|
|
Title | Creator | Creation Date |
201 |
|
Sanctuary of Bom Jesus do Congonhas, view of the façade | Antônio Francisco Lisboa (Aleijadinho) | 18th Century CE |
202 |
|
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
203 |
|
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
204 |
|
Juscelino Kubitschek with Lucio Costa, in 1957, at the center of the Pilot Plan to be built, Brasilia | | 1957 CE |
205 |
|
The Second Mass in Brazil (known as the Mass of the Taking of Possession) | Glauco Rodrigues | 1996 CE |
206 |
|
Thursday Morning | João Cãmara | 2000 CE |
207 |
|
Escrito (Script) | Emmanuel Nassar | 2000 CE |
208 |
|
Carta Atemporal (Timeless Letter) | Jose Roberto Aguilar | 2000 CE |
209 |
|
Iracema | José Maria de Medeiros | 1881 CE |
210 |
|
O Homem das Sete Cores (Man in Seven Colors) | Anita Malfatti | 1915 - 1916 CE |
211 |
|
Workers | Tarsila do Amaral | 1933 CE |
212 |
|
Founding of the City of São Paulo, 1554 | Oscar Pereira da Silva | 1903 CE |
213 |
|
Campo de Batalha 3 (Field of Battle 3) | Antonio Henrique Amaral | 1973 CE |
214 |
|
Art Cookie | Regina Silveira | 1976 CE |
215 |
|
Art Cookie | Regina Silveira | 1976 CE |
216 |
|
Art Cookie | Regina Silveira | 1976 CE |
217 |
|
Portrait of the Intrepid Mariner Simão, Coalman of the Steamship Pernambucana | José Correia de Lima | 1853 CE |
218 |
|
Capela Dourada (Golden Chapel), view towards the altar | Antonio Martins Santiago (sculptor); Manuel de Jesus Pinto (gilt) | late 17th Century - 18th Century CE |
219 |
|
Monastery of São Bento High Altar | | 17th - 18th Century CE |
220 |
|
Sanctuary of Bom Jesus do Congonhas, view of the façade | Antônio Francisco Lisboa (Aleijadinho) | 18th Century CE |
221 |
|
Machine Animal (Bicho) | Lygia Clark | 1962 CE |
222 |
|
Livro do Tempo | Lygia Pape | 1960 CE |
223 |
|
Objeto Ativo (Active Object) | Willys de Castro | c. 1960 CE |
224 |
|
View of the Monumental Axis with the Triangular Praça dos Três Poderes at its Eastern Tip and the Ceremonial Esplanade Leading to the National Congress | | |
225 |
|
The Mall on the Monumental Axis, Brasília | | |