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| Author | Title | Subject | Date | Publication Type | ||
|---|---|---|---|---|---|---|
| 1 |
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Bahr_Halie | Plotting dissonance: paradoxes of trauma and imagination in the creative process | 2021 | thesis | |
| 2 |
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Rosenbury, Mary Margaret | Pins, felt, and cloth: performing Mormon feminism | Mormon faith; Sunbonnets; Pioneer women | 2014-05 | thesis |
| 3 |
 |
Claudio, Juan Carlos | Reflections of self: male-male relationships as a source for choreography | Modern dance; Masculinity; Gender identity in dance | 2009-05-06 | thesis |
| 4 |
 |
Barnes, Colleen Marie | Racialized visions of "The other": histories of orientalism behind La Bayadere | 2019 | thesis | |
| 5 |
 |
Gotter, Natalie E. | Intimacy for deconstruction: the role of female relationships in choreography | Dance | 2017 | thesis |
| 6 |
 |
Ivkovich, Elizabeth Grace | The king stag (and i): dancing trans-corporeality and queer ecology on the stage and in the garden | Dance; Ecocriticism; Eco-dramaturgy; Immersive theatre; Queer Ecology; Trans-corporeality | 2016 | thesis |
| 7 |
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Sailer, Kathryn Patricia | Embodied spectacle: an exploration of three-dimensional performance | Choreography; Installation; Modern dance; Postmodern; Site-specific; Three-dimensional; Dance | 2012-05 | thesis |
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