Author | Title | Subject | Date | Publication Type | ||
---|---|---|---|---|---|---|
1 | Womack, Erica | Running from conscience: the compliant individual | Modern dance | 2011-08 | thesis | |
2 | Bobzin, Lynn Marie | Dancing toward humanity: accessing embodiment in artifice within the choreographic and performative processes | Being doing; Creative process; Embodiment; Empathy; Vulnerability | 2013-08 | thesis | |
3 | Adams, Margaret Hayden | Antonio Henrique Amaral's Battlefield paintings (1973-1974) and the Brazilian military dictatorship | Antonio Henrique Amaral; Banana; Brazil; Dictatorship; Human Rights' Abuses; Painting | 2017 | thesis | |
4 | Penerosa, Rebecca J. | Music integration as part of an arts integration initiative: a closer look at implications for the music educator | Arts Integration; Elementary Education; Music Education; Music Integration | 2016 | dissertation | |
5 | Cappelletti, Corinne | Dance as a place-making device: examining environmental psychology and place-identity through choreography and performance | Dance; Place identity; Place attachment | 2009-05 | thesis | |
6 | Sussi, Joseph Michael | "Living with our toxic legacy": parafictional practice and the national toxic land/labor conservation service | contemporary art; greenwashing; national wildlife refuge; parafiction; performance art; toxicity | 2017 | thesis | |
7 | Shaw, Rachael L. | Metamorphic chrysalis: embodying mindfulness in transformation | Change; dance; Mindfulness; Performing arts; transformation | 2012-05 | thesis | |
8 | Butcher, Brenda | Dance movement therapy: transforming psychological trauma into growth | 2019 | thesis | ||
9 | Pickett, Sara | Hip hop artistic model | Hip-hop; Hip-hop dance; Break dancing | 2008-11 | thesis | |
10 | Airth, Paula Sue | Belongings: a material lineage | 2007-12 | thesis | ||
11 | Sheltra, Scott James | Power, panopticism, and pilgrimage: the image program at conques | 2018 | thesis | ||
12 | Azuma, Mariko | Authenticity, preservation, and the Transnational identity of space: comparing Yin Yu Tang and the linden centre | 2018 | thesis | ||
13 | Mielke, Benjamin Allen | Dance training as mechanism for overcoming the technologization of the body | Digital realities; Interpersonal communication; Modern dance; Sociology; Technology; Time | 2013-08 | thesis | |
14 | Fifer, Emily Scott | Moving together: dance as an inroad to relationship and self-discovery | Dance--Psychological aspects; Contact improvisation | 2009-12-14 | thesis | |
15 | Lyver Harris, Emily Rose | Performing the document in Francis Alys's re-enactments (2001) | Francis Alys; Mexico City; Re-enactments | 2013-12 | thesis | |
16 | Heller, Molly Anne | Becoming incredible: healing trauma through performance | Dance; Healing; Modern dance; Performance studies; Therapy; Trauma | 2015-08 | thesis | |
17 | Ballou, Matthew Harris | Homosocial tension in aaron siskind's bill lipkind 10: an examination of the male form as outlier | Abstract Expressionist; Homosocial; Photography | 2015 | thesis | |
18 | Davis, Shane Bryant | We gender: and so can you! | Dance; Gender studies | 2017 | thesis | |
19 | Habel, Shana L | History of the modern dance program at the University of Utah 1968-1989 | Dance education; Dance history; Elizabeth R. Hayes; Higher education; Modern dance; University of Utah | 2010-07 | thesis | |
20 | Barnes, Colleen Marie | Racialized visions of "The other": histories of orientalism behind La Bayadere | 2019 | thesis | ||
21 | Claudio, Juan Carlos | Reflections of self: male-male relationships as a source for choreography | Modern dance; Masculinity; Gender identity in dance | 2009-05-06 | thesis | |
22 | Gotter, Natalie E. | Intimacy for deconstruction: the role of female relationships in choreography | Dance | 2017 | thesis |