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TitleSetnameType
1 "Living with our toxic legacy": parafictional practice and the national toxic land/labor conservation serviceir_etdText
2 A collaboration: dance and theatreir_etdText
3 A history, analysis, and registry of Mormon architectural art glass in Utahir_etdText
4 A Measurement of certain skills of musicianship among high school brass, woodwind, and percussion playersir_etdText
5 A name for a Birdir_etdText
6 A personal philosophy: its basis and implicationsir_etdText
7 A survey of graduate programs in arts administration and a proposed program for the University of Utahir_etdText
8 A thousand steps around me: a study of discovering metaphor through manipulating repetition in danceir_etdText
9 Abject/body: A performative perspective on race, gender, and violence in danceir_etdText
10 The acceptance of error: allowing imperfections to transform the collectiveir_etdText
11 The adaptable body: cultivating a hybrid form from community, harmony, and joyir_etdText
12 Aerial alchemyir_etdText
13 An analysis of Anton Bruckner's symphony number seven in E majorir_etdText
14 An exploration of vulnerability through creative process and performanceir_etd
15 An interpretation of events in the life of Christir_etdText
16 Analysis of Mozart symphony no. 39 in E-flatir_etdText
17 Analysis of Schubert symphony no.8 in B minorir_etdText
18 Antonio Henrique Amaral's Battlefield paintings (1973-1974) and the Brazilian military dictatorshipir_etdText
19 Are you my boyfriend? exploring a choreographic narrativeir_etdText
20 Are you my boyfriend? exploring a choreographic narrativeir_etdText
21 Army of self: dance democracyir_etdText
22 The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraitureir_etdText
23 Artists live on islands: limitations as a creative ritualir_etdText
24 Authenticity, preservation, and the Transnational identity of space: comparing Yin Yu Tang and the linden centreir_etdText
25 Authorship and architectural influences on the Salt Lake Templeir_etdText
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