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1 The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraitureir_etdText
2 Dance hacking: digital technology and the performing bodyir_etdText
3 Dancing metal/dancing flesh: alternate opportunities for embodiment through cybernated addendair_etdText
4 The me of yours and the me of mine: an investigation of subjective self and objective self in danceir_etdText
5 Towards a decided body and choreographyir_etdText
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