76 - 100 of 122
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76 Monsters in medieval and renaissance travel literature: a study in Credulity and skepticismir_etdText
77 Motherhood and representation at the sackler center for feminist art: Judy Chicago, Catherine Opie, Canan Senolir_etdText
78 Motion picturesir_etdText
79 Moving together: dance as an inroad to relationship and self-discoveryir_etdText
80 Nothing but me: a study of identity through choreography, performance, and educationir_etdText
81 Oh, Dracula: Chris Burden's 1974 performance at the Utah Museum of Fine Artsir_etdText
82 Paper & tapeir_etdText
83 Performativity and identity in the illuminated photographs of the Countess de Castiglioneir_etdText
84 Performing the document in Francis Alys's re-enactments (2001)ir_etdText
85 Pins, felt, and cloth: performing Mormon feminismir_etdText
86 Please feel free: sensation, awareness, and choreographyir_etdText
87 Plotting dissonance: paradoxes of trauma and imagination in the creative processir_etdText
88 Power, panopticism, and pilgrimage: the image program at conquesir_etdText
89 Practicing presence: accessing the attention-intention continuum in Dance performance and the creative processir_etdText
90 Promised valley: a design thesisir_etdText
91 Querl dismantling the bookir_etdText
92 Race, sexuality, and power in Ivens Machado's video performance Escravizador-Escravo (1974)ir_etdText
93 Racialized visions of "The other": histories of orientalism behind La Bayadereir_etdText
94 Re-envisioning the natural world in Eugene Delacroix's lion devouring a horseir_etdText
95 Reflections of self: male-male relationships as a source for choreographyir_etdText
96 Reimagining the Westir_etdText
97 Ripe with meaning: the pregnant body in contemporary danceir_etdText
98 Running from conscience: the compliant individualir_etdText
99 Salad Days: work, covenant, and the childir_etdText
100 Search for an authentic self in the choreographic and performance processir_etdText
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