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1 - 200 of 139
| Author | Title | Subject | Date | Publication Type | ||
|---|---|---|---|---|---|---|
| 1 |
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Sussi, Joseph Michael | "Living with our toxic legacy": parafictional practice and the national toxic land/labor conservation service | contemporary art; greenwashing; national wildlife refuge; parafiction; performance art; toxicity | 2017 | thesis |
| 2 |
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Empey, Erin Dorean | A collaboration: dance and theatre | Audience; collaboration; dance; performance; theatre | 2011-05 | thesis |
| 3 |
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Janetski, Joyce Athay | A history, analysis, and registry of Mormon architectural art glass in Utah | 1981 | thesis | |
| 4 |
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Cottam, Jay Michael | A Measurement of certain skills of musicianship among high school brass, woodwind, and percussion players | School music -- Instruction and study | 1976 | thesis |
| 5 |
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Smith, Frank Anthony | A name for a Bird | 1964 | thesis | |
| 6 |
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Jenson, Neil Calvin | A personal philosophy: its basis and implications | Art; Philosophy | 1970 | thesis |
| 7 |
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Davis, David Eyer | A Slingshot out of the valley contemporary relevance of the local in the local art scene | 2009 | honors thesis | |
| 8 |
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Burton, Kenneth J. | A survey of graduate programs in arts administration and a proposed program for the University of Utah | 1975 | thesis | |
| 9 |
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Barker, Emmy Paiser | A thousand steps around me: a study of discovering metaphor through manipulating repetition in dance | Metaphor; Modern dance; Repetition | 2011-08 | thesis |
| 10 |
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Fairley, Yasin Aziz | Abject/body: A performative perspective on race, gender, and violence in dance | 2017 | thesis | |
| 11 |
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Aneloski, Rebecca Christine | The acceptance of error: allowing imperfections to transform the collective | Dance | 2018 | thesis |
| 12 |
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Ryan, Rebekah E. | The adaptable body: cultivating a hybrid form from community, harmony, and joy | Dance; Art education; Fine arts | 2018 | thesis |
| 13 |
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James, Jan | Aerial alchemy | Alchemy in art | 2010-05 | thesis |
| 14 |
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Donovan, Ann Johnson | An analysis of Anton Bruckner's symphony number seven in E major | Bruckner, Aton, 1824-1896. Symphony no. 7, E major | 1972 | thesis |
| 15 |
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Peng, Shih-Ya | An exploration of vulnerability through creative process and performance | Creative process; Performance; Vulnerability | 2012-08 | thesis |
| 16 |
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Myer, Peter Livingston | An interpretation of events in the life of Christ | 1959 | thesis | |
| 17 |
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Billeter, William | Analysis of Mozart symphony no. 39 in E-flat | Mozart, Wolfgang Amadeus, 1756-1791. Symphonies, K. 543, E♭ major -- Analysis, appreciation; Mozart, Wolfgang Amadeus, 1756-1791. Symphonies, K. 543, E♭ major; Analysis, appreciation | 1955 | thesis |
| 18 |
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Allen, Florence S. | Analysis of Schubert symphony no.8 in B minor | Schubert; Franz; 1797-1828. Symphonies; D. 759, B minor | 1955 | thesis |
| 19 |
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Adams, Margaret Hayden | Antonio Henrique Amaral's Battlefield paintings (1973-1974) and the Brazilian military dictatorship | Antonio Henrique Amaral; Banana; Brazil; Dictatorship; Human Rights' Abuses; Painting | 2017 | thesis |
| 20 |
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Decker, Donald Joseph | Are you my boyfriend? exploring a choreographic narrative | 2010 | thesis | |
| 21 |
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Decker, Donald Joseph | Are you my boyfriend? exploring a choreographic narrative | Choreography; Context;; Familiarity; Meaning; Narrative; Surprise | 2010-08 | thesis |
