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Title | Creator | Creation Date |
| 1 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
| 2 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
| 3 |
 |
Plan of Brasilia, called Plano Piloto or Pilot Plan | Lucio Costa | |
| 4 |
 |
Untitled | Rubem Ludolf | 1958 CE |
| 5 |
 |
Metaesquema | Hélio Oiticica | 1957 CE |
| 6 |
 |
Artists Join Hands forming Human Chains in a 'Cem Mil' (100,000) Protest March, June 26, 1978, in Rio de Janeiro | | 1978 CE |
| 7 |
 |
Photographs of 'A Popular Poet' and 'I Do Not Change My Opinion' | | 1965 CE |
| 8 |
 |
Animados Pelo Mesmo Principio (Animated by the Same Principle) | João Câmara Filho | 1974 - 1976 CE |
| 9 |
 |
Antropofogia Matinal (Anthropophagic Morning) | João Câmara Filho | 1974 - 1976 CE |
| 10 |
 |
Uma Prova de Virilidade (Proof of Virility) | João Câmara Filho | 1974 - 1976 CE |
| 11 |
 |
Jogos de Guerra (War Games) | João Câmara Filho | 1974 - 1976 CE |
| 12 |
 |
Magazine Page Showing Placement of Little Trees as a Way to Report to their Readers the Presence of Prior Censorship | | 1976 CE |
| 13 |
 |
Pasquim Censura (Pasquinade Censorship) | | |
| 14 |
 |
Posters by Renato da Silveira (top and middle) and a Recent Picture of the Artist Reproduces as a Postcard | Renato da Silveira | |
| 15 |
 |
Vladimir and Clarice Herzog in New York | | 1973 CE |
| 16 |
 |
Plano Piloto (Pilot Plan) | Lúcio Costa | 1957 CE |
| 17 |
 |
First exhibition at Museum of Modern Art, Sao Paulo: Ruptura | | 1952 CE |
| 18 |
 |
Shapes | Ivan Serpa | 1951 CE |
| 19 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 20 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 21 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 22 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 23 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 24 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
| 25 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
