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| Author | Title | Subject | Date | Publication Type | ||
|---|---|---|---|---|---|---|
| 1 |
 |
Zhan, Li | The beautiful beast: the subversive power of monsters in the aesthetics of dance and individual expression | Aesthetics; Dance; Monsters; Performance potential; Possibilities of movements; Subversive power | 2013-08 | thesis |
| 2 |
 |
Heller, Molly Anne | Becoming incredible: healing trauma through performance | Dance; Healing; Modern dance; Performance studies; Therapy; Trauma | 2015-08 | thesis |
| 3 |
 |
Sun, Wenting | The communicative power of laughter in modern dance | Choreography; Communication; Dance; Laughter | 2015-12 | thesis |
| 4 |
 |
Cappelletti, Corinne | Dance as a place-making device: examining environmental psychology and place-identity through choreography and performance | Dance; Place identity; Place attachment | 2009-05 | thesis |
| 5 |
 |
Hardwig, George Scott | Dance hacking: digital technology and the performing body | Dance; Digital; Performance; Screendance; Technology | 2014-08 | thesis |
| 6 |
 |
Parker, Sara Beth | Dancing amidst flames: discomfort and surrender as a catalyst for artistic growth in choreography and performance | Dance; Myth; Philosophy: Yoga | 2015-05 | thesis |
| 7 |
 |
Ririe, Abigail Marie | Dancing metal/dancing flesh: alternate opportunities for embodiment through cybernated addenda | Choreography; Cyborg; Dance; Disability; Performance; Technology | 2012-05 | thesis |
| 8 |
 |
Bagley, Claire Valene | Editing in the choreographic process: "I am a work of fiction" | Creative process; Dance; Film editing; Graphic novel; Montage; Pina Bausch | 2013-08 | thesis |
| 9 |
 |
Sailer, Kathryn Patricia | Embodied spectacle: an exploration of three-dimensional performance | Choreography; Installation; Modern dance; Postmodern; Site-specific; Three-dimensional; Dance | 2012-05 | thesis |
| 10 |
 |
Ramos, Alysia | Embodying eclecticism from potential to actualization | Choreography; Composition; Dance; Eclecticism; Embodiment; Nomadic theory | 2014-08 | thesis |
| 11 |
 |
Stich, Elizabeth Anne | Embodying identity: movement as an experience of self | Creativity; Identity; Laban movement analysis; Modern dance; Movement; Self; Dance; Personality psychology | 2011-05 | thesis |
| 12 |
 |
Gotter, Natalie E. | Intimacy for deconstruction: the role of female relationships in choreography | Dance | 2017 | thesis |
| 13 |
 |
Ivkovich, Elizabeth Grace | The king stag (and i): dancing trans-corporeality and queer ecology on the stage and in the garden | Dance; Ecocriticism; Eco-dramaturgy; Immersive theatre; Queer Ecology; Trans-corporeality | 2016 | thesis |
| 14 |
 |
Niu, Li-Sha | The me of yours and the me of mine: an investigation of subjective self and objective self in dance | Choreography; Dance; Objective self; Performance; Subjective self | 2011-08 | thesis |
| 15 |
 |
Bruce, Kelly M. | Nothing but me: a study of identity through choreography, performance, and education | Choreography; Dance | 2015-08 | thesis |
| 16 |
 |
Stack, Jasmine | Reimagining the West | Folklore; Dance; Sustainability | 2017 | thesis |
| 17 |
 |
Blaylock, Nicholas | Salad Days: work, covenant, and the child | Dance | 2017 | thesis |
| 18 |
 |
Dryden, Nathan | Towards a decided body and choreography | Choreography; Dance; Passive; Performance; Presence; Sequencing | 2015-08 | thesis |
| 19 |
 |
Davis, Shane Bryant | We gender: and so can you! | Dance; Gender studies | 2017 | thesis |
| 20 |
 |
Garcia, Efren Corado | Writing love on my arm: finding the voice of consciousness in the creative process | Choreography; Consciousness; Creative process; Dance; Research; Therapy | 2011-08 | thesis |
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