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TitleCreatorDescriptionDepartmentDate
1 Four stage & 3 months in-betweenRomo, VanessaTime stops right before change occurs. As you cease to exist in your usual state of mind, you find yourself alone, reflecting, and ask what lies ahead? This sliver in time feels like a terminal. Years pass and you move far from the moment you thought was the death of newness. It becomes a distant pa...Art/Art History2017-07
2 Multicultural: Facts and findings from the two years I spent living under a microscopeMehr, AnnetteThis final project paper is an accompaniment of my thesis work: a series of 11 oil paintings of bacterial cultures. These bacterial cultures were collected from volunteers, throughout 2016-2017. The paintings of these cultures are defined as portraits of the people who volunteered their bacteria. Th...Art & Art History2017-12
3 Be somewhereHabben, DavidI've always been intrigued by the idea of creating motion within my work. Simple dynamics in composition or figure have failed to truly capture, from my perspective, the sense of fluidity that can be found so readily in other media, such as film and animation. It seems odd to be so concerned about i...Art/Art History2017-05
4 MFA exhibitionBench, Ryan JoeThe subject of my paper is a body of work representing my personal interpretations, experiences, memories, and processes of creating images using the mediums of printmaking, painting and drawing. The subject matter represents broad visual sketches of the landscape, not direct visual copies; but inst...Printmaking2017-09
5 Gather-piece-stitch: The art of placeDownen, CelinePhilosopher Gaston Bachelard celebrates the "naive wonder we used to feel when we found a nest. This wonder is lasting, and today when we discover a nest, it takes us back to our childhood or, rather, to a childhood; to the childhoods we should have had." I use the nest as a metaphor in my art with...Art/Art History2016
6 In my neighborhood: an installationHart, AllynMy thesis installation, titled "In My Neighborhood," combined collage prints, paintings, and sculptural elements. The installation was loosely based on the structure of an ideal 1950's suburban American home. Found objects played a prominent role in both two- and three-dimensional constructions. ...Art/Art History1996-08
7 The art of the bookPowers-Torrey, Mary NoreenThese six books were produced between May 1999 and November 2000. The process of making these books became inherently involved with the process of formulating the story. The story is my own story. These books that I have written, designed, illustrated, printed, and bound are made of my experience...Art/Art History2001-05
8 Surface image selfLindsay, MarjorieThe work in my Master of Fine Arts show consists of seven large oil paintings on a paper structure with collage, twelve mixed-media prints, and three mixed-media drawings. I have moved away from making art based on perceptual experience of the environment toward work that derives from my persona...Art/Art History1996-06
9 Exhaling the earthHedrick, AntoniaMy Master of Fine Art exhibit consisted of nine translucent, fiberglass body shells installed with seven graduated photographs, four sculptural briefcases, five oil on canvas paintings, and 40 home-made artifacts in plexiglass boxes. I completed this chronology of works during two years of gradua...Art/Art History1997-06
10 Symbolic duality computer animationYeom, Hee-KyungThe thesis project is an approximately ten-minute-long animation, produced through the use of computers and edited with sound. The animated story is about ancient Toaism and points out that these ancient ideas still dominate the people's life and belief. This project is motivated by the commonalit...Art/Art History2001-05
11 Rembrandt's landscapes: a study of visual languageBradley, JulietteRembrandt van Rijn seems most well-known as a painter of histories and portraits. Yet, he expressed a fervent interest in rendering landscapes. Eight authentic landscape paintings survive today. A previously biased academic tradition delayed analysis of these paintings by considering them meanin...Art/Art History2005-05
12 Exploration of the art objectDeCola, Jacob NicholasI am a sculptor who works with materials, an object maker concerned with both physical and conceptual process. A critical part of my method of working is to allow a record of this process to exist in the finished sculptures. Perhaps the most difficult and rewarding part of my graduate experien...Art/Art History2001-08
13 Dormiens vigils (while sleeping, watch)Webster, Maryann S.Dreams about a disappearing ecosystem and an increasing awareness of the fragile nature of our existence inspired the eighteen works in this exhibition. These works express a deepened concern through understanding of life and nature as fragile, precious and sacred. I have interpreted the gallery s...Art/Art History2001-05
