|
|
Title | Creator | Creation Date |
| 51 |
 |
Construção No.78 (Construction No.78) | Ivan Serpa | 1955 CE |
| 52 |
 |
Concretion 5629 | Luiz Sacilotto | 1956 CE |
| 53 |
 |
Concretion 5732 | Luiz Sacilotto | 1957 CE |
| 54 |
 |
Composição VI: Distribuição Rítmica Sobre um Sistema Modulado (Composition VI: Rhythmic Distribution of a Modular System) | Willys de Castro | 1953 CE |
| 55 |
 |
Objeto Ritmico No.1 (Rhythmic Object No.1) | Maurício Nogueira Lima | 1953 CE |
| 56 |
 |
Construção No.87 (Construction No.87) | Ivan Serpa | 1955 CE |
| 57 |
 |
Desenho (Design) | Lothar Charoux | 1956 CE |
| 58 |
 |
Untitled | Rubem Ludolf | 1958 CE |
| 59 |
 |
Insertions into Ideological Circuits: Currency Project | Cildo Meireles | 1970 CE |
| 60 |
 |
Hundreds of Mozambican Refugees crossing Lake Niassa (or Lake Malawi), which marks the border between Tanzania and Mozambique, on their way home | Sebastião Salgado | 1994 CE |
| 61 |
 |
Rwandans Collecting Water at a Lake near the Refugee Camp of Benako, Tanzania | Sebastião Salgado | 1994 CE |
| 62 |
 |
Desbravamento da Mata (Taming the Forest) | Candido Portinari | 1941 CE |
| 63 |
 |
Descobrimento (The Discovery of the Land) | Candido Portinari | 1941 CE |
| 64 |
 |
Descoberta do Ouro (Mining of Gold) | Candido Portinari | 1941 CE |
| 65 |
 |
Catequese (Catechesis) | Candido Portinari | 1941 CE |
| 66 |
 |
Indian Woman and Mulatto Woman | Candido Portinari | 1934 CE |
| 67 |
 |
An Illegal Immigrant Hurries Back to Mexico After Being Spotted by a Border Patrol Vehicle, Desert of San Ysidro, California | Sebastião Salgado | 1997 CE |
| 68 |
 |
Two Illegal Immigrants Handcuffed after being Arrested for Illegal Border Crossing, San Ysidro, California | Sebastião Salgado | 1997 CE |
| 69 |
 |
Two Migrants in Tijuana Look into the United States through Cracks in the Steel Border Fence | Sebastião Salgado | 1997 CE |
| 70 |
 |
Political Meeting Organized by the P.K.K. in Atroosh Camp, Iraqi Kurdistan | Sebastião Salgado | 1997 CE |
| 71 |
 |
Migrants Sleeping Near the Border Fence, Tijuana, Mexico | Sebastião Salgado | 1997 CE |
| 72 |
 |
Invitation for the Exhibition of Atelier Abstração at Museu de Arte Moderna de São Paulo | Norberto Nicola | 1956 CE |
| 73 |
 |
Poster for the International Festival of Brazilian Cinema | Alexandre Wollner; Geraldo de Barros | 1954 CE |
| 74 |
 |
Poster for the First São Paulo Biennial | Antônio Maluf | 1951 CE |
| 75 |
 |
Roseni Performing with P 07 Parangolé Cape 04 "Clark" | Hélio Oiticica | 1965 CE |
