38 |
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Storming the Bastille | Anonymous | 1789-1791 CE |
39 |
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Louis XVI, King of France and Navarre, wearing his grand royal costume in 1779 | Antoine-François Callet | 1789 CE |
40 |
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Portrait of Louis XVI wearing a red phrygian bonnet of the revolution | Unknown | 1789 CE |
41 |
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Déclaration des droits de l'homme et du citoyen (Declaration of the Rights of Man and the Citizen) | Jean-Jacques François Le Barbier | 1789 CE |
42 |
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Déclaration des droits de l'homme et du citoyen (Declaration of the Rights of Man and the Citizen) | Jean-Jacques François Le Barbier | 1789 CE |
43 |
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The Flight to Varennes (20 June 1791): Arrest of King and Royal Family | Johann Carl Dornheim | 1791 CE |
44 |
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La famille des Cochons ramenée dans l'étable (The family of pigs pulled to the stable) | Anonymous | June 25, 1791 CE |
45 |
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La Patrie en Danger | Anonymous | 18th Century CE |
46 |
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Map: The Empire on the Eve of the French Revolution, 1789 | | |
47 |
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Levée en Masse (National Conscription) | Jean-Baptiste Lesueur | 1793 CE |
48 |
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The actor Chénard. Flag Bearer at the Festival of Freedom of Savoy (October 14, 1799) | Louis Léopold Boilly | 1799 CE |
49 |
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Proclamation of the Country in Danger, July 22, 1792 | Pierre-Gabriel Berthault (engraver), Jean-Louis Prieur (illustrator) | 1793 CE |
50 |
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French Calavry Combat with the Austrians | | 1793 CE |
51 |
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Nine Emigrés at the Guillotine | Unknown | 1792 CE |
52 |
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The Marriage of the Emperor Napoleon I to the Archduchess Marie-Louise of Austria in the Grand Gallery of the Louvre on April 1, 1810 | Heinrich Reinhold, after Benjamin Zix | 1810 - 1811 CE |
53 |
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Map: The greatest extent of Napoleon I's First Empire, 1812 | | |
54 |
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The Clemency of Henry IV | After Hubert François Bourguignon Gravelot; Engraver: Charles le Vasseur | 18th Century CE |
55 |
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The Raising of Lazarus, with Christ standing at left | Simon Vallée, after Girolamo Muziano | ca. 1729 CE |
56 |
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Opera omnia, illustration | Frederik Ruysch | 1744 CE |
57 |
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Human foetuses in Frederik Ruysch's museum | C. Huyberts | ca. 1709 CE |
58 |
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Opera omnia, frontispiece | Frederik Ruysch | 1744 CE |
59 |
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Thesaurus animalium primus | Frederik Ruysch | 1710 CE |
60 |
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Anatomical Figure | Giulio de Musi | 1783 CE |
61 |
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Components of Nautilus pompilius | | 1705 CE |
62 |
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Slaves diamond mining in the Serro Frio region, Minas Gerais, Brazil | Carlos Julião | c. 1770 CE |
63 |
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Diamond Mine, Serro Frio region, Minas Gerais, Brazil | Carlos Julião | 1775 CE |
64 |
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Washing the Diamonds | unidentified artist | 1775 CE |
65 |
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Gold Mining | unidentified artist | c. 1780 CE |
66 |
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Antropophagos do Brasil devorando huns Portuguezes | unidentified artist | 18th Century CE |
67 |
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Amerique Meridionale Publiee sous les Auspices de Monseigneur le Duc d'Orleans | Jean Baptiste Bourguignon D'Anville | 1748 CE |
68 |
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Jean-Antoine Watteau | Rosalba Carriera | 1721 CE |
69 |
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Louis XV | Rosalba Carriera | 1720 - 1721 CE |
70 |
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Marriage à la Mode: Shortly After the Marriage (scene 2) | | 1745 CE |
71 |
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Marriage à la Mode: Visit to the Quack Doctor (scene 3) | | 1745 CE |
72 |
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Marriage à la Mode: Morning Levée of the Countess (scene 4) | | 1745 CE |
73 |
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Marriage à la Mode: Killing of the Earl (scene 5) | | 1745 CE |
74 |
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Marriage à la Mode: Suicide of the Countess (scene 6) | | 1745 CE |
75 |
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Voltaire | Jean-Antoine Houdon | 1787 CE |
76 |
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Europe: A Prophecy | William Blake | 1794 CE |
77 |
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Negro Hung Alive by the Ribs to a Gallows | William Blake | 1792 CE |
78 |
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Views of Rome (Vedute di Roma): general view of St. Peter's Church through the piazza | Giovanni Battista Piranesi | 1748 - 1778 CE |
79 |
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Views of Rome (Vedute di Roma): view of Saint Peter's through the piazza | Giovanni Battista Piranesi | 1748 - 1778 CE |
80 |
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Views of Rome (Vedute di Roma): view of Saint Peter's Church through the piazza | Giovanni Battista Piranesi | 1748 - 1778 CE |
81 |
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Caprices (Los Caprichos) plate 48: Blowers (Soplones) | Francisco de Goya y Lucientes | 1796 - 1798 CE (published 1799 CE) |
82 |
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Marriage à la Mode: The Marriage Contract (scene 1) | | ca. 1745 CE |
83 |
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Inauguration Portraits of Emperor Qianlong, the Empress and Eleven Imperial Consorts (detail of Empress Xiaoxian?) | Guiseppe Castiglione | 1736 CE |
84 |
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Views of Rome (Vedute di Roma): Porta Maggiore | Giuseppe Vasi | 1746 - 1761 CE |
85 |
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The Expedition of Lt. Colonel Afonso Botelho e Souza into the Tibagi Backlands (1) | attributed to Joaquim José de Miranda | 1771 - 1773 CE |
86 |
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The Expedition of Lt. Colonel Afonso Botelho e Souza into the Tibagi Backlands (2) | attributed to Joaquim José de Miranda | 1771 - 1773 CE |
87 |
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The Expedition of Lt. Colonel Afonso Botelho e Souza into the Tibagi Backlands (3) | attributed to Joaquim José de Miranda | 1771 - 1773 CE |
88 |
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Cathedral of Salvador, High Altar | | 18th Century CE |
89 |
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The Virgin Mary with Heavenly Choirs of Angels, and King David Playing the Harp | Manoel da Costa Ataíde | ca. 1766 CE |
90 |
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Saint John of the Cross | Antônio Francisco Lisboa (Aleijadinho) | ca. 1771 CE |
91 |
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Saint Simon Stock | Antônio Francisco Lisboa (Aleijadinho) | ca. 1771 CE |
92 |
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Saint Joseph of the Boots | Antônio Francisco Lisboa (Aleijadinho) | 18th Century CE |
93 |
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Saint Elesbaan Victorious | | 18th Century CE |
94 |
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Map: Portuguese America in 1750 | | 1750 CE |
95 |
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View of the Acropolis, showing the French Consul being served coffee by a Turkish servant, while a metope from the Parthenon stands on his Loggia | | 18th Century CE |
96 |
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The Dying Athlete | Jean-Germain Drouais | 1785 CE |
97 |
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Saint Anthony of Caltagirona | | 18th Century CE |
98 |
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Saint Moses the Hermit | | 18th Century CE |
99 |
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Cabinet Treasury, plate III | Michel Félibien | 1706 CE |
100 |
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Cabinet Treasury, plate IV | Michel Félibien | 1706 CE |