| 22 |
 |
Bigelow, Ching-i Chang | Army of self: dance democracy | Comfort Women; Dance Choreography; Democracy; Modern Dance; Sleep No More; Taiwanese History | 2017 | thesis |
| 23 |
 |
Hill, Scotti | The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraiture | Performance; Self-portraiture | 2011-08 | thesis |
| 24 |
 |
Pottratz, Katherine I. | Artists live on islands: limitations as a creative ritual | Choreographic process; Creative rituals; Film theory; Flow; Limitations; Modern dance | 2012-08 | thesis |
| 25 |
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Azuma, Mariko | Authenticity, preservation, and the Transnational identity of space: comparing Yin Yu Tang and the linden centre | 2018 | thesis | |
| 26 |
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Hamilton, Charles Mark | Authorship and architectural influences on the Salt Lake Temple | Salt Lake Temple Church architecture; Designs and plans Latter Day Saint temples; Utah; Salt Lake City | 1972 | thesis |
| 27 |
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Zhan, Li | The beautiful beast: the subversive power of monsters in the aesthetics of dance and individual expression | Aesthetics; Dance; Monsters; Performance potential; Possibilities of movements; Subversive power | 2013-08 | thesis |
| 28 |
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Heller, Molly Anne | Becoming incredible: healing trauma through performance | Dance; Healing; Modern dance; Performance studies; Therapy; Trauma | 2015-08 | thesis |
| 29 |
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Carter, Nancy Simpson | Becoming large enough: encompassing subjective and objective perspectives in one whole | Choreography; Integration; Objective; Paradox; Somatics; Subjective; Movement | 2010-08 | thesis |
| 30 |
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Airth, Paula Sue | Belongings: a material lineage | 2007-12 | thesis | |
| 31 |
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Baggs, Belle | Beyond words: an embodied empathetic process | Choreography; Empathy; Movement; Relationships | 2011-08 | thesis |
| 32 |
 |
O'Neill, Kelly | Bifurcate: Intersections and Photography | Fine arts; Photography | 2015-04 | honors thesis |
| 33 |
 |
Joen, Rosalie May | The blackfeet medicine lodge ceremony: ritual and dance-drama | 1968 | thesis | |
| 34 |
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Martin, Eliza Abigail | Bodily transfer and sacrificial gestures: rethinking the Hungry Tigress Jataka in Mogao Cave 254 | Buddhist art; Chinese art; Jataka; karma; Sinicization; Stupa | 2014-08 | thesis |
| 35 |
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Zhang, Huiwang | The body expresses: a study on the relationship between motion and emotion | 2019 | thesis | |
| 36 |
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Brown, Gregory Scott | Carnaval, carny, and cartoons: Carl stalling's cartoon music in historical context | Carl Stalling; John Zorn; Music; Cartoons; history | 2011 | dissertation |
| 37 |
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Maxwell, Devin Cole | Chester, NJ for full orchestra and electronics and the chromatic scale and other iterative loops in beat furrer's Konzert fur Klavier und Orchester | Beat Furrer; Chromatic Scale; Douglas Hofstadter; Orchestra and Electronics; Piano Concerto; Strange Loop | 2016 | dissertation |
| 38 |
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Maxwell, Devin Cole | Chester, NJ" for full orchestra and electronics, and, The chromatic scale and other iterative loops in Beat Furrer's Konzert fuer Klavier and Orchester | Music | 2016 | dissertation |
| 39 |
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Green, Carolee Curtis | Chiasmi 1999 | 1999 | thesis | |
| 40 |
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Fuller, Pamela Elizabeth | Choreography for four experience levels of Modern Dance | 1969 | thesis | |
| 41 |
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Sun, Wenting | The communicative power of laughter in modern dance | Choreography; Communication; Dance; Laughter | 2015-12 | thesis |
| 42 |
 |
Van Portfleet, Nichele Carlson | Controlling the fear of death through the classical body: ideas on choreography, mortality, and the potential for integrative transformation | 2019 | thesis | |
