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Title | Creator | Description | Department | Date |
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100 anos: revolucion Mexicana 1910-2010 (100 years Mexican revolution 1910-2010) | White, Luz del Carmen Paredes Almeida de | This is a final project paper based on the celebration of the centennial of the Mexican Revolution 1910-2010. 00 aiios, Revolution Mexicana 1910-2010 is a multimedia exhibition inspired by the celebration of the Centennial of the Mexican Revolution. The exhibition is composed of a series of magneti... | Art/Art History | 2010-08 |
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A history of the Utah Museum of Fine Arts | Allen, Ronald C. | In April 2003, an assessment of the Utah Museum of Fine Arts was completed. The results of the assessment revealed that there were substantially differing accounts of the museum's history. This study raised a critical question: What is the history of the Utah Museum of Fine Arts? The last few years ... | Art/Art History | 2005-05 |
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A revolution revealed: David Alfaro Siqueiros' from porfirio to the revolution | Peay, Casey James | In his mural From Porfirio to the Revolution, found in the National Museum of History in Mexico City, David Alfaro Siqueiros paints the history of the 1910 Revolution. However, the history of the 1910 Revolution is only one topic of this complicated mural, which contains several layers of meaning... | Art/Art History | 2007-05 |
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A study in form: process and results | Burgos, Francisco | This thesis documents the interests that inspired the body of work that is the core of this MFA; it mentions the biographical antecedents that led to it; it muses on the thoughts and dilemmas that were present while the work progressed; it describes the technical details of such progre... | Art/Art History | 2006-12 |
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Across the Road | Meikle, David W. | The rolling foothills, rugged mountains, and sharp red rock found in the West have always held great appeal to me. I am a keen observer of the environment around me. I am constantly making mental notes about what is happening to the land at various times of day and at different times of year. A... | Art/Art History | 2006-05 |
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Aerial Alchemy | James, Jan | On a trip to Egypt, as I was floating down the Nile, it was easy to envision the alchemists observing the mystical powers that transformed the desert. Black silt borne down the river is deposited on the land when the water overflows its banks during flood time. The black earth gives a rich lining ... | Art/Art History | 2010-05 |
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American landscape painting: Dutch influences in the works of Thomas Doughty, Thomas Cole, Asher B. Durand, George Inness, Frederick E. Church, and Albert Bierstadt | Napper, Angela Sierra | Many connections exist between the American artists of the Hudson River School, specifically Thomas Doughty, Thomas Cole, Asher B. Durand, George Inness, Frederick Church, and Albert Bierstadt, and the Dutch landscape painters of the seventeenth century. Among these connections are similarities in ... | Art/Art History | 2007-12 |
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The architectural development of block eighty-eight, plat A, Salt Lake City survey during the era of Brigham Young 1847 to 1877 | Rogers, Janie L. | The object of this thesis is to document the architectural development of Block Eighty-eight, Plat A, Salt Lake City Survey during the time of Brigham Young's presidency of the LDS church in Utah, 1847-1877. The history of the block is introduced by discussing the architectural trends of the per... | Art/Art History | 1996-08 |
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The art of Aaron Douglas, the evolution of jazz and the Harlem Renaissance | Duffin, Lance W. | Never before in American history had there been a more concentrated and energetic outpouring of literary, visual and musical artistic production than that of the period known as the Harlem Renaissance. This period, from 1919 through 1934, was an optimistic, dynamic time for many African Americans ... | Art/Art History | 1998-08 |
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The art of staring | Graham, Richard Nathan | My Master of Fine Arts exhibition consists of six monoprints on paper, two acrylic paintings on paper, and eighteen oil and/or acrylic paintings on canvas. My goal has been to explore new ways of paint application, to further develop my skills in dealing with formal issues in painting, and to reach ... | Art/Art History | 1996-03 |
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The art of the book | Powers-Torrey, Mary Noreen | These six books were produced between May 1999 and November 2000. The process of making these books became inherently involved with the process of formulating the story. The story is my own story. These books that I have written, designed, illustrated, printed, and bound are made of my experience... | Art/Art History | 2001-05 |
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The art world expanded | Truxes, Anna | This paper explores the evolution of the concept of the art world, starting with the going-away, in order to show that effective art criticism requires knowledge of the art world. The nature of criticism implies that a critic logically identify, define and evaluate a work of art. Reasons are use... | Art/Art History | 2008-12 |
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Automatic Processing Pitfalls | Watson, Justin | I used this text to examine processes by mirroring the internal structures of my mental processes. This paper is arbitrary to the source of the experience examined, although this arbitrariness is also an impetus to the survival mechanisms depicted. When we elucidate our meanings we grow more lost. M... | Fine Arts | 2016 |
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Be somewhere | Habben, David | I've always been intrigued by the idea of creating motion within my work. Simple dynamics in composition or figure have failed to truly capture, from my perspective, the sense of fluidity that can be found so readily in other media, such as film and animation. It seems odd to be so concerned about i... | Art/Art History | 2017-05 |
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Be somewhere | Habben, David | When the School of Dance welcomed me into their studios and performances, it quickly became apparent that there was an opportunity to explore the incredibly expressive movements they performed. Their manipulation of their bodies through three-dimensional space combined with the powerful live music t... | Art and Art History | 2017-05 |
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