Author | Title | Subject | Date | Publication Type | ||
---|---|---|---|---|---|---|
51 | Oga, Misa | The development of allegro: exploring how music, throught predagogical practices in ballet class, can have lasting effects on a dancer | 2019 | thesis | ||
52 | Bagley, Claire Valene | Editing in the choreographic process: "I am a work of fiction" | Creative process; Dance; Film editing; Graphic novel; Montage; Pina Bausch | 2013-08 | thesis | |
53 | Findlay, John Craig | The effects of smartmusic® on sixth-grade beginning string instrumentalists' practice time, practice motivation, attitudes toward smartmusic®, and performance scores | 2019 | dissertation | ||
54 | Sailer, Kathryn Patricia | Embodied spectacle: an exploration of three-dimensional performance | Choreography; Installation; Modern dance; Postmodern; Site-specific; Three-dimensional; Dance | 2012-05 | thesis | |
55 | Ramos, Alysia | Embodying eclecticism from potential to actualization | Choreography; Composition; Dance; Eclecticism; Embodiment; Nomadic theory | 2014-08 | thesis | |
56 | Stich, Elizabeth Anne | Embodying identity: movement as an experience of self | Creativity; Identity; Laban movement analysis; Modern dance; Movement; Self; Dance; Personality psychology | 2011-05 | thesis | |
57 | Womack, Jessica Sara | Embodying tourism and performance: a new look at landscape | Modern dance; Tourism and the arts | 2008-08 | thesis | |
58 | Alberge, Florian | Exploring personal truth: staging a theatre of the body | abscence; biography; body; dance-theatre; experience; presence | 2017 | thesis | |
59 | Bidwell, Benjamin Robert | Following fish and fractals: self-affine patterns of hierarchical formal structures embedded in the contours of Rolf Wallin's ning | 2018 | dissertation | ||
60 | Schaub, Carly | From tremor to movement: a choreographic process with fitzmaurice voicework | choreography; Fitzmaurice; improvisation; technique; tremor; voicework | 2016 | thesis | |
61 | Tolman, Doug | Generative Spaces | 2023 | |||
62 | Baldridge, Seth Robert | Gold powder and gunpowder: the appropriation of western firearms into japan through high culture | Arquebus; Firearms; Japan; Lacquer; Momoyama; Noh | 2015-08 | thesis | |
63 | Guiley, Patricia Kathleen | Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats | Gajin fujita; Global contemporary; Graffiti; Identity; Street art; Urban art | 2015-05 | thesis | |
64 | Lopez, Brianna Nicole | Growing a new body: physicalizing paradoxical systems of grief and desire | 2019 | thesis | ||
65 | Hohlios, Stephanie M. | Henry Fuseli's The Death of Dido at somerset house | Dido; Feminine; Fuseli; Fussli; Joshua Reynolds; Somerset | 2011-08 | thesis | |
66 | Pickett, Sara | Hip hop artistic model | Hip-hop; Hip-hop dance; Break dancing | 2008-11 | thesis | |
67 | Knapp, Alma J. | The history of Cyrus Edwin Dallin: Eminent Utah sculptor | Dallin, Cyrus E. (Cyrus Edwin), 1861-1944 Sculptors -- Utah -- Biography | 1948 | thesis | |
68 | Habel, Shana L | History of the modern dance program at the University of Utah 1968-1989 | Dance education; Dance history; Elizabeth R. Hayes; Higher education; Modern dance; University of Utah | 2010-07 | thesis | |
69 | Evans, Marilyn Rae | The history of the San Francisco ballet company from its beginnings through 1951 | 1960 | thesis | ||
70 | Ballou, Matthew Harris | Homosocial tension in aaron siskind's bill lipkind 10: an examination of the male form as outlier | Abstract Expressionist; Homosocial; Photography | 2015 | thesis | |
71 | Crotty, Michael | The hopefuls: growing sideways in the choreographic process | Children's Studies; Innocence; Modern Dance; Queer; Queer Theory; Romanticism | 2017 | thesis | |
72 | Humphrey, Jessica Renee | How contact improvisation can inform the creative process and enliven its product | Improvisation in dance; Modern dance | 2008-05 | thesis | |
73 | Bowman, Marcel | The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird | Firebird; Harmonic; Human; Princesses; Stravinsky; Supernatural | 2015-08 | dissertation | |
74 | Craig, Douglas Brewster | Interpretation and analysis of three works for the Bassoon | 1958 | |||
75 | Gotter, Natalie E. | Intimacy for deconstruction: the role of female relationships in choreography | Dance | 2017 | thesis |