| 43 |
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Maksym, Rebecca | Creolite and cultural cannibalism: reconstructing Cuban identity in the work of Marta Maria Perez Bravo and Maria Magdalena Campos-Pons | African diaspora; Créolité; Cuban contemporary art; Cultural cannibalism; Gender; Identity | 2012-12 | thesis |
| 44 |
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Rankin, Louisa Marie | Dance and isolation: themes of technology, independence, loneliness, control, vulnerability, and connection | 2018 | thesis | |
| 45 |
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Cappelletti, Corinne | Dance as a place-making device: examining environmental psychology and place-identity through choreography and performance | Dance; Place identity; Place attachment | 2009-05 | thesis |
| 46 |
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Hardwig, George Scott | Dance hacking: digital technology and the performing body | Dance; Digital; Performance; Screendance; Technology | 2014-08 | thesis |
| 47 |
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Butcher, Brenda | Dance movement therapy: transforming psychological trauma into growth | 2019 | thesis | |
| 48 |
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Gray, Winston Grant | Dance theatre of Alwin Nikolais | Modern Dance | 1905-05-20 | thesis |
| 49 |
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Mielke, Benjamin Allen | Dance training as mechanism for overcoming the technologization of the body | Digital realities; Interpersonal communication; Modern dance; Sociology; Technology; Time | 2013-08 | thesis |
| 50 |
 |
Lee, Nancy Isabel | Dances Inspired by the Navaho | 1971 | thesis | |
| 51 |
 |
Parker, Sara Beth | Dancing amidst flames: discomfort and surrender as a catalyst for artistic growth in choreography and performance | Dance; Myth; Philosophy: Yoga | 2015-05 | thesis |
| 52 |
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Beaumont, Jennifer Ann | Dancing from within: the role of intuition | Modern dance, Psychological aspects; Choreography, Psychological aspects; Intuition | 2008-08 | thesis |
| 53 |
 |
Ririe, Abigail Marie | Dancing metal/dancing flesh: alternate opportunities for embodiment through cybernated addenda | Choreography; Cyborg; Dance; Disability; Performance; Technology | 2012-05 | thesis |
| 54 |
 |
Bobzin, Lynn Marie | Dancing toward humanity: accessing embodiment in artifice within the choreographic and performative processes | Being doing; Creative process; Embodiment; Empathy; Vulnerability | 2013-08 | thesis |
| 55 |
 |
Oga, Misa | The development of allegro: exploring how music, throught predagogical practices in ballet class, can have lasting effects on a dancer | 2019 | thesis | |
| 56 |
 |
Bagley, Claire Valene | Editing in the choreographic process: "I am a work of fiction" | Creative process; Dance; Film editing; Graphic novel; Montage; Pina Bausch | 2013-08 | thesis |
| 57 |
 |
Findlay, John Craig | The effects of smartmusic® on sixth-grade beginning string instrumentalists' practice time, practice motivation, attitudes toward smartmusic®, and performance scores | 2019 | dissertation | |
| 58 |
 |
Sailer, Kathryn Patricia | Embodied spectacle: an exploration of three-dimensional performance | Choreography; Installation; Modern dance; Postmodern; Site-specific; Three-dimensional; Dance | 2012-05 | thesis |
| 59 |
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Ramos, Alysia | Embodying eclecticism from potential to actualization | Choreography; Composition; Dance; Eclecticism; Embodiment; Nomadic theory | 2014-08 | thesis |
| 60 |
 |
Stich, Elizabeth Anne | Embodying identity: movement as an experience of self | Creativity; Identity; Laban movement analysis; Modern dance; Movement; Self; Dance; Personality psychology | 2011-05 | thesis |
| 61 |
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Womack, Jessica Sara | Embodying tourism and performance: a new look at landscape | Modern dance; Tourism and the arts | 2008-08 | thesis |
| 62 |
 |
Alberge, Florian | Exploring personal truth: staging a theatre of the body | abscence; biography; body; dance-theatre; experience; presence | 2017 | thesis |
| 63 |
 |
Bidwell, Benjamin Robert | Following fish and fractals: self-affine patterns of hierarchical formal structures embedded in the contours of Rolf Wallin's ning | 2018 | dissertation | |
| 64 |
 |
