Date | Creator | Title | Subject | ||
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101 |
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Page 47 | |||
102 |
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Page 47 | |||
103 |
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Page 66 | |||
104 |
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Page 78 | |||
105 |
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Page 24 | |||
106 |
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Page 43 | |||
107 |
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Page 7 | |||
108 |
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Page 50 | |||
109 |
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1987-01 | Allen, Christopher Mark | Perceptual fluency and the mere exposure effect | Perception |
110 |
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Page 117 | |||
111 |
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Page 154 | |||
112 |
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Page 149 | |||
113 |
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1978-08 | Marsh, Lyman Arza | Financial impact upon families who send a baby weighing less than 1000 grams to the University of Utah newborn intensive care unit | University of Utah. University Hospital; Neonatal intensive care; Hospitals -- Cost of operation |
114 |
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1986-06 | Hewitson, William Craig | Role of nuclear magnetic resonance relaxation times in medical imaging | Magnetic resonance imaging; Imaging systems in medicine |
115 |
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Page 150 | |||
116 |
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Page 161 | |||
117 |
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Page 24 | |||
118 |
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1990-06 | Knight, Stewart R. | The United States chemical industries: A historical and contemporary analysis | Chemical industry -- United States |
119 |
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1985-06 | Johnson, Emily Ann | "Blind pool" securities | Securities -- Utah; Securities fraud -- Utah |
120 |
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1978-06 | Johnston, Mark Aaron | Effects of microwave radiation on thresholds for forced movements elicited by electrical brain stimulation | Microwaves -- Physiological effect; Brain stimulation |
121 |
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2015 | Aman, Joseph | Conopeptide discovery through calcium imaging | Neural receptors -- Antagonists; Neurotoxic agents; Conus -- Venom Marine pharmacology; Biochemistry; Calcium; Imaging; Conatoxins Conopeptides; Electrophysiology |
122 |
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1972 | Stewart, Peggy Jo | Poems, 1968-1972 | |
123 |
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1968 | Russell, Robert A. | Arabic verb morphophonemics | Arabic language; Verb |
124 |
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2017 | Gonzalez, Carmen Adriana Flores | Multicultural literacy in the 21st century classrooms | |
125 |
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1994 | Winegar, Suzanne | The influence of Artur Schnabel in the preparation and performance of Beethoven : Piano Concerto #1 in C Major Op. 15 | Beethoven, Ludwig van, 1770-1827; Schnabel, Artur, 1882-1951; Concertos (Piano) -- History and criticism |