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| Author | Title | Subject | Date | Publication Type | ||
|---|---|---|---|---|---|---|
| 1 |
 |
Sussi, Joseph Michael | "Living with our toxic legacy": parafictional practice and the national toxic land/labor conservation service | contemporary art; greenwashing; national wildlife refuge; parafiction; performance art; toxicity | 2017 | thesis |
| 2 |
 |
Adams, Margaret Hayden | Antonio Henrique Amaral's Battlefield paintings (1973-1974) and the Brazilian military dictatorship | Antonio Henrique Amaral; Banana; Brazil; Dictatorship; Human Rights' Abuses; Painting | 2017 | thesis |
| 3 |
 |
Azuma, Mariko | Authenticity, preservation, and the Transnational identity of space: comparing Yin Yu Tang and the linden centre | 2018 | thesis | |
| 4 |
 |
Martin, Eliza Abigail | Bodily transfer and sacrificial gestures: rethinking the Hungry Tigress Jataka in Mogao Cave 254 | Buddhist art; Chinese art; Jataka; karma; Sinicization; Stupa | 2014-08 | thesis |
| 5 |
 |
Tolman, Doug | Generative Spaces | 2023 | ||
| 6 |
 |
Baldridge, Seth Robert | Gold powder and gunpowder: the appropriation of western firearms into japan through high culture | Arquebus; Firearms; Japan; Lacquer; Momoyama; Noh | 2015-08 | thesis |
| 7 |
 |
Guiley, Patricia Kathleen | Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats | Gajin fujita; Global contemporary; Graffiti; Identity; Street art; Urban art | 2015-05 | thesis |
| 8 |
 |
Ballou, Matthew Harris | Homosocial tension in aaron siskind's bill lipkind 10: an examination of the male form as outlier | Abstract Expressionist; Homosocial; Photography | 2015 | thesis |
| 9 |
 |
Povey, Rachel | Oh, Dracula: Chris Burden's 1974 performance at the Utah Museum of Fine Arts | Chris Burden; Oh Dracula; UMFA | 2015-08 | thesis |
| 10 |
 |
McGrew, Christy Rae | Performativity and identity in the illuminated photographs of the Countess de Castiglione | Art history | 2013 | thesis |
| 11 |
 |
Lyver Harris, Emily Rose | Performing the document in Francis Alys's re-enactments (2001) | Francis Alys; Mexico City; Re-enactments | 2013-12 | thesis |
| 12 |
 |
Rosenbury, Mary Margaret | Pins, felt, and cloth: performing Mormon feminism | Mormon faith; Sunbonnets; Pioneer women | 2014-05 | thesis |
| 13 |
 |
Sheltra, Scott James | Power, panopticism, and pilgrimage: the image program at conques | 2018 | thesis | |
| 14 |
 |
Sales, Jennifer Leite | Race, sexuality, and power in Ivens Machado's video performance Escravizador-Escravo (1974) | Brazilian Video Art; Escravizador-Escravo; Gilberto Freyre; Homosexual Relations; Ivens Machado; Racial Democracy | 2016 | thesis |
| 15 |
 |
Lang, Alexandria Amelia | Re-envisioning the natural world in Eugene Delacroix's lion devouring a horse | comparative anatomy; Delacroix; feline imagery; Gericault; lion; Stubbs | 2016 | thesis |
| 16 |
 |
Byrne Cranny, Louise | Situating Helen Frankenthaler's Wizard | 1963; Frankenthaler | 2014-05 | thesis |
| 17 |
 |
Hawks, Aubrey Marie | Tania Candiani's Bordadora (2012): the intersecting histories of religion and women's labor in Mexico | confession; Contemporary art; Mexico; technology; women's labor | 2016 | thesis |
| 18 |
 |
Maguire, Patrick | Terminal structures: Ant Farm's Cadillac Ranch, 1974 | Ant farm; Cadillac ranch; Land art; Minimalism; Monument; Sculpture | 2014-08 | thesis |
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