Schaub, Carly | From tremor to movement: a choreographic process with fitzmaurice voicework | choreography; Fitzmaurice; improvisation; technique; tremor; voicework | 2016 | thesis |
| 65 |
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Tolman, Doug | Generative Spaces | 2023 | ||
| 66 |
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Baldridge, Seth Robert | Gold powder and gunpowder: the appropriation of western firearms into japan through high culture | Arquebus; Firearms; Japan; Lacquer; Momoyama; Noh | 2015-08 | thesis |
| 67 |
 |
Guiley, Patricia Kathleen | Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats | Gajin fujita; Global contemporary; Graffiti; Identity; Street art; Urban art | 2015-05 | thesis |
| 68 |
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Lopez, Brianna Nicole | Growing a new body: physicalizing paradoxical systems of grief and desire | 2019 | thesis | |
| 69 |
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Hohlios, Stephanie M. | Henry Fuseli's The Death of Dido at somerset house | Dido; Feminine; Fuseli; Fussli; Joshua Reynolds; Somerset | 2011-08 | thesis |
| 70 |
 |
Pickett, Sara | Hip hop artistic model | Hip-hop; Hip-hop dance; Break dancing | 2008-11 | thesis |
| 71 |
 |
Knapp, Alma J. | The history of Cyrus Edwin Dallin: Eminent Utah sculptor | Dallin, Cyrus E. (Cyrus Edwin), 1861-1944 Sculptors -- Utah -- Biography | 1948 | thesis |
| 72 |
 |
Habel, Shana L | History of the modern dance program at the University of Utah 1968-1989 | Dance education; Dance history; Elizabeth R. Hayes; Higher education; Modern dance; University of Utah | 2010-07 | thesis |
| 73 |
 |
Evans, Marilyn Rae | The history of the San Francisco ballet company from its beginnings through 1951 | 1960 | thesis | |
| 74 |
 |
Ballou, Matthew Harris | Homosocial tension in aaron siskind's bill lipkind 10: an examination of the male form as outlier | Abstract Expressionist; Homosocial; Photography | 2015 | thesis |
| 75 |
 |
Crotty, Michael | The hopefuls: growing sideways in the choreographic process | Children's Studies; Innocence; Modern Dance; Queer; Queer Theory; Romanticism | 2017 | thesis |
| 76 |
 |
Humphrey, Jessica Renee | How contact improvisation can inform the creative process and enliven its product | Improvisation in dance; Modern dance | 2008-05 | thesis |
| 77 |
 |
Bowman, Marcel | The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird | Firebird; Harmonic; Human; Princesses; Stravinsky; Supernatural | 2015-08 | dissertation |
| 78 |
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Craig, Douglas Brewster | Interpretation and analysis of three works for the Bassoon | 1958 | ||
| 79 |
 |
Gotter, Natalie E. | Intimacy for deconstruction: the role of female relationships in choreography | Dance | 2017 | thesis |
| 80 |
 |
Ivkovich, Elizabeth Grace | The king stag (and i): dancing trans-corporeality and queer ecology on the stage and in the garden | Dance; Ecocriticism; Eco-dramaturgy; Immersive theatre; Queer Ecology; Trans-corporeality | 2016 | thesis |
| 81 |
 |
Kamrath, Catherine | The language of fibers: how movement emerges from space harmony theory and architecture | Architecture; dance; Laban; Space Harmony | 2016 | thesis |
| 82 |
 |
Fowler, Judith Ann | Lithography: Fine Art and commercial process | 1968 | thesis | |
| 83 |
 |
Niu, Li-Sha | The me of yours and the me of mine: an investigation of subjective self and objective self in dance | Choreography; Dance; Objective self; Performance; Subjective self | 2011-08 | thesis |
| 84 |
 |
Shaw, Rachael L. | Metamorphic chrysalis: embodying mindfulness in transformation | Change; dance; Mindfulness; Performing arts; transformation | 2012-05 | thesis |
| 85 |
 |
Shir, Allison | Metamorphosis: radically imagining the body through collage and the grotesque | art; body; choreography; dance; grotesque; paradox | 2016 | thesis |
| 86 |
 |
Rhinehart, Brant Thomas | Monster economy | 2009 | honors thesis | |
| 87 |
 |
Cheney, David R. | Monsters in medieval and renaissance travel literature: a study in Credulity and skepticism | 1949 | thesis | |
| 88 |
 |
Hurtado, Laura Allred | Motherhood and representation at the sackler center for feminist art: Judy Chicago, Catherine Opie, Canan Senol | Breastfeeding; Catherine opie; Feminism; Judy Chicago; Motherhood; Sackler center for feminist art | 2011-08 | thesis |
| 89 |
