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|
Date | Creator | Title | Subject |
26 |
|
1981-04 | Grey, Melisse Louise | Bibliotherapy: Psychological uses of literature | Literature -- Psychology |
27 |
|
1992-08 | Kleine, Hilari Jan | Blind spot and other stories | Fiction - 21st Century |
28 |
|
1985-08 | Mattsson, Michele | Blossoming death, wilting beauty: Flower imagery in Sylvia Plath's poetry | Plath, Sylvia -- Criticism and interpretation |
29 |
|
1968 | Saffle, Michael Benton | The character of the modern creator portraits of artists in the Twentieth-century novel | Artists in literature |
30 |
|
1986-06-13 | Kuchar, Kamila | Chaucer's Canterbury Tales and the Limbourgs' Tres Riches Heures: "The Naturalism of Late Gothic" | Chaucer, Geoffrey, -1400. Canterbury tales; Très riches heures du duc de Berry |
31 |
|
1988 | Smyth-Kirschner, Yvonne Marie | Childhood in Ireland | |
32 |
|
1985-12 | Gilson, James Douglas | Class consciousness in Dickens' novels | Subjects: Dickens, Charles, 1812-1870 - Criticism and interpretation; Great Britain - Social conditions - 19th century |
33 |
|
1986-06 | Anderson, Robert Frost | Cleansing the doors of perception: William Blake's The Marriage of Heaven and Hell | Blake, William, 1757-1827; Marriage of Heaven and Hell |
34 |
|
1973-06 | Edison, Carol Anne | The concept of immortality in the works of Ernest Hemingway | Hemingway, Ernest, 1899-1961 |
35 |
|
2000-12 | Lusty, Kathryn | The conciliatory clock: Conceptions of time in Shakespeare's Winter's Tale | Shakespeare, William, 1564-1616. Winter's tale; Shakespeare, William, 1564-1616 -- Criticism and interpretation; Time in literature |
36 |
|
1989-08 | Cannon, Dianna | The convergence of literature and art in the works of T.S. Eliot and Pablo Picasso | Eliot, T.S. (Thomas Steams), 1888-1965 - Criticism and interpretation; Picasso, Pablo, 1881-1973; Art and literature |
37 |
|
1993-08 | Ailion, Michael Edward | Crickets and other stories | Short stories; English |
38 |
|
1975-03 | Berntsen, Marilynn | Days from Karelia | American Fiction - 20th Century |
39 |
|
1992-06 | Johnson, Kimberly | Degrees of resistance: The reader's relationship to T. S. Eliot's The Waste Land | Eliot, T. S. (Thomas Stearns), 1888-1965. Waste land |
40 |
|
1990-06 | Stephanie Ames | Dependence in Shakespeare's Coriolanus | Shakespeare, William, 1564-1616; Coriolanus |
41 |
|
1992 | Schilling, Todd James | Descent | |
42 |
|
1988-08 | Mason, Michelle | The distinction between literary and best selling novels as evidenced by The Mammoth Hunters, The Handmaid's Tale, and Les Guerilleres | Auel, Jean M. Mammoth hunters; Atwood, Margaret, 1939- Handmaid's tale; Wittig, Monique. Les Guérillères; Best sellers |
43 |
|
1980-05 | Aspinwall, Marla Jo | Dostoevsky's view of man possessed by an idea in Crime and Punishment | Dostoyevsky, Fyodor, 1821-1881 |
44 |
|
1985-12 | Perkins, Pamela Ann | Dreams and the growth of skepticism in Keats's poetry | Keats, John, 1795-1821. Fall of Hyperion |
45 |
|
1997-06 | Keller, Pamela Olsen | Dusty roads: A collection of short stories | Fiction - 21st Century |
46 |
|
1967 | Snow, Edwina Jo | E. E. Cummings' aesthetic and a comparison of his poetry and painting | Cummings, E. E. (Edward Estlin), 1894-1962 |
47 |
|
1990-08 | Freimann, Corinna Angela | Egotism and delusion about women: The link in four Shakespeare plays | Shakespeare, William, 1564-1616 - Criticism and interpretation; Women in literature |
48 |
|
1996 | Skordas, Jennifer Lorraine | Elizabeth Bishop : the origin of the imagination and the evolution of her poetry | Criticism and interpretation |
49 |
|
1997 | Seal, Laurie Michelle | Energy in Willa Cather's My Antonia and O Pioneers! : a union of landscape, personalities, and art | Cather, Willa; cristicism and interpretation |
50 |
|
1973-08 | Larsen Jr., Darrell Reed | Ernest Hemingway: The society which produced him, his response to that society, and comparative elements in the later works of French existentialist authors | Hemingway, Ernest, 1899-1961; French literature -- 20th century -- History and criticism |