Title | Creator | Creation Date | ||
---|---|---|---|---|
226 |
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Inauguration Day (View of the National Congress Palace) | Thomaz Farkas | 1960 CE |
227 |
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Arte Física: Clareira (Caixas de Brasília) [Physical Art: Clearing (Brasília Boxes)], detail of map | Cildo Meireles | 1969 CE |
228 |
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Vermelho Cortando o Branco (Red and White Cutting) | Hélio Oiticica | 1958 CE |
229 |
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Shantytown Hill | Tarsila do Amaral | 1924 CE |
230 |
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A Negra (The Black) | Tarsila do Amaral | 1923 CE |
231 |
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E.F.C.B. | Tarsila do Amaral | 1924 CE |
232 |
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Study of The Negress | Tarsila do Amaral | 1923 CE |
233 |
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The Negress I | Tarsila do Amaral | 1923 CE |
234 |
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The First Negress | Tarsila do Amaral | 1923 CE |
235 |
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The Negress III | Tarsila do Amaral | 1923 CE |
236 |
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Homem com Cachimbo e Chapéu (Man with a Pipe and Hat) | Agnaldo Manoel Dos Santos | 1950s CE |
237 |
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Reizinho (Little King) | Agnaldo Manoel Dos Santos | 1950s CE |
238 |
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Rei sentado (Sitting King) | Agnaldo Manoel Dos Santos | 1950s CE |
239 |
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Untitled | Agnaldo Manoel Dos Santos | 1950s CE |
240 |
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Christ | Agnaldo Manoel Dos Santos | 1950s CE |
241 |
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Painting no. 11 Rome | Rubem Valentim | 1965 CE |
242 |
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Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
243 |
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Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
244 |
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Tripartite Unity | Max Bill | 1948 - 1949 CE |
245 |
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Oscar Niemeyer | 1968 CE | |
246 |
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Superquadra | 1958 - 1960 CE | |
247 |
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Superquadra | 1958 - 1960 CE | |
248 |
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Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
249 |
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Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
250 |
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NC1 Small Nucleus 1 | Hélio Oiticica | 1960 CE |