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Moore, Amanda Jane | Motion pictures | 2006-05 | thesis | |
| 90 |
 |
Fifer, Emily Scott | Moving together: dance as an inroad to relationship and self-discovery | Dance--Psychological aspects; Contact improvisation | 2009-12-14 | thesis |
| 91 |
 |
Penerosa, Rebecca J. | Music integration as part of an arts integration initiative: a closer look at implications for the music educator | Arts Integration; Elementary Education; Music Education; Music Integration | 2016 | dissertation |
| 92 |
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Bruce, Kelly M. | Nothing but me: a study of identity through choreography, performance, and education | Choreography; Dance | 2015-08 | thesis |
| 93 |
 |
Povey, Rachel | Oh, Dracula: Chris Burden's 1974 performance at the Utah Museum of Fine Arts | Chris Burden; Oh Dracula; UMFA | 2015-08 | thesis |
| 94 |
 |
Tachinni, Eugene Ronald | Paper & tape | Text and interpretation; Imagery - criticism and interpretation | 2008-05 | thesis |
| 95 |
 |
McGrew, Christy Rae | Performativity and identity in the illuminated photographs of the Countess de Castiglione | Art history | 2013 | thesis |
| 96 |
 |
Lyver Harris, Emily Rose | Performing the document in Francis Alys's re-enactments (2001) | Francis Alys; Mexico City; Re-enactments | 2013-12 | thesis |
| 97 |
 |
Rosenbury, Mary Margaret | Pins, felt, and cloth: performing Mormon feminism | Mormon faith; Sunbonnets; Pioneer women | 2014-05 | thesis |
| 98 |
 |
Nelson, Matthew A | Please feel free: sensation, awareness, and choreography | Choreography; Mind and body | 2008-05 | thesis |
| 99 |
 |
Bahr_Halie | Plotting dissonance: paradoxes of trauma and imagination in the creative process | 2021 | thesis | |
| 100 |
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Sheltra, Scott James | Power, panopticism, and pilgrimage: the image program at conques | 2018 | thesis | |
| 101 |
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Gerke, Brian Douglas | Practicing presence: accessing the attention-intention continuum in Dance performance and the creative process | 2019 | thesis | |
| 102 |
 |
Quittner, Clifford James | Promised valley: a design thesis | Theatre design; Outdoor theatre; Salt Lake City; Utah | 1970-06 | thesis |
| 103 |
 |
Dykes, Stefanie | Querl dismantling the book | Methodology of Literacy Material Preparation; Artist books | 2010-07 | thesis |
| 104 |
 |
Sales, Jennifer Leite | Race, sexuality, and power in Ivens Machado's video performance Escravizador-Escravo (1974) | Brazilian Video Art; Escravizador-Escravo; Gilberto Freyre; Homosexual Relations; Ivens Machado; Racial Democracy | 2016 | thesis |
| 105 |
 |
Barnes, Colleen Marie | Racialized visions of "The other": histories of orientalism behind La Bayadere | 2019 | thesis | |
| 106 |
 |
Lang, Alexandria Amelia | Re-envisioning the natural world in Eugene Delacroix's lion devouring a horse | comparative anatomy; Delacroix; feline imagery; Gericault; lion; Stubbs | 2016 | thesis |
| 107 |
 |
Claudio, Juan Carlos | Reflections of self: male-male relationships as a source for choreography | Modern dance; Masculinity; Gender identity in dance | 2009-05-06 | thesis |
| 108 |
 |
Stack, Jasmine | Reimagining the West | Folklore; Dance; Sustainability | 2017 | thesis |
| 109 |
 |
Schaumann, Marney Debenham | Ripe with meaning: the pregnant body in contemporary dance | Contemporary dance; Dancing pregnant; Motherhood; Pregnancy in media; Pregnant body; Work/life balance | 2010 | thesis |
| 110 |
 |
Womack, Erica | Running from conscience: the compliant individual | Modern dance | 2011-08 | thesis |
| 111 |
 |
Blaylock, Nicholas | Salad Days: work, covenant, and the child | Dance | 2017 | thesis |
| 112 |
 |
Ward, Kristine Butler | Search for an authentic self in the choreographic and performance process | Choreography; Modern dance; Authenticity | 2008-04-17 | thesis |
| 113 |
 |
Tolman, Alyssa Suzanne | The search for individuality in the choreographic process | Choreography; Individuality; Laban movement analysis | 2014-08 | thesis |
| 114 |
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Byrne Cranny, Louise | Situating Helen Frankenthaler's Wizard | 1963; Frankenthaler | 2014-05 | thesis |
| 115 |
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Young, Laura Kay | Sociality of honey bees: creative studies for the dance studio | 2019 | thesis | |
| 116 |
 |
