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| Author | Title | Subject | Date | Publication Type | ||
|---|---|---|---|---|---|---|
| 1 |
 |
Davis, David Eyer | A Slingshot out of the valley contemporary relevance of the local in the local art scene | 2009 | honors thesis | |
| 2 |
 |
Guiley, Patricia Kathleen | Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats | Gajin fujita; Global contemporary; Graffiti; Identity; Street art; Urban art | 2015-05 | thesis |
| 3 |
 |
Sheltra, Scott James | Power, panopticism, and pilgrimage: the image program at conques | 2018 | thesis | |
| 4 |
 |
Byrne Cranny, Louise | Situating Helen Frankenthaler's Wizard | 1963; Frankenthaler | 2014-05 | thesis |
| 5 |
 |
Maguire, Patrick | Terminal structures: Ant Farm's Cadillac Ranch, 1974 | Ant farm; Cadillac ranch; Land art; Minimalism; Monument; Sculpture | 2014-08 | thesis |
| 6 |
 |
Hill, Scotti | The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraiture | Performance; Self-portraiture | 2011-08 | thesis |
| 7 |
 |
Baldridge, Seth Robert | Gold powder and gunpowder: the appropriation of western firearms into japan through high culture | Arquebus; Firearms; Japan; Lacquer; Momoyama; Noh | 2015-08 | thesis |
| 8 |
 |
Maksym, Rebecca | Creolite and cultural cannibalism: reconstructing Cuban identity in the work of Marta Maria Perez Bravo and Maria Magdalena Campos-Pons | African diaspora; Créolité; Cuban contemporary art; Cultural cannibalism; Gender; Identity | 2012-12 | thesis |
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