14 Bodily housedPerreault, Alison MarieExhibiting work has to do with communication. Like the Berkeley illustration of a tree falling in the forest, a receiver must be present in order for the sound to be heard. In the sharing of the work is the desire to communicate the experience. My Master of Fine Arts graduate exhibition consists of...Art/Art History1999-05
15 TimepiecesDow, ValarieThis work involves my exploration of the beauty of places and objects which contain a human history and illustrates my interest in the passing of time. I illustrate this with the use of reflective surface. I hope to say that our past brings a richness to our present and deserves honor. The compil...Art/Art History1999-12
16 Language and fragmentationBlundell, Simon HenryAs our environment becomes increasingly mediated, so does our experience. My work is a direct response to an overmediated enviroment. Through mediation, our experience becomes fragmented. I am exploring the role of photography in the process of fragmentation and the way we construct meaning from our...Art/Art History2003-12
17 Jackson Pollock and Andy Warhol: two disparate American artistic identities shaped by the nature-machine dichotomyVergadavola, Salvatore F.In 1942, in response to Hans Hofmann urging him to look outside himself and seek sublimity in nature Jackson Pollock replied, "I am nature," and later moved to The Springs, a rural area on Long Island, where in the isolation of his bam/studio created his signature hand-poured canvases. Two decades ...Art/Art History2004-12
18 The hat peopleKimball, PatriciaThe paintings in this exhibit are the result of two years of exploration dealing initially with landscape and then primarily with the figure. Looking back, the challenges were similar regardless of subject: first, how to expand the subject beyond an "objective" reality more or less faithfully r...Art/Art History2001-05
19 The symbolic image and its relation to Christianity and morality in contemporary paintingHoeft, David WilliamWeakening moral standards and the increasing speed and distractions of contemporary life have contributed to the diminished capacity of individuals within Western society to feel and comprehend more deeply. The scales of available information are tipped to the sensual, inconsequential and commercial...Art/Art History2002-08
20 Swimming in the gene poolGillett, Eric A.Swimming in the Gene Pool is a creative project that applies specific concepts observed in genet­ics towards developing a working graphic design methodology. The methods, based on four types of genetic mutation that occur in nature, include duplication, deletion, translocation and inver­sio...Art/Art History2003-08
21 Iconography of the trailBrunvand, Sandra LynneA focusing element in my work is to confront the theme of life and death and how this dichotomy could be cast as metamorphoses of states of being. In many ways this is such a fundamental theme of our existence as to be at once too simple and too pervasive to be fully comprehended. As I co...Art/Art History2004-12
22 Wolfenbuttel Sachsenspiegel: a codicological and pictorial examination of a mnemonic morrorJoyner, Daniell BethThe Wolfenbiittel Sachsenspiegel is a fourteenth-century German lawbook containing the territorial and feudal laws of Saxony. Its pages display two columns with the legal text on the right and the multi-colored images on the left. In this study I explore how the images supplemented the text, and ...Art/Art History1998-08
23 Onchi Koshiro and individualism in Japanese woodblock printingDee, David L.By the turn of the twentieth century, the vitality of the traditional woodblock print industry in Japan had dissipated. Out of this dormant state of the graphic arts, two woodblock printmaking movements emerged in early twentieth- century Japan: (a) shin-hanga (new prints) and (b) sosaku-hanga (cr...Art/Art History2000-08
24 The endurance of memoryCharles, JamesMy Master of Fine Arts exhibition consisted of nine prints and five mixed-media paintings. A variety of print making techniques were used. Photographic elements were incorporated with a Xerox-transfer method. The mixed-media paintings were done with traditional and nontraditional materials. My ...Art/Art History1998-03
25 The art of Aaron Douglas, the evolution of jazz and the Harlem RenaissanceDuffin, Lance W.Never before in American history had there been a more concentrated and energetic outpouring of literary, visual and musical artistic production than that of the period known as the Harlem Renaissance. This period, from 1919 through 1934, was an optimistic, dynamic time for many African Americans ...Art/Art History1998-08
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