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Author | Title | Subject | Date | Publication Type |
1 |
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Empey, Erin Dorean | A collaboration: dance and theatre | Audience; collaboration; dance; performance; theatre | 2011-05 | thesis |
2 |
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Barker, Emmy Paiser | A thousand steps around me: a study of discovering metaphor through manipulating repetition in dance | Metaphor; Modern dance; Repetition | 2011-08 | thesis |
3 |
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Fairley, Yasin Aziz | Abject/body: A performative perspective on race, gender, and violence in dance | | 2017 | thesis |
4 |
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Aneloski, Rebecca Christine | The acceptance of error: allowing imperfections to transform the collective | Dance | 2018 | thesis |
5 |
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Ryan, Rebekah E. | The adaptable body: cultivating a hybrid form from community, harmony, and joy | Dance; Art education; Fine arts | 2018 | thesis |
6 |
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Peng, Shih-Ya | An exploration of vulnerability through creative process and performance | Creative process; Performance; Vulnerability | 2012-08 | thesis |
7 |
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Decker, Donald Joseph | Are you my boyfriend? exploring a choreographic narrative | | 2010 | thesis |
8 |
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Decker, Donald Joseph | Are you my boyfriend? exploring a choreographic narrative | Choreography; Context;; Familiarity; Meaning; Narrative; Surprise | 2010-08 | thesis |
9 |
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Bigelow, Ching-i Chang | Army of self: dance democracy | Comfort Women; Dance Choreography; Democracy; Modern Dance; Sleep No More; Taiwanese History | 2017 | thesis |
10 |
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Pottratz, Katherine I. | Artists live on islands: limitations as a creative ritual | Choreographic process; Creative rituals; Film theory; Flow; Limitations; Modern dance | 2012-08 | thesis |
11 |
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Zhan, Li | The beautiful beast: the subversive power of monsters in the aesthetics of dance and individual expression | Aesthetics; Dance; Monsters; Performance potential; Possibilities of movements; Subversive power | 2013-08 | thesis |
12 |
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Heller, Molly Anne | Becoming incredible: healing trauma through performance | Dance; Healing; Modern dance; Performance studies; Therapy; Trauma | 2015-08 | thesis |
13 |
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Carter, Nancy Simpson | Becoming large enough: encompassing subjective and objective perspectives in one whole | Choreography; Integration; Objective; Paradox; Somatics; Subjective; Movement | 2010-08 | thesis |
14 |
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Baggs, Belle | Beyond words: an embodied empathetic process | Choreography; Empathy; Movement; Relationships | 2011-08 | thesis |
15 |
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Sun, Wenting | The communicative power of laughter in modern dance | Choreography; Communication; Dance; Laughter | 2015-12 | thesis |
16 |
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Cappelletti, Corinne | Dance as a place-making device: examining environmental psychology and place-identity through choreography and performance | Dance; Place identity; Place attachment | 2009-05 | thesis |
17 |
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Hardwig, George Scott | Dance hacking: digital technology and the performing body | Dance; Digital; Performance; Screendance; Technology | 2014-08 | thesis |
18 |
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Mielke, Benjamin Allen | Dance training as mechanism for overcoming the technologization of the body | Digital realities; Interpersonal communication; Modern dance; Sociology; Technology; Time | 2013-08 | thesis |
19 |
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Parker, Sara Beth | Dancing amidst flames: discomfort and surrender as a catalyst for artistic growth in choreography and performance | Dance; Myth; Philosophy: Yoga | 2015-05 | thesis |
20 |
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Beaumont, Jennifer Ann | Dancing from within: the role of intuition | Modern dance, Psychological aspects; Choreography, Psychological aspects; Intuition | 2008-08 | thesis |
21 |
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Ririe, Abigail Marie | Dancing metal/dancing flesh: alternate opportunities for embodiment through cybernated addenda | Choreography; Cyborg; Dance; Disability; Performance; Technology | 2012-05 | thesis |
22 |
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Bobzin, Lynn Marie | Dancing toward humanity: accessing embodiment in artifice within the choreographic and performative processes | Being doing; Creative process; Embodiment; Empathy; Vulnerability | 2013-08 | thesis |
23 |
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Bagley, Claire Valene | Editing in the choreographic process: "I am a work of fiction" | Creative process; Dance; Film editing; Graphic novel; Montage; Pina Bausch | 2013-08 | thesis |
24 |
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Sailer, Kathryn Patricia | Embodied spectacle: an exploration of three-dimensional performance | Choreography; Installation; Modern dance; Postmodern; Site-specific; Three-dimensional; Dance | 2012-05 | thesis |
25 |
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Ramos, Alysia | Embodying eclecticism from potential to actualization | Choreography; Composition; Dance; Eclecticism; Embodiment; Nomadic theory | 2014-08 | thesis |
26 |
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Stich, Elizabeth Anne | Embodying identity: movement as an experience of self | Creativity; Identity; Laban movement analysis; Modern dance; Movement; Self; Dance; Personality psychology | 2011-05 | thesis |
27 |
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Womack, Jessica Sara | Embodying tourism and performance: a new look at landscape | Modern dance; Tourism and the arts | 2008-08 | thesis |
28 |
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Schaub, Carly | From tremor to movement: a choreographic process with fitzmaurice voicework | choreography; Fitzmaurice; improvisation; technique; tremor; voicework | 2016 | thesis |
29 |
