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TitleDateType
226 Lygia Clark: Uma Retrospectiva (A Retrospective), installation view showing replicas of "Obra Moles" (Soft Works)Image
227 Léon Dégand in an interview with 'Journal of the Arts' in front of works by Cesar Domela and Jean ArpImage
228 Machine Animal (Bicho)Image
229 The Mall on the Monumental Axis, BrasíliaImage
230 ManadalaImage
231 Manifesto do III Salão de Maio (Manifesto of the Third May Salon)Image
232 Manifesto Ruptura (Ruptura Manifesto)Image
233 Mapa de Lopo Homem (Map of Lopo Homem)Image
234 Maresca se Entrega todo Destino (Maresco Offers Herself to Destiny)Image
235 Mater Dolorosa In Memoriam II (On the Creation and Survival of Forms)Image
236 Mater Dolorosa, In Memoriam IIImage
237 MentalspaceImage
238 MetaesquemaImage
239 MetaesquemaImage
240 Metaesquema 362Image
241 Metaesquema 4066Image
242 Metaesquema 519Image
243 Metaesquema IImage
244 Metaesquema, MalekledrianImage
245 Metropolitan Cathedral of Nossa Senhora AparecidaImage
246 Migrants Sleeping Near the Border Fence, Tijuana, MexicoImage
247 Mosquito of Mangueira wearing Oiticica's 'Cape 6 (Parangolé 10)', 1965 CE, and dancing with 'Glass Bolide 5 (Hommage to Mondrian)', 1964 CEImage
248 Mourning - CensoredImage
249 Movimento (Movement)Image
250 Mulher Diante do Espelho (Woman at the Mirror)Image
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