Title | Creator | Creation Date | ||
---|---|---|---|---|
176 | Migration Series: The trains were packed continually with migrants | Jacob Lawrence | 1940 - 1941 CE | |
177 | Migration Series: The migration gained in momentum | Jacob Lawrence | 1940 - 1941 CE | |
178 | Migration Series: They were very poor | Jacob Lawrence | 1940 - 1941 CE | |
179 | Jesus and Three Marys | William H. Johnson | 1935 CE | |
180 | Migration of the Negro, no. 3 | Jacob Lawrence | 1940 - 1941 CE | |
181 | Migration of the Negro, no. 52 | Jacob Lawrence | 1940 - 1941 CE | |
182 | Forward | Jacob Lawrence | 1967 CE | |
183 | Harriet Tubman, no. 7 (series) | Jacob Lawrence | 1939 - 1940 CE | |
184 | Self-Portrait | Jacob Lawrence | 1977 CE | |
185 | Interior Scene | Jacob Lawrence | 1937 CE | |
186 | The Judgment Day | Aaron Douglas | 1939 CE | |
187 | Into Bondage | Aaron Douglas | 1936 CE | |
188 | Mexican Church | Edward Burra | ca. 1938 CE | |
189 | Skeleton Party | Edward Burra | ca. 1952 - 1954 CE | |
190 | Soldiers at Rye | Edward Burra | 1941 CE | |
191 | Dancing Skeletons | Edward Burra | 1934 CE | |
192 | Harlem | Edward Burra | 1934 CE | |
193 | The Snack Bar | Edward Burra | 1930 CE | |
194 | Science | Aaron Douglas | 1930 CE | |
195 | Drama | Aaron Douglas | 1930 CE | |
196 | Birds in Flight | Aaron Douglas | c. 1927 - 1929 CE | |
197 | The Prodigal Son | Aaron Douglas | ca. 1927 CE | |
198 | Plate | Aaron Douglas | undated | |
199 | Let My People Go | Aaron Douglas | 1927 CE | |
200 | Congo | Aaron Douglas | 1928 CE |