Holt, Marilyn Robinson | Soliloquy in twentieth-century drama | 1974 | dissertation | |
| 117 |
 |
Rooker, Rhonda Camille | Spiritual embodiment of dance | Dance, Religious aspects; Spirituality | 2008-08 | thesis |
| 118 |
 |
Young, Georgia | The stage of the early restoration from contemporaneous literature | Theater - England - London - History | 1909-06-02 | thesis |
| 119 |
 |
Myers, Jamie Michelle | Stage peacocking: the amplified self in performance | Authenticity in performance; Performance methods; Performance studies; Performance techniques; Performing dance; Self in performance | 2013-08 | thesis |
| 120 |
 |
Katz, Sam | Stockham: the father of digital audio recording | Film and Media Arts; Digital audio recording | 2015-04 | honors thesis |
| 121 |
 |
Hane, Julianna Gaillard | Struggle for flight: the process of making aerial dances | Aerial dance; Modern dance | 2010-08 | thesis |
| 122 |
 |
Vance, Shannon Noelle | Surfacing: finding an individual voice by living the honest language of the dance | Choreography; Creative impulse; Creative process; Honesty; Individual voice; Movement language | 2010-08 | thesis |
| 123 |
 |
Campbell, Monica | Tabula Rasa: let's begin again modern dance and social activism | Politics in dance; Social issues in dance | 2009-05-14 | thesis |
| 124 |
 |
Hawks, Aubrey Marie | Tania Candiani's Bordadora (2012): the intersecting histories of religion and women's labor in Mexico | confession; Contemporary art; Mexico; technology; women's labor | 2016 | thesis |
| 125 |
 |
Maxfield, David Orton | Teamwork : a study in sculpture of football players | Subjects Sculpture; American; Utah; Salt Lake City | 1951 | thesis |
| 126 |
 |
Maguire, Patrick | Terminal structures: Ant Farm's Cadillac Ranch, 1974 | Ant farm; Cadillac ranch; Land art; Minimalism; Monument; Sculpture | 2014-08 | thesis |
| 127 |
 |
Hyatt, Edmond Preston | Thermogravimetric study of calcium carbonate decomposition | 1956 | thesis | |
| 128 |
 |
Beardsley, Amanda Kay | This is the place: site-specificity in Ernesto Pujol's Awaiting (2010) | Awaiting; Ernesto Pujol; Performance art; Place; Site-specificity; Situationism | 2011-08 | thesis |
| 129 |
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Jacobs, David Kent | Three creative projects in directing: an original play, a scripted film, a documentary film | College and school drama; Theater -- Production and direction; Documentary films -- Utah -- Salt Lake City; Latter Day Saint churches -- Welfare program, History -- 20th century | 1974-12 | dissertation |
| 130 |
 |
Dryden, Nathan | Towards a decided body and choreography | Choreography; Dance; Passive; Performance; Presence; Sequencing | 2015-08 | thesis |
| 131 |
 |
Lees, Jay W. | Translation and adaptation to english of the french plays "Marius " and "Fanny" by Marcel Pagnol | French drama -- Translations into English | 1953 | thesis |
| 132 |
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Xingzimin Pan | Two of Saariaho's harmonic principles and their influences on formal design and a selection of General Zhang's limericks for baritone, men's choir and chamber orchestra | Musical composition | 2018 | dissertation |
| 133 |
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Draper, Brooklyn Lee | Unpredictable logic: the ongoing process of forming an aesthetic language through randomness | 2019 | thesis | |
| 134 |
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Derington, Krista Treu | Using Rudolf Laban's effort system as an inroad to choreography | Arts-based research; Choreography; Dreams; Effort; LMA; Rudolf Laban | 2015-05 | thesis |
| 135 |
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Miyagi, Haruhito | Variations on a recitative for organ, OP. 40 by Arnold Schoenberg: a new performance edition for two organists | 2019 | dissertation | |
| 136 |
 |
Wallace, James Milton | Vision/Revision | 2019 | thesis | |
| 137 |
 |
Davis, Shane Bryant | We gender: and so can you! | Dance; Gender studies | 2017 | thesis |
| 138 |
 |
Garcia, Efren Corado | Writing love on my arm: finding the voice of consciousness in the creative process | Choreography; Consciousness; Creative process; Dance; Research; Therapy | 2011-08 | thesis |
| 139 |
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Liu, Chang | Zen from religiosity to corporeality to spirituality in dance | 2019 | thesis |
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