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Lopez, Brianna Nicole | Growing a new body: physicalizing paradoxical systems of grief and desire | | 2019 | thesis |
30 |
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Pickett, Sara | Hip hop artistic model | Hip-hop; Hip-hop dance; Break dancing | 2008-11 | thesis |
31 |
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Habel, Shana L | History of the modern dance program at the University of Utah 1968-1989 | Dance education; Dance history; Elizabeth R. Hayes; Higher education; Modern dance; University of Utah | 2010-07 | thesis |
32 |
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Crotty, Michael | The hopefuls: growing sideways in the choreographic process | Children's Studies; Innocence; Modern Dance; Queer; Queer Theory; Romanticism | 2017 | thesis |
33 |
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Humphrey, Jessica Renee | How contact improvisation can inform the creative process and enliven its product | Improvisation in dance; Modern dance | 2008-05 | thesis |
34 |
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Gotter, Natalie E. | Intimacy for deconstruction: the role of female relationships in choreography | Dance | 2017 | thesis |
35 |
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Ivkovich, Elizabeth Grace | The king stag (and i): dancing trans-corporeality and queer ecology on the stage and in the garden | Dance; Ecocriticism; Eco-dramaturgy; Immersive theatre; Queer Ecology; Trans-corporeality | 2016 | thesis |
36 |
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Kamrath, Catherine | The language of fibers: how movement emerges from space harmony theory and architecture | Architecture; dance; Laban; Space Harmony | 2016 | thesis |
37 |
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Niu, Li-Sha | The me of yours and the me of mine: an investigation of subjective self and objective self in dance | Choreography; Dance; Objective self; Performance; Subjective self | 2011-08 | thesis |
38 |
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Shaw, Rachael L. | Metamorphic chrysalis: embodying mindfulness in transformation | Change; dance; Mindfulness; Performing arts; transformation | 2012-05 | thesis |
39 |
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Shir, Allison | Metamorphosis: radically imagining the body through collage and the grotesque | art; body; choreography; dance; grotesque; paradox | 2016 | thesis |
40 |
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Fifer, Emily Scott | Moving together: dance as an inroad to relationship and self-discovery | Dance--Psychological aspects; Contact improvisation | 2009-12-14 | thesis |
41 |
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Bruce, Kelly M. | Nothing but me: a study of identity through choreography, performance, and education | Choreography; Dance | 2015-08 | thesis |
42 |
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Nelson, Matthew A | Please feel free: sensation, awareness, and choreography | Choreography; Mind and body | 2008-05 | thesis |
43 |
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Claudio, Juan Carlos | Reflections of self: male-male relationships as a source for choreography | Modern dance; Masculinity; Gender identity in dance | 2009-05-06 | thesis |
44 |
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Stack, Jasmine | Reimagining the West | Folklore; Dance; Sustainability | 2017 | thesis |
45 |
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Schaumann, Marney Debenham | Ripe with meaning: the pregnant body in contemporary dance | Contemporary dance; Dancing pregnant; Motherhood; Pregnancy in media; Pregnant body; Work/life balance | 2010 | thesis |
46 |
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Womack, Erica | Running from conscience: the compliant individual | Modern dance | 2011-08 | thesis |
47 |
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Blaylock, Nicholas | Salad Days: work, covenant, and the child | Dance | 2017 | thesis |
48 |
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Ward, Kristine Butler | Search for an authentic self in the choreographic and performance process | Choreography; Modern dance; Authenticity | 2008-04-17 | thesis |
49 |
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Tolman, Alyssa Suzanne | The search for individuality in the choreographic process | Choreography; Individuality; Laban movement analysis | 2014-08 | thesis |
50 |
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Rooker, Rhonda Camille | Spiritual embodiment of dance | Dance, Religious aspects; Spirituality | 2008-08 | thesis |
51 |
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Myers, Jamie Michelle | Stage peacocking: the amplified self in performance | Authenticity in performance; Performance methods; Performance studies; Performance techniques; Performing dance; Self in performance | 2013-08 | thesis |
52 |
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Hane, Julianna Gaillard | Struggle for flight: the process of making aerial dances | Aerial dance; Modern dance | 2010-08 | thesis |
53 |
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Vance, Shannon Noelle | Surfacing: finding an individual voice by living the honest language of the dance | Choreography; Creative impulse; Creative process; Honesty; Individual voice; Movement language | 2010-08 | thesis |
54 |
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Campbell, Monica | Tabula Rasa: let's begin again modern dance and social activism | Politics in dance; Social issues in dance | 2009-05-14 | thesis |
55 |
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Dryden, Nathan | Towards a decided body and choreography | Choreography; Dance; Passive; Performance; Presence; Sequencing | 2015-08 | thesis |
56 |
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Draper, Brooklyn Lee | Unpredictable logic: the ongoing process of forming an aesthetic language through randomness | | 2019 | thesis |
57 |
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Derington, Krista Treu | Using Rudolf Laban's effort system as an inroad to choreography | Arts-based research; Choreography; Dreams; Effort; LMA; Rudolf Laban | 2015-05 | thesis |
58 |
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Davis, Shane Bryant | We gender: and so can you! | Dance; Gender studies | 2017 | thesis |
59 |
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Garcia, Efren Corado | Writing love on my arm: finding the voice of consciousness in the creative process | Choreography; Consciousness; Creative process; Dance; Research; Therapy | 2011-08 | thesis |