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644 | Painter of sentiment, painter of politics: Lilly Martin Spencer's allegorical truth unveiling falsehood | Weiss, Jessica R. | Lilly Martin Spencer was one of the foremost American female painters of the nineteenth century. Having built her career on domestic genre painting using the language of sentiment to communicate with her audience, her large allegorical work Truth Unveiling Falseho... | Art/Art History | 2009-08 | |
645 | Paper & tape | Tachinni, Eugene Ronald | This final project paper has two components; text and imageiy. The first component, the text, has two parts. The first part is a collection of four personal narratives written by the artist, contained in the first four chapters. The second part is a response to an assignment given in a course ca... | Art/Art History | 2008-05 | |
646 | Pathway to color: the art and life of Henri Moser | Alder, Thomas Moyle | John Henri Moser's (1875-1951) paintings are among the most collected in the State of Utah. He is represented in numerous museums and private collections, but his Parisian art training, prolific Expressionist artworks, and adoption of Fauvist colors and painterly techniques have been largely negle... | Art/Art History | 2007-12 | |
647 | Prime Property | Liebich, Thomas | This Final Project Paper is concerned with my art project Prime Property. The final exhibition of the project opened on August 24, 2007 and ran through September 14, 2007 in the Alvin Gittins Gallery of the University of Utah. In this paper, I'm attempting to shed light on my rational and intentio... | Art/Art History | 2008-05 | |
648 | Project paper | Ringger, Kirsti Asplund | Hegel believed the aim of a human mind is to know itself, but that a human mind develops a notion of itself within a community of other minds, and that throughout history, humans collectively build upon what has gone before and improve. Art is one way that the collective knowledge is learned by eac... | Art/Art History | 2010-10 | |
649 | The quasic garden | Sevenans, Monique Ann | Within this thesis I will discuss the origins of the work I have created for The Quasiac Garden. It will begin with an explanation of how I use the creation of art as an instigator of my intuition. There is a dependent relationship between the creation of materials and the formal elements of de... | Art/Art History | 1998-03 | |
650 | Querl dismantling the book | Dykes, Stefanie | When an artist adopts an intuitive working methodology, the creation of images or objects often appear before a final clear conceptual idea is defined. My artistic practice changed dramatically with my desire to dismantle books, to unburden myself from outdated or discarded texts, and to fold them ... | Art/Art History | 2010-07 |