|
|
Title | Creator | Creation Date |
126 |
|
Harriet Tubman series, panel 22 | Jacob Lawrence | 1938 - 1940 CE |
127 |
|
Harriet Tubman series, panel 27 | Jacob Lawrence | 1938 - 1940 CE |
128 |
|
Harriet Tubman series, panel 20 | Jacob Lawrence | 1938 - 1940 CE |
129 |
|
Harriet Tubman series, panel 21 | Jacob Lawrence | 1938 - 1940 CE |
130 |
|
Harriet Tubman series, panel 28 | Jacob Lawrence | 1938 - 1940 CE |
131 |
|
Harriet Tubman series, panel 23 | Jacob Lawrence | 1938 - 1940 CE |
132 |
|
Harriet Tubman series, panel 26 | Jacob Lawrence | 1938 - 1940 CE |
133 |
|
Harriet Tubman series, panel 29 | Jacob Lawrence | 1938 - 1940 CE |
134 |
|
Harriet Tubman series, panel 30 | Jacob Lawrence | 1938 - 1940 CE |
135 |
|
Harriet Tubman series, panel 31 | Jacob Lawrence | 1938 - 1940 CE |
136 |
|
Mining the Museum (detail) | Fred Wilson | 1992 CE |
137 |
|
Chillin With Liberty | Renée Cox | 1998 CE |
138 |
|
Woman Painting the Bay Bridge | Faith Ringgold | 1988 CE |
139 |
|
Cut | Kara Walker | 1998 CE |
140 |
|
The Wreckage of the Medusa | Robert Colescott | 1978 CE |
141 |
|
Shirley Temple Black and Bill Robinson White | Robert Colescott | 1980 CE |
142 |
|
I Gets a Thrill, Too, When I Sees De Koo | Robert Colescott | 1978 CE |
143 |
|
Les Demoiselles d'Alabama: Vestidas | Robert Colescott | 1985 CE |
144 |
|
Eat Dem Taters | Robert Colescott | 1975 CE |
145 |
|
Nubian Queen | Robert Colescott | 1966 CE |
146 |
|
Sleeping Beauty? | Robert Colescott | 2002 CE |
147 |
|
Relationship | Robert Colescott | 1949 CE |
148 |
|
1919 | Robert Colescott | 1980 CE |
149 |
|
End of the Trail | Robert Colescott | 1976 CE |
150 |
|
The Bilingual Cop | Robert Colescott | 1955 CE |