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Title | Creator | Description | Department | Date |
1 |
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The endurance of memory | Charles, James | My Master of Fine Arts exhibition consisted of nine prints and five mixed-media paintings. A variety of print making techniques were used. Photographic elements were incorporated with a Xerox-transfer method. The mixed-media paintings were done with traditional and nontraditional materials. My ... | Art/Art History | 1998-03 |
2 |
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The quasic garden | Sevenans, Monique Ann | Within this thesis I will discuss the origins of the work I have created for The Quasiac Garden. It will begin with an explanation of how I use the creation of art as an instigator of my intuition. There is a dependent relationship between the creation of materials and the formal elements of de... | Art/Art History | 1998-03 |
3 |
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Design of Nature | Bunker, Carol Ann | This paper embodies three main topics that repeatedly surfaced throughout my graduate experience. What is a design process? An intense study of the thing that you are designing. The design process is different for each individual depending on his or her attitude, character, and personal experience... | Art/Art History | 1998-06 |
4 |
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Wolfenbuttel Sachsenspiegel: a codicological and pictorial examination of a mnemonic morror | Joyner, Daniell Beth | The Wolfenbiittel Sachsenspiegel is a fourteenth-century German lawbook containing the territorial and feudal laws of Saxony. Its pages display two columns with the legal text on the right and the multi-colored images on the left. In this study I explore how the images supplemented the text, and ... | Art/Art History | 1998-08 |
5 |
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The art of Aaron Douglas, the evolution of jazz and the Harlem Renaissance | Duffin, Lance W. | Never before in American history had there been a more concentrated and energetic outpouring of literary, visual and musical artistic production than that of the period known as the Harlem Renaissance. This period, from 1919 through 1934, was an optimistic, dynamic time for many African Americans ... | Art/Art History | 1998-08 |
6 |
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Survival skills: art and video installations at the Fort Douglas theatre | Harding, Elaine S. | This thesis reflects the six pieces developed as resident artist at a Salt Lake City inner-city elementary school. They cover a broad spectrum which include empathy, awareness, devotion, wonderment and transformation. Evidently the creative process is imperative to producing higher-order thinking ... | Art/Art History | 1998-08 |
7 |
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Design methods inspired by the Bonneville Salt Flats | Conger, Jeffrey Scott | This creative project examines the unlikely topic of automobile racing at the Bonneville Salt Flats to foster new ways of working with graphic design layout. Through this project I created four graphic design methods by studying the principles and methodologies of hot rodders and dry lake racers... | Art/Art History | 1998-08 |
8 |
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Change through process | Coberly, Claudia Furnish | After maintaining a professional painting career for more than twenty years, my primary objective for graduate school has been to gain maturity in my painting. I was determined to expand my work ethic beyond self-imposed limitations. I believe growth and renewal can be achieved through the willin... | Art/Art History | 1998-12 |