Author | Title | Subject | Date | Publication Type | ||
---|---|---|---|---|---|---|
1 | Sussi, Joseph Michael | "Living with our toxic legacy": parafictional practice and the national toxic land/labor conservation service | contemporary art; greenwashing; national wildlife refuge; parafiction; performance art; toxicity | 2017 | thesis | |
2 | Empey, Erin Dorean | A collaboration: dance and theatre | Audience; collaboration; dance; performance; theatre | 2011-05 | thesis | |
3 | Janetski, Joyce Athay | A history, analysis, and registry of Mormon architectural art glass in Utah | 1981 | thesis | ||
4 | Cottam, Jay Michael | A Measurement of certain skills of musicianship among high school brass, woodwind, and percussion players | School music -- Instruction and study | 1976 | thesis | |
5 | Smith, Frank Anthony | A name for a Bird | 1964 | thesis | ||
6 | Jenson, Neil Calvin | A personal philosophy: its basis and implications | Art; Philosophy | 1970 | thesis | |
7 | Davis, David Eyer | A Slingshot out of the valley contemporary relevance of the local in the local art scene | 2009 | honors thesis | ||
8 | Burton, Kenneth J. | A survey of graduate programs in arts administration and a proposed program for the University of Utah | 1975 | thesis | ||
9 | Barker, Emmy Paiser | A thousand steps around me: a study of discovering metaphor through manipulating repetition in dance | Metaphor; Modern dance; Repetition | 2011-08 | thesis | |
10 | James, Jan | Aerial alchemy | Alchemy in art | 2010-05 | thesis | |
11 | Donovan, Ann Johnson | An analysis of Anton Bruckner's symphony number seven in E major | Bruckner, Aton, 1824-1896. Symphony no. 7, E major | 1972 | thesis | |
12 | Peng, Shih-Ya | An exploration of vulnerability through creative process and performance | Creative process; Performance; Vulnerability | 2012-08 | thesis | |
13 | Myer, Peter Livingston | An interpretation of events in the life of Christ | 1959 | thesis | ||
14 | Billeter, William | Analysis of Mozart symphony no. 39 in E-flat | Mozart, Wolfgang Amadeus, 1756-1791. Symphonies, K. 543, E♭ major -- Analysis, appreciation; Mozart, Wolfgang Amadeus, 1756-1791. Symphonies, K. 543, E♭ major; Analysis, appreciation | 1955 | thesis | |
15 | Allen, Florence S. | Analysis of Schubert symphony no.8 in B minor | Schubert; Franz; 1797-1828. Symphonies; D. 759, B minor | 1955 | thesis | |
16 | Adams, Margaret Hayden | Antonio Henrique Amaral's Battlefield paintings (1973-1974) and the Brazilian military dictatorship | Antonio Henrique Amaral; Banana; Brazil; Dictatorship; Human Rights' Abuses; Painting | 2017 | thesis | |
17 | Decker, Donald Joseph | Are you my boyfriend? exploring a choreographic narrative | Choreography; Context;; Familiarity; Meaning; Narrative; Surprise | 2010-08 | thesis | |
18 | Decker, Donald Joseph | Are you my boyfriend? exploring a choreographic narrative | 2010 | thesis | ||
19 | Hill, Scotti | The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraiture | Performance; Self-portraiture | 2011-08 | thesis | |
20 | Pottratz, Katherine I. | Artists live on islands: limitations as a creative ritual | Choreographic process; Creative rituals; Film theory; Flow; Limitations; Modern dance | 2012-08 | thesis | |
21 | Azuma, Mariko | Authenticity, preservation, and the Transnational identity of space: comparing Yin Yu Tang and the linden centre | 2018 | thesis | ||
22 | Hamilton, Charles Mark | Authorship and architectural influences on the Salt Lake Temple | Salt Lake Temple Church architecture; Designs and plans Latter Day Saint temples; Utah; Salt Lake City | 1972 | thesis | |
23 | Zhan, Li | The beautiful beast: the subversive power of monsters in the aesthetics of dance and individual expression | Aesthetics; Dance; Monsters; Performance potential; Possibilities of movements; Subversive power | 2013-08 | thesis | |
24 | Heller, Molly Anne | Becoming incredible: healing trauma through performance | Dance; Healing; Modern dance; Performance studies; Therapy; Trauma | 2015-08 | thesis | |
25 | Carter, Nancy Simpson | Becoming large enough: encompassing subjective and objective perspectives in one whole | Choreography; Integration; Objective; Paradox; Somatics; Subjective; Movement | 2010-08 | thesis |