Title | Creator | Subject | ||
---|---|---|---|---|
1 | Identities in Motion in Hélio Oiticica's Parangolés (1964-1980) | Chandler Keeling | Art History | |
2 | Both Sides of the Lens: Woman as Photographer and Subject | Kelli Bettilyon | Art History; Photography | |
3 | She Smiles, She Lies, She Cries: The Currencies of Affect, Beauty & Performance in Leah Rachel's 'Curious Female Casting Couch' (2017) | Cory Dee Wayman | Art History; Performance Art | |
4 | The Politics of Portraiture in George Caleb Bingham's "Portrait of Mrs. James Thomas Birch" of 1877 | Emily Morrison | Art History | |
5 | Hot Commodity: An Exhibition on Coffee, Controversy, & Global Trade in Early Modern England | Alexander V. Stanfield | Art History | |
6 | Objects, Actions and Spaces in Kate Gilmore's 2012 Rock, Hard, Place | Christina Jones | Art History; Video Art; Contemporary Art |