MFA Final Projects
 
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TitleCreatorDescriptionDepartmentDate
26 FactitiousLewis J. CrawfordThis paper is a journey into how I discovered the word factitious and re-defmed it for my artistic practice. I have broken down the paper into four different chapters that explore and explain this process. "Narrative Is Necessary," the first chapter, discusses the history of my research on narrati...Art/Art History2009-05
27 Querl dismantling the bookDykes, StefanieWhen an artist adopts an intuitive working methodology, the creation of images or objects often appear before a final clear conceptual idea is defined. My artistic practice changed dramatically with my desire to dismantle books, to unburden myself from outdated or discarded texts, and to fold them ...Art/Art History2010-07
28 The symbolic image and its relation to Christianity and morality in contemporary paintingHoeft, David WilliamWeakening moral standards and the increasing speed and distractions of contemporary life have contributed to the diminished capacity of individuals within Western society to feel and comprehend more deeply. The scales of available information are tipped to the sensual, inconsequential and commercial...Art/Art History2002-08
29 Toward figurative expressionismKasicharemvat, VeeraThe paintings selected for my M.F.A. show evolved during the last year of my graduate study. These paintings were a result of my continual search for the life force or essence of the object through the immediacy of paint. The four monotypes and four series of paintings represented a consid...Art/Art History2002-08
30 Creative visions of communityMoyer, Sarah ElizabethWondering how to utilize my freshly issued BFA, I became captivated by the publicly accessible format of mural paintings. Always on display, murals can be enjoyed by everyone, regardless o f their age or socio-economic background. Many have become landmarks in their community, often catalysts for ne...Art/Art History2008-08
31 Van Chu photographic brushstrokeChu, VanPhotographic Brushstroke, a term that has been an oxymoron, is no longer. Being a visual artist is in many ways like being a singer, if you sound like everyone else then why even bother singing. If you go to my exhibition with a predetermination of what photography is, you will not find a single ...Art/Art History2010-05
32 You are here: visualizing Provo agriculture an MFA community-based art education final projectLofgreen, CarlynAs an undergraduate student, I was consistently taught that art was anything that was in a museum or gallery. Art was a commodity to be bought and sold, and while the artist could derive pleasure from the making of it, art was in the end purely aesthetic and unattached to the mundane task of daily ...Art/Art History
33 Suggested thinking spots: on suggested photo spots and the center for land use interpretationBacall, Analisa CoatsDesigned by Melinda Stone and Igor Vamos for the Center for Land Use Interpretation, Suggested Photo Spots is a multisited project engaging with the intersection between tourism and anthropic, or human-altered, landscapes. The project consists primarily of photographs of sites in which "Suggested P...Art/Art History2008-05
34 Prime PropertyLiebich, ThomasThis Final Project Paper is concerned with my art project Prime Property. The final exhibition of the project opened on August 24, 2007 and ran through September 14, 2007 in the Alvin Gittins Gallery of the University of Utah. In this paper, I'm attempting to shed light on my rational and intentio...Art/Art History2008-05
35 Ritual - ceremony - immortalityFreeman, Etsuko OguraThe following pages describe my experience in the University of Utah's Master of Fine Arts graduate program in ceramics. The technical aspects are not the main focus. The focus is on the symbolism, ritual and ceremony of the installation, "Ritual - Ceremony - Immortality."The challenge was to sea...Art/Art History2005-12
36 Bodily housedPerreault, Alison MarieExhibiting work has to do with communication. Like the Berkeley illustration of a tree falling in the forest, a receiver must be present in order for the sound to be heard. In the sharing of the work is the desire to communicate the experience. My Master of Fine Arts graduate exhibition consists of...Art/Art History1999-05
37 Left behindMoore, Jeremiah LeeThis project paper contains a description of the development of my thesis exhibition. The introduction covers just over a year of work on a wood construction project, research on medieval maps, and how both endeavors influenced the advancement and outcome of my paintings. The second section titled ...Art/Art History2008-08
38 IntersectionDolberg, Daniel GlenThe unifying theme that runs throughout the paintings in my MFA show is that of space versus form. Light versus darkness and the interaction and relativity of color are secondary themes that I explore in my paintings. The subject matter I have chosen to explore in-depth is the architectural form o...Art/Art History2005-12
39 Dormiens vigils (while sleeping, watch)Webster, Maryann S.Dreams about a disappearing ecosystem and an increasing awareness of the fragile nature of our existence inspired the eighteen works in this exhibition. These works express a deepened concern through understanding of life and nature as fragile, precious and sacred. I have interpreted the gallery s...Art/Art History2001-05
40 Iconography of the trailBrunvand, Sandra LynneA focusing element in my work is to confront the theme of life and death and how this dichotomy could be cast as metamorphoses of states of being. In many ways this is such a fundamental theme of our existence as to be at once too simple and too pervasive to be fully comprehended. As I co...Art/Art History2004-12
41 TailingsLarkin, Vincent StuartThis paper describes the research leading up to and a description o f the MFA thesis exhibit titled "Tailings." The exhibit addresses the increasing saturation o f our environment with pollutants, toxins, and manufacturing waste through sculptural work that contains or represents the physical ...Art/Art History2008-05
42 Thesis_Final
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