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Author | Title | Subject | Date | Publication Type |
1 |
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Maxwell, Devin Cole | Chester, NJ for full orchestra and electronics and the chromatic scale and other iterative loops in beat furrer's Konzert fur Klavier und Orchester | Beat Furrer; Chromatic Scale; Douglas Hofstadter; Orchestra and Electronics; Piano Concerto; Strange Loop | 2016 | dissertation |
2 |
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Maxwell, Devin Cole | Chester, NJ" for full orchestra and electronics, and, The chromatic scale and other iterative loops in Beat Furrer's Konzert fuer Klavier and Orchester | Music | 2016 | dissertation |
3 |
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Schaub, Carly | From tremor to movement: a choreographic process with fitzmaurice voicework | choreography; Fitzmaurice; improvisation; technique; tremor; voicework | 2016 | thesis |
4 |
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Ivkovich, Elizabeth Grace | The king stag (and i): dancing trans-corporeality and queer ecology on the stage and in the garden | Dance; Ecocriticism; Eco-dramaturgy; Immersive theatre; Queer Ecology; Trans-corporeality | 2016 | thesis |
5 |
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Kamrath, Catherine | The language of fibers: how movement emerges from space harmony theory and architecture | Architecture; dance; Laban; Space Harmony | 2016 | thesis |
6 |
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Shir, Allison | Metamorphosis: radically imagining the body through collage and the grotesque | art; body; choreography; dance; grotesque; paradox | 2016 | thesis |
7 |
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Penerosa, Rebecca J. | Music integration as part of an arts integration initiative: a closer look at implications for the music educator | Arts Integration; Elementary Education; Music Education; Music Integration | 2016 | dissertation |
8 |
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Sales, Jennifer Leite | Race, sexuality, and power in Ivens Machado's video performance Escravizador-Escravo (1974) | Brazilian Video Art; Escravizador-Escravo; Gilberto Freyre; Homosexual Relations; Ivens Machado; Racial Democracy | 2016 | thesis |
9 |
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Lang, Alexandria Amelia | Re-envisioning the natural world in Eugene Delacroix's lion devouring a horse | comparative anatomy; Delacroix; feline imagery; Gericault; lion; Stubbs | 2016 | thesis |
10 |
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Hawks, Aubrey Marie | Tania Candiani's Bordadora (2012): the intersecting histories of religion and women's labor in Mexico | confession; Contemporary art; Mexico; technology; women's labor | 2016 | thesis |