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TitleCreatorSubject
1 Identities in Motion in Hélio Oiticica's Parangolés (1964-1980)Chandler KeelingArt History
2 Both Sides of the Lens: Woman as Photographer and SubjectKelli BettilyonArt History; Photography
3 She Smiles, She Lies, She Cries: The Currencies of Affect, Beauty & Performance in Leah Rachel's 'Curious Female Casting Couch' (2017)Cory Dee WaymanArt History; Performance Art
4 The Politics of Portraiture in George Caleb Bingham's "Portrait of Mrs. James Thomas Birch" of 1877Emily MorrisonArt History
5 Hot Commodity: An Exhibition on Coffee, Controversy, & Global Trade in Early Modern EnglandAlexander V. StanfieldArt History
6 Objects, Actions and Spaces in Kate Gilmore's 2012 Rock, Hard, PlaceChristina JonesArt History; Video Art; Contemporary Art
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