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Title | Creator | Description | Department | Date |
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Salt and mortar | Flack, Douglas McGarren | My work constructs a culture that lives in the salt flats. I desire to understand why people do what they do and 1 achieve this by capturing my own experiences through every day life and translating them into a visual representation on the salt flats. I choose to paint these people in their contex... | Art/Art History | 2008-05 |
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Simple stuff...? | Kurtz, Michelle | We are all part of the human condition that I describe as being human in a social, cultural, and personal context. To be part of this plays a part in shaping who we are. Often times we are not aware of, or have forgotten situations in our lives that have shaped us. In SIMPLE STUFF... ? I use clic... | Art/Art History | 2010-08 |
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Study for my voice | Allred, Matthew Wade | Within myself I find many perspectives, there are places to think from, places to stand in, and places to speak about. This work touches many of these places and examines the experiences of occupying them. These photographs are the manifestation of an exploration to understand myself, and the natu... | Art/Art History | 2008-08 |
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Surface...ing | Zimmer, Cristin Elizabeth | What happens inside our minds is often just as important as what transpires in the natural world. These private thoughts, feelings, emotions and ambitions are crucial in forming our being. Although difficult to access and sometimes accept, these fragments that make up our psyche can be contradictor... | Art/Art History | 2010-07 |
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Tailings | Larkin, Vincent Stuart | This paper describes the research leading up to and a description o f the MFA thesis exhibit titled "Tailings." The exhibit addresses the increasing saturation o f our environment with pollutants, toxins, and manufacturing waste through sculptural work that contains or represents the physical ... | Art/Art History | 2008-05 |
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Tapisseries | Prevot, Meredith Louise Maynes | Patterns appear throughout the history of visual art. It is on printed or woven cloth that these patterns are most ubiquitous, and at the same time, least noticed. Over the past few years, textile design and decorative arts patterning have become a significant interest in my artwork, especially the ... | Art/Art History | 2007-12 |
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The ultimate American icon is the astronaut: who is more heroic or more alone? | Rice, Andrew | My work is about the human condition and specifically about loneliness and melancholy. Who or what is the subject of that loneliness? While I believe in most art as stemming from yourself, from within and somewhat autobiographical, I am confident that I am commenting on people and humanity as a who... | Art/Art History | 2012-12 |
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Van Chu photographic brushstroke | Chu, Van | Photographic Brushstroke, a term that has been an oxymoron, is no longer. Being a visual artist is in many ways like being a singer, if you sound like everyone else then why even bother singing. If you go to my exhibition with a predetermination of what photography is, you will not find a single ... | Art/Art History | 2010-05 |
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Where things belong | Gawle, Benjamin Joseph | The following is a written account supporting the sculptures in my MFA Thesis Exhibition. Each piece consists of ceramic objects along with ceramic containers to house such objects. These containers protect, present, and preserve the objects in an organized way. The containers are also labe... | Art/Art History | 2006-06 |
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You are here: visualizing Provo agriculture an MFA community-based art education final project | Lofgreen, Carlyn | As an undergraduate student, I was consistently taught that art was anything that was in a museum or gallery. Art was a commodity to be bought and sold, and while the artist could derive pleasure from the making of it, art was in the end purely aesthetic and unattached to the mundane task of daily ... | Art/Art History | |