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TitleDateType
1 The history of Cyrus Edwin Dallin: Eminent Utah sculptor1948Text
2 Performing the document in Francis Alys's re-enactments (2001)2013-12Text
3 Querl dismantling the book2010-07Text
4 Motion pictures2006-05Text
5 An interpretation of events in the life of Christ1959Text
6 The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraiture2011-08Text
7 Terminal structures: Ant Farm's Cadillac Ranch, 19742014-08Text
8 Authenticity, preservation, and the Transnational identity of space: comparing Yin Yu Tang and the linden centre2018Text
9 "Living with our toxic legacy": parafictional practice and the national toxic land/labor conservation service2017Text
10 Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats2015-05Text
11 Pins, felt, and cloth: performing Mormon feminism2014-05Text
12 Gold powder and gunpowder: the appropriation of western firearms into japan through high culture2015-08Text
13 Motherhood and representation at the sackler center for feminist art: Judy Chicago, Catherine Opie, Canan Senol2011-08Text
14 Henry Fuseli's The Death of Dido at somerset house2011-08Text
15 Antonio Henrique Amaral's Battlefield paintings (1973-1974) and the Brazilian military dictatorship2017Text
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