| | Title | Creator | Description | Department | Date |
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1 |  | Design methods inspired by the Bonneville Salt Flats | Conger, Jeffrey Scott | This creative project examines the unlikely topic of automobile racing at the Bonneville Salt Flats to foster new ways of working with graphic design layout. Through this project I created four graphic design methods by studying the principles and methodologies of hot rodders and dry lake racers... | Art/Art History | 1998-08 |
2 |  | Automatic processing pitfalls | Watson, Justin | I used this text to examine processes by mirroring the internal structures of my mental processes. | Art & Art History | 2016 |
3 |  | Automatic Processing Pitfalls | Justin Watson | I used this text to examine processes by mirroring the internal; structures of my mental processes. This paper is arbitrary to the; source of the experience examined, although this arbitrariness is; also an impetus to the survival mechanisms depicted. When we; elucidate our meanings we grow more los... | | 2016 |
4 |  | Photographic Brushstroke | Van Thieu Chu | Photographic Brushstroke, a term that has been an oxymoron, is no longer. Being a visual artist is in; many ways like being a singer, if you sound like everyone else then why even bother singing. If you; go to my exhibition with a predetermination of what photography is, you will not find a single; ... | | 2010 |
5 |  | Van Chu photographic brushstroke | Chu, Van | Photographic Brushstroke, a term that has been an oxymoron, is no longer. Being a visual artist is in many ways like being a singer, if you sound like everyone else then why even bother singing. If you go to my exhibition with a predetermination of what photography is, you will not find a single ... | Art/Art History | 2010-05 |
6 |  | Querl dismantling the book | Dykes, Stefanie | When an artist adopts an intuitive working methodology, the creation of images or objects often appear before a final clear conceptual idea is defined. My artistic practice changed dramatically with my desire to dismantle books, to unburden myself from outdated or discarded texts, and to fold them ... | Art/Art History | 2010-07 |
7 |  | Ghosts, Storytelling and Ominous Figures | Candace von Hoffman | This final project paper reflects my graduate research based in my experience of growing up in Alabama, my family's involvement in White supremacist systems in the American South, and critical Whiteness. In the past two years, the arts-based research I have completed in pursuit of my MFA has examine... | | 2021 |
8 |  | Hand to mouth | Ramachandran, Sylvia Meena | Just as we make tools to try to overcome our limitations, we make gestures to try to connect with people and things beyond ourselves. In this exhibition, I consider the utensil as a poetic extension of the body. The work follows a decade of contemplating the meaningfulness of daily tasks and of th... | Art/Art History | 2006-08 |
9 |  | Feeding the Hedonic Ghost | Holly Cobb | | | 2015 |