|
|
Title | Creator | Creation Date |
| 76 |
 |
Penetrable Magic Square No. 5, view 1 | Hélio Oiticica | 1978 CE |
| 77 |
 |
Penetrable Magic Square No. 5, view 2 | Hélio Oiticica | 1978 CE |
| 78 |
 |
Penetrable Magic Square No. 5, view 5 | Hélio Oiticica | 1978 CE |
| 79 |
 |
Livro da Criação, "Luz" (Book of Creation: "Light") | Lygia Pape | 1960 CE |
| 80 |
 |
The Inside and the Outside (top); The Climber (bottom) | Lygia Clark | 1963 CE; 1964 CE |
| 81 |
 |
Collective Head (1) | Lygia Clark | 1975 CE |
| 82 |
 |
Collective Head (2) | Lygia Clark | 1975 CE |
| 83 |
 |
Water and Shells | Lygia Clark | 1966 CE |
| 84 |
 |
Jarro com Limões, Laranjas e Rosas (Jug with Lemons, Oranges, and Roses) | Beatriz Milhazes | 2000 CE |
| 85 |
 |
O Buda | Beatriz Milhazes | 2000 CE |
| 86 |
 |
Maresca se Entrega todo Destino (Maresco Offers Herself to Destiny) | Liliana Maresca | 1993 CE |
| 87 |
 |
Nature Morte | Regina Vater | 1989 CE |
| 88 |
 |
Mater Dolorosa In Memoriam II (On the Creation and Survival of Forms) | Roberto Evangelista | |
| 89 |
 |
Artists Join Hands forming Human Chains in a 'Cem Mil' (100,000) Protest March, June 26, 1978, in Rio de Janeiro | | 1978 CE |
| 90 |
 |
Photographs of 'A Popular Poet' and 'I Do Not Change My Opinion' | | 1965 CE |
| 91 |
 |
Animados Pelo Mesmo Principio (Animated by the Same Principle) | João Câmara Filho | 1974 - 1976 CE |
| 92 |
 |
Antropofogia Matinal (Anthropophagic Morning) | João Câmara Filho | 1974 - 1976 CE |
| 93 |
 |
Uma Prova de Virilidade (Proof of Virility) | João Câmara Filho | 1974 - 1976 CE |
| 94 |
 |
Jogos de Guerra (War Games) | João Câmara Filho | 1974 - 1976 CE |
| 95 |
 |
Pasquim Censura (Pasquinade Censorship) | | |
| 96 |
 |
A Morte no Sábado - Tributo a Wladimir Herzog (Death on Saturday - Tribute to Vladimir Herzog) | Antonio Henrique Amaral | 1974 CE |
| 97 |
 |
Detalhe com Corda (Detail with Rope) | Antonio Henrique Amaral | 1972 CE |
| 98 |
 |
Suspensa Azul (Suspended Blue) | Antonio Henrique Amaral | 1973 CE |
| 99 |
 |
Posters by Renato da Silveira (top and middle) and a Recent Picture of the Artist Reproduces as a Postcard | Renato da Silveira | |
| 100 |
 |
Navegante (Navigator) | Antonio Henrique Amaral | 1984 CE |
