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| Author | Title | Subject | Date | Publication Type | ||
|---|---|---|---|---|---|---|
| 1 |
 |
Knapp, Alma J. | The history of Cyrus Edwin Dallin: Eminent Utah sculptor | Dallin, Cyrus E. (Cyrus Edwin), 1861-1944 Sculptors -- Utah -- Biography | 1948 | thesis |
| 2 |
 |
Quittner, Clifford James | Promised valley: a design thesis | Theatre design; Outdoor theatre; Salt Lake City; Utah | 1970-06 | thesis |
| 3 |
 |
Womack, Jessica Sara | Embodying tourism and performance: a new look at landscape | Modern dance; Tourism and the arts | 2008-08 | thesis |
| 4 |
 |
Moore, Amanda Jane | Motion pictures | 2006-05 | thesis | |
| 5 |
 |
Habel, Shana L | History of the modern dance program at the University of Utah 1968-1989 | Dance education; Dance history; Elizabeth R. Hayes; Higher education; Modern dance; University of Utah | 2010-07 | thesis |
| 6 |
 |
Rhinehart, Brant Thomas | Monster economy | 2009 | honors thesis | |
| 7 |
 |
Gray, Winston Grant | Dance theatre of Alwin Nikolais | Modern Dance | 1905-05-20 | thesis |
| 8 |
 |
Bahr_Halie | Plotting dissonance: paradoxes of trauma and imagination in the creative process | 2021 | thesis | |
| 9 |
 |
Povey, Rachel | Oh, Dracula: Chris Burden's 1974 performance at the Utah Museum of Fine Arts | Chris Burden; Oh Dracula; UMFA | 2015-08 | thesis |
| 10 |
 |
Ivkovich, Elizabeth Grace | The king stag (and i): dancing trans-corporeality and queer ecology on the stage and in the garden | Dance; Ecocriticism; Eco-dramaturgy; Immersive theatre; Queer Ecology; Trans-corporeality | 2016 | thesis |
| 11 |
 |
Azuma, Mariko | Authenticity, preservation, and the Transnational identity of space: comparing Yin Yu Tang and the linden centre | Ideas of authenticity; museum contexts; historical preservation; recontextualization; tourism; vernacular architecture | 2018 | thesis |
| 12 |
 |
Sussi, Joseph Michael | "Living with our toxic legacy": parafictional practice and the national toxic land/labor conservation service | contemporary art; greenwashing; national wildlife refuge; parafiction; performance art; toxicity | 2017 | thesis |
| 13 |
 |
Maguire, Patrick | Terminal structures: Ant Farm's Cadillac Ranch, 1974 | Ant farm; Cadillac ranch; Land art; Minimalism; Monument; Sculpture | 2014-08 | thesis |
| 14 |
 |
Rosenbury, Mary Margaret | Pins, felt, and cloth: performing Mormon feminism | Mormon faith; Sunbonnets; Pioneer women | 2014-05 | thesis |
| 15 |
 |
Pottratz, Katherine I. | Artists live on islands: limitations as a creative ritual | Choreographic process; Creative rituals; Film theory; Flow; Limitations; Modern dance | 2012-08 | thesis |
| 16 |
 |
Empey, Erin Dorean | A collaboration: dance and theatre | Audience; collaboration; dance; performance; theatre | 2011-05 | thesis |
| 17 |
 |
Stack, Jasmine | Reimagining the West | Folklore; Dance; Sustainability | 2017 | thesis |
| 18 |
 |
Jacobs, David Kent | Three creative projects in directing: an original play, a scripted film, a documentary film | College and school drama; Theater -- Production and direction; Documentary films -- Utah -- Salt Lake City; Latter Day Saint churches -- Welfare program, History -- 20th century | 1974-12 | dissertation |
| 19 |
 |
Lopez, Brianna Nicole | Growing a new body: physicalizing paradoxical systems of grief and desire | 2019 | thesis | |
| 20 |
 |
Alberge, Florian | Exploring personal truth: staging a theatre of the body | abscence; biography; body; dance-theatre; experience; presence | 2017 | thesis |
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