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| Author | Title | Subject | Date | Publication Type | ||
|---|---|---|---|---|---|---|
| 1 |
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McGrew, Christy Rae | Performativity and identity in the illuminated photographs of the Countess de Castiglione | Art history | 2013 | thesis |
| 2 |
 |
Zhan, Li | The beautiful beast: the subversive power of monsters in the aesthetics of dance and individual expression | Aesthetics; Dance; Monsters; Performance potential; Possibilities of movements; Subversive power | 2013-08 | thesis |
| 3 |
 |
Mielke, Benjamin Allen | Dance training as mechanism for overcoming the technologization of the body | Digital realities; Interpersonal communication; Modern dance; Sociology; Technology; Time | 2013-08 | thesis |
| 4 |
 |
Bobzin, Lynn Marie | Dancing toward humanity: accessing embodiment in artifice within the choreographic and performative processes | Being doing; Creative process; Embodiment; Empathy; Vulnerability | 2013-08 | thesis |
| 5 |
 |
Bagley, Claire Valene | Editing in the choreographic process: "I am a work of fiction" | Creative process; Dance; Film editing; Graphic novel; Montage; Pina Bausch | 2013-08 | thesis |
| 6 |
 |
Lyver Harris, Emily Rose | Performing the document in Francis Alys's re-enactments (2001) | Francis Alys; Mexico City; Re-enactments | 2013-12 | thesis |
| 7 |
 |
Myers, Jamie Michelle | Stage peacocking: the amplified self in performance | Authenticity in performance; Performance methods; Performance studies; Performance techniques; Performing dance; Self in performance | 2013-08 | thesis |
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