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Title
Date
Type
1
The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraiture
2011-08
Text
2
Dance hacking: digital technology and the performing body
2014-08
Text
3
Dancing metal/dancing flesh: alternate opportunities for embodiment through cybernated addenda
2012-05
Text
4
The me of yours and the me of mine: an investigation of subjective self and objective self in dance
2011-08
Text
5
Towards a decided body and choreography
2015-08